The War on Television is made almost entirely from images derived from interference fractured digital television broadcasts. These are randomly processed and manipulated through layers of scratch techniques exaggerating the stuttering fragmentation.
The pristine digital veneer, the authority and reliability of the always-on 24 hour news channel fucked-up, becoming abstracted into a flow of jarring noise and stammering incoherence. A celebration of digital anti-aesthetics, excess and entropic fallibility.