trochu info o tom jak se umelecka luza "vyrovnava" s tim, ze by mela byt Manifesta v Rusku(myslim, ze se s tim vyrovnaj pokazdy pri pohledu na svoje income polozky na bankovnim uctu)
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The strangest part of Manifesta’s statements are the frequent gaps between language and reality. König insists that artists won’t be censored, and yet artists are cautioned to operate “within Russian law.” Both König and Fijen insist that the Biennial has goals larger and longer-ranging than standing up to totalitarian rule. As though doing so would limit their historical impact. But what do we remember about the 1968 Olympics, other than the Black Power Salute? And what do we remember about artists who operated within Germany’s guidelines, in 1937?
http://artfcity.com/.../03/25/manifesta-still-plans-to-stay-in-russia-we-fight-for-artistic-freedom/