:D

KHALAVERA: yes! odhlasil jsem se minuly tyden po druhe zprave... bitches!

hologore



http://video.google.com/videoplay?docid=3706267144862850498&q=live+aid+gore&total=26&start=0&num=10&so=0&type=search&plindex=0

KHALAVERA: :-))) genialni!

megalol... aneb "taky vám chodí maily od Galerie 5. patro?" :)
http://www.itchybit.org/index.php?msgid=109

na Slovensku vychází zajímavý titul...

Katarína Rusnáková
História a teória mediálneho umenia na Slovensku
http://kyberia.sk/id/3244661

tak kdopak se prihlasi? :)

1] CTM.08 & TRANSMEDIALE.08 – CALL FOR ENTRIES

***************************************************************************

club transmediale.08 - Unpredictable
festival for adventurous music and related visual arts
25 January - 2 February 2008

transmediale.08 – Conspire ...
festival for art and digital culture berlin
29 January - 3 February 2008

Call for Entries

// Deadline: 7 September 2007
// Award Ceremony: 2 February 2008

Find the complete call and submission form for download at:
http://www.clubtransmediale.de/index.php?id=90&tx_ttnews%5Btt_news
or
http://www.clubtransmediale.de/fileadmin/bilder/PDF/PDF_CTM08/tmctm08_call.pdf


*transmediale.08 - Conspire ... & club transmediale.08 - Unpredictable*

Together, transmediale and club transmediale invite the submission of works and projects for the festival 2008. Submissions for both festivals participate in the transmediale Award 2008, for which an international jury will award prizes totalling ca. 10 000 EUR. Abstracts and papers for a proposed Vilém Flusser Theory Award are also being invited.

As one of the leading international festivals for art and digital culture, transmediale presents and pursues the advancement of artistic positions reflecting on the socio-cultural, political and economic impact of new technologies. It seeks out artistic practices that not only respond to scientific or technical developments, but that try to shape the way in which we think about and experience the technologies which impact virtually all aspects of our daily lives. As such, transmediale understands media technologies as cultural techniques that need to be embraced in order to comprehend, critique, and shape global societies.

club transmediale (CTM) is a prominent international festival dedicated to contemporary electronic, digital and experimental music, as well a the diverse range of artistic activities in the context of sound and club culture. CTM presents projects that experiment with new aesthetic parameters and new forms of cooperation, develop possibilities for informational and economic self-determination, and reflect on the role of contemporary music against the backdrop of technological and social transformations. Now more than ever, music emerges as a laboratory for multiform experiments and as an active agent that allows for new cultural techniques to be tested and proffered to the wider world. CTM puts the focus on direct experience, risk-taking and personal interaction, and thereby emphasises the situational potential of live performance, the interplay of various media – sound and image, in particular – and candid exchange between sub-cultural and academic initiatives.

transmediale is a project of the Kulturprojekte Berlin in cooperation with Haus der Kulturen der Welt.transmediale is funded by the German Federal Cultural Foundation. club transmediale is funded by Hauptstadtkulturfonds.

[ MARURA @ MAX/MSP/JITTER | PURE-DATA | ]

LOSS Livecode - Festival of Audio Visual Livecoding
20-22 July 2007, Sheffield UK

[ MARURA @ MAX/MSP/JITTER | PURE-DATA | ]
Advanced workshops
VVVV
Max
Processing

http://moma.org/exhibitions/2007/automatic_update/index.html

As with any vibrant art form, new media finds itself historicized in multiple and evolving ways. Significant attention has been paid to whether the field is alive, dead (date negotiable), or risen from the grave, and to defining its constituent elements. Automatic Update, an exhibition at New York's Museum of Modern Art organized by Barbara London, argues that new forms of media art rose with the swell of the dot-com era and became mainstream in its wake. The five installations included, all drawn from the moment after the bubble burst, speak less to the internet or interactivity and more to a culture saturated with media of all kinds. As markers of this designated cultural moment, the works on view vary widely in their ideas and approaches. Jennifer and Kevin McCoy explore the interplay between the construction of cinematic genre and the development of personal history in Our Second Date (2004). Xu Bing ponders remote communication in Book from the Ground (2007, and in-progress) in which a dialogue between two individuals, separated by a mylar screen, is translated into a vocabulary of computer-like icons. Also featured are new and recent works by Cory Arcangel, Paul Pfeiffer, and Rafael Lozano-Hammer. It's arguable whether new media art has become mainstream, yet the assertion that the Internet has fundamentally changed contemporary culture and propelled new art forms is undeniable. This influence is explored in screenings organized by London with Hanne Mugaas that run concurrently with the exhibition, including signature works by film and video-makers such as Iara Lee, Kristin Lucas, Takeshi Murata, Miranda July and Marcin Ramocki, among others. Automatic Update is on view until September 10th. - Lauren Cornell

[ KHALAVERA @ FUTURE OF NET and COMMUNICATION :: nbusr123 ]

výborný článek důkladně zpochybňující přetrvávající mýtus 90. let o internetu bez hranic, tedy internetu, který zplošťuje svět

dotaz - onehda jsem nekde videl mapu londynskeho metra, kde byly misto stanic jednotlive web 2.0 sluzby (a linky odpovidaly nejake kategorii) - a ted to ani za boha nemuzu dohledat. nevideli jste to nekdo? diky moc!!

The Policeman's Beard Is Half-Constructed (1984) [PDF, 33mb]
http://www.ubu.com/historical/racter/index.html

With the exception of this introduction, the writing in this book was all done by a computer.

Dreamlines
ulet krasna vec..a genialni napad :-) (made with Processing)

http://content.reticular.info/2007/06/13/miltos-manetas-2/

nadhera...
Pablo Valbuena's Augmented Sculpture v 1.0

http://www.pablovalbuena.com/augmsculpt_condeduque_web.mov
http://www.we-make-money-not-art.com/archives/009610.php

tak tohle je úplně nejvíc!!! vůbec nechápu; ten člověk se musel přenést v čase... udělat takovouhle věc v roku 2001 a navíc je pořád ještě popředu - jedna z nejlepších net art věcí za dlouhou dobu - nail, nail, nail her down... give her what she need... tra la la :D :D

KENNETH TIN-KIN HUNG >> Badminton



http://www.tinkin.com/badminton/badminton.html

http://www.tinkin.com