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    VIKNová média > kyberkultura, umění interaktivních médií, digitální média, transhumanismus
    BUBBLE
    BUBBLE --- ---
    KHALAVERA: to docela cumim ze to oblsehli i vizualne...:/
    KHALAVERA
    KHALAVERA --- ---
    Art is a software plug-in.
    An interview with Peter Luining
    http://www.artificial.dk/articles/luining.htm
    KHALAVERA
    KHALAVERA --- ---
    Erkki Huhtamo: On the Identity Crisis of Interactive Art
    http://neme.org/main/591/trouble-at-the-interface-2
    MARURA
    MARURA --- ---
    zajimave vypadajici festivalek OPTRONICA bude tam treba tahle legracka reactable (na to uz tu jednou link byl,myslim)
    MARURA
    MARURA --- ---
    KHALAVERA:(prichazim o bod teda)ale cooo????taky nevim...:))
    KHALAVERA
    KHALAVERA --- ---
    BUBBLE: bylo to i v tomhle klubu... první, co mě udřelo do očí je i ten infografický styl (včetně fontu na úvodní stránce) a pravděpodobně indický původ spoluautora :D :D
    BUBBLE
    BUBBLE --- ---
    KHALAVERA: pro me je to prvni vec podobnyho razeni se kterou jsem se setkal takze nevim a rad se dam podat .)
    KHALAVERA
    KHALAVERA --- ---
    BUBBLE: kdo uhádne, po čem/kom jsou podobné projekty už jen "další", má bod :)
    BUBBLE
    BUBBLE --- ---
    http://wefeelfine.org/

    We Feel Fine is an exploration of human emotion on a global scale.

    Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world's newly posted blog entries for occurrences of the phrases "I feel" and "I am feeling". When it finds such a phrase, it records the full sentence, up to the period, and identifies the "feeling" expressed in that sentence (e.g. sad, happy, depressed, etc.). Because blogs are structured in largely standard ways, the age, gender, and geographical location of the author can often be extracted and saved along with the sentence, as can the local weather conditions at the time the sentence was written. All of this information is saved.

    The result is a database of several million human feelings, increasing by 15,000 - 20,000 new feelings per day. Using a series of playful interfaces, the feelings can be searched and sorted across a number of demographic slices, offering responses to specific questions like: do Europeans feel sad more often than Americans? Do women feel fat more often than men? Does rainy weather affect how we feel? What are the most representative feelings of female New Yorkers in their 20s? What do people feel right now in Baghdad? What were people feeling on Valentine's Day? Which are the happiest cities in the world? The saddest? And so on.

    The interface to this data is a self-organizing particle system, where each particle represents a single feeling posted by a single individual. The particles' properties – color, size, shape, opacity – indicate the nature of the feeling inside, and any particle can be clicked to reveal the full sentence or photograph it contains. The particles careen wildly around the screen until asked to self-organize along any number of axes, expressing various pictures of human emotion. We Feel Fine paints these pictures in six formal movements titled: Madness, Murmurs, Montage, Mobs, Metrics, and Mounds.

    At its core, We Feel Fine is an artwork authored by everyone. It will grow and change as we grow and change, reflecting what's on our blogs, what's in our hearts, what's in our minds. We hope it makes the world seem a little smaller, and we hope it helps people see beauty in the everyday ups and downs of life.

    - Jonathan Harris & Sepandar Kamvar
    May 2006
    MARURA
    MARURA --- ---
    setpixel
    bylo to tu nebylo? nevim...:)
    KHALAVERA
    KHALAVERA --- ---
    http://openstudio.media.mit.edu

    WHAT IS OPENSTUDIO?

    OPENSTUDIO is web + art + community + economics. It is an open ended experiment that couples a very simple drawing tool with an economy of artists, curators, collectors, dealers and viewers. Members can create and modify drawings, set prices and licenses, exchange and exhibit work, view financial records, and commission one another. Because OPENSTUDIO is experimental, we continually add features and take others away. We know that the system is not perfect, but it was never meant to be. Please enjoy it as it is with its quirks.
    CURRENCY

    The foundation of our online economy is the "Burak" currency (named after the trustworthy Burak himself). You can earn Buraks by selling your artwork.

    OPENSTUDIO breaks free of the shackles of the tired gallery/patron model representative of the classic schmism between the creative and the lucrative. It is a declaration of the new post digital ideals: transparency, community, and cooperation, yet grounded in economic reality.
    KHALAVERA
    KHALAVERA --- ---
    The Next Layer or: The Emergence of Open Source Culture
    http://theoriebild.ung.at/view/Main/TheNextLayerDraft
    KHALAVERA
    KHALAVERA --- ---
    pokud má peníze třeba od města, tak asi ne :)
    EFHA
    EFHA --- ---
    no hlavne ze to nevadi tem komisim co udelujou granty zejo :)
    PASHWAKA
    PASHWAKA --- ---
    no prave., .jestli dobre pocitam, tak byla ziva partitura uvedena 4x.. {3x praha a jednou olomouc., .} coz je teda sakra malo, kdyz jeste ke vsemu prvni dve uvedeni sou hned za sebou a pulku salu obsadi jeho pribuzni, spoluzaci atp...
    KHALAVERA
    KHALAVERA --- ---
    EFHA: j, v tomhle určitě
    EFHA
    EFHA --- ---
    KHALAVERA: myslim je potreba rozlisovat tomasovo "umeni" (rgb, rgb2, ziva partitura, ...) a "popularni zabavu" (floex(i band), samorost, znelky pro oskar, atd.). nicmene myslim ze i kdyz (letos? pristi rok?) dokonci novou floexi desku tak k ni bude koncertu jak safranu
    KHALAVERA
    KHALAVERA --- ---
    EFHA: hm, asi jo... ale třeba soundtrack k samorostu 2 dosáhl svým způsobem lidových vrstev :)
    EFHA
    EFHA --- ---
    KHALAVERA: mas dojem ze floex to nekdy delal jinak nez pro par vyvolenych? (sme se o tom onehda dlouho bavili s pashwakou)
    Kliknutím sem můžete změnit nastavení reklam