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    JONYamplified worship - maximum volume yields maximum results
    MATHEW
    MATHEW --- ---
    The Skull Defekts And Lasse Marhaug - Infekted Skulls [2006]



    "Infekted skulls" it is a live recording from oslo with LASSE MARHAUG recorded at Chateau Neuf in Oslo. The Skull Defekts is a four-headed beast consiting of Henrik Rylander( ex- Union Carbide Productions), Joachim Nordwall (ex KID COMMANDO, ALVARS ORKESTER , THE IDEALIST and he is also doing the awesome label IDEAL RECORDINGS ), Eric Olofsson & Jean-Louis Huhta. You may meet the band in different shapes. You may be treated well. Limited to 100 copies with Screenprinted fold-in card sleeve."

    http://sharebee.com/9de4df9d
    pass:haloid
    MATHEW
    MATHEW --- ---
    Sunn o))) Live In Paris 12-12-2007



    Here's a choice soundboard recording of the great Sunn O))) caught live in Paris.....

    http://lix.in/2e6ed626
    WELL
    WELL --- ---
    Kurihara byl famózní. Dostalo mě to stejně jako loni, trochu jinak, ale přece.
    JONY
    JONY --- ---
    _ELPH_: no boris JSOU imho hardrocková kapela. :-) Hráli poměrně dlouho, v sestavě měli Michio Kuriharu. Nebylo to špatné, ale ten jejich první koncert mi sedl víc. Nicméně spíš byl dnes problém u mne než u Boris. Každopádně Growing nahlas a na silné aparatuře jsou paráda.
    _ELPH_
    _ELPH_ --- ---
    JONY: a co boris samotny? kamarat co ich videl v londyne hovoril ze toto turne nic moc. ze nejaky hardrock hrali alebo co...?
    mam dilemu ci ist do viedne alebo nie...
    JONY
    JONY --- ---
    Tak Growing na aparatuře Boris byli parádní.
    JONY
    JONY --- ---
    Goliath Bird Eater - "Pentagon Black" (Ruralfaune, 2008)



    If you’re afraid of spiders, I don’t recommend Googling the term ‘Goliath Bird Eater.’ You’re liable to end up on your ass, in shambles, crying for your mommy. You see, the goliath bird-eating spider is the largest spider in the world, which lives up to its name but is apparently fairly harmless to humans (Seriously? Only FAIRLY harmless?). Southern Californian black magician Bob Bruno – who is a member of the Not Not Fun extended family – has chosen to share his nom de guerre with our favourite grandiose arachnid. Being far less harmful to humans in the physical sense than his namesake, GBE (the musical project) more than makes up for it in the skull-shattering, soul-crushing, cerebellum-squishing sense.

    In simple terms, “Pentagon Black” is a trio of dense, metal-inspired drone pieces. But there’s more to it than that: The assistance from Rafe Mandel (The For Carnation) and the Pocahaunted girls on “Loop of Pine,” the mid-song silence breaks in “Shiranui,” and the title track – which could be an alternate soundtrack for the intro of Holy Mountain. All of these elements make “Pentagon Black” transcend all things drone and metal. As a matter of fact, I take the first sentence of this paragraph back. This record comprises a trio of complex sonic rituals bearing subtle hints of doom, drone, metal, Slint, Jodorowsky and you fuckin’ name it! It’s a damn great record, and it’s got some of the slickest cover art ever to grace a CD-R! Highly recommended!!! 9/10 -- Bryon Hayes (6 May, 2008) digitalisindustries.com

    btw doporučuji i debutové album co vyšlo u notnotfun

    http://www.sendspace.com/file/5iroyk

    JONY
    JONY --- ---
    Burial Hex - "Initiations" (Aurora Borealis, 2008)



    Clay Ruby. (feedback, voice, PAIA 4700, samples, microphones, homemade oscillators, metal, organs, earth, distortion, delay, insect, reverb, electric piano and analog tape)

    Burial Hex first made itself known to Aurora Borealis a few years ago when browsing obscure blackened electronic treats online. The subsequent purchase delivered a rather bizarre cassette tape, totally without markings, and a cryptic, darkly printed simple cover bearing ancient symbols and occult schematics: "Curses of the Earth" indeed. It conjured all sorts of imaginings - nocturnal rites, lonely vigils with archaic analogue equipment, moonlight, madness...

    In 2007 Aurora Borealis found itself face to face with Burial Hex across the strings of the ether, in communication via email, almost wholly by accident and coincidence. Taking this to be a sign, perhaps the hand of destiny, a deal was secured to release something. More instinct than reaction, no one knew what to expect. The "oppressive necro electronics" of the recordings heard so far gave little idea of what lay in store, of the new depths to be explored, the madness to be embraced.

    "Initiations", the debut recording for Aurora Borealis, is a lengthy proposition. Clocking in at one hour, thirteen minutes, it represents a journey, a metaphysical odyssey of uncertain outcome. From the psycho-religious clamour of 'Will to the chapel' with its jihadic cries, through to the somnambulant, subterranean oscillations of 'Eight pentacles', the way ahead is far from clear, the atmosphere claustrophobic and threatening. 'The river of Los' showcases a new breadth of vision for Burial Hex with layers of undulating analogue synth and gentle percussion, an opiate addled take on the horror electronics hinted at previously, and perhaps an indication of things to come. This long track takes the listener on a river journey, part Apocalypse Now!, part Orpheus in the Underworld, submerged in Carpenter's dense Fog, slow moving discomfort and ague. The album ends with the half speed collisions, static miasma and white noise squawl of 'Bo -II- Ne', the listener deposited on shores unknown, prostrate at the feet of the infinite mystery.

    Burial Hex has surpassed all expectation with "Initiations": Kneel, o ye acolytes, before an astral-industrial opus of vast depth and occult magnitude.

    http://www.sendspace.com/file/29ayok
    MLOK
    MLOK --- ---
    tyvole na boris to nevypadá, poněvadž v brně je jakejsi doom metálek, kterej s matějem hodláme navštívit (dostat se do toho centra!)
    PASHWAKA
    PASHWAKA --- ---
    kdo jde v patek na boris? {me tak zajimaj hlavne growing teda., ze se tak neznabozsky priznavam ;D} ted sem koukal, ze vstup je 300/350,- coz uz asi nedavam., ,. tak spis smatram, jestli neprijede i nejaka brniskova exkurze, za kterouz by se dalo pak dorazit ?
    a po tech shining by mohli prijet jeste the psychic paramount a uz bych drzel hubu blahem
    MATHEW
    MATHEW --- ---
    SORRYLOOKING: spíš ne.) ale někde to bude
    SORRYLOOKING
    SORRYLOOKING --- ---
    MATHEW: hele, ten link nejede, nemáš jinej?
    PASHWAKA
    PASHWAKA --- ---
    JONY: no tyjo! jak mi tohle mohlo uniknout? a jaktoze vis, ze je mam tak tuze rad? :D
    PASHWAKA
    PASHWAKA --- ---
    nejvic to spada asi semka., ., a jakoze kurva johoo!! Sightings 15/6 v Praze!
    http://www.jlbjlt.net/index.php?id=show&event=2820
    JONY
    JONY --- ---
    kdyby někdo měl tohle - tj. hlavně ten remix Nadji od Vex'D - tak se prosím podělte

    http://www.discogs.com/release/1315516
    JONY
    JONY --- ---
    dnes na sedmičce Magik Markers
    JONY
    JONY --- ---
    Urfaust v červnu vydají ep
    MATHEW
    MATHEW --- ---
    !!!

    Cough – Sigillum Luciferi [Forcefield Recordings 2008]



    I knew Richmond, Virginia sludge mongrels Cough were on the trail of something huge with their debut EP, Kingdom. Everything about this outfit breathes a fetid air of doom so thick it was destined for the band to come out with a mound of rotten gold in the form of their first long player. It turns out that their time spent at Volume Studios under the ever bludgeoning hand of Sanford Parker was worth every penny.

    “Sigillum Luciferi” is surely one of the meanest slabs of sludge that will come out this year. Every slow motion riff, echoing scream and deafening percussive strike hits straight to the bone. Their sound is thick, groovy and often times comes off as a sonic stew of early Soulpreacher, Electric Wizard, Cavity and Buzzov*en but interpreted with a truly unique flair. Sure, you’ve heard stuff like this before but Cough have put a spin on the genre that is all their own.

    “Killing Fields” sets the bar at a lofty position right out of the starting gate; creeping in deliberately with feedback and serial killer doom drone that will have the hairs on the back of your neck standing on end. Drums enter slowly and for a few leisurely minutes the band had convinced me that time stopped and a swirling black vortex was all that remained of my speakers. That was until a reckoning sludge riff stands front and center with Chris Kirby’s one of a kind desperation moans enveloping the air around your senses. He does this thing sometimes where he’s not really screaming and he’s just spilling the tar of his soul out from the bottom of a canyon. It’s the sound of a man on his last legs and coming to terms with all the shitty things in life. Don’t get me wrong the guy screams too and it is the true face of evil when he does but he’s got a drugged out, almost singing thing going at times. When he laments that, “There’s no reason to live”, you believe him and know that you better steer clear of the man on a bad day. What really makes this song even better is the bluesy, choking Sabbath leads that round out the remainder of the track. They’re phenomenal and bring a sense of soulful sadness to the overall hatred that marks Cough’s bread and butter. It is one of those moments that truly lances the heart of the extreme doom/sludge lover and shows that this is a group of cats that feel this stuff deep in their gut.

    Feedback proves to be one of the band’s most effective weapons as it introduces the immediately following “Hole in the Infinite”. The sneering crawl of the opening riff furthers my inkling that there is a good deal of Cavity influence in their sound until the churning molasses delivers a punch in the face that is more of a combination of Fistula and Electric Wizard as opposed to a nod to Florida’s masters. Each moment of the tune locks onto a stellar groove that is omnipresent despite the track’s feral unapologetic crush. Listen to this song and tell me it’s not one of the heaviest things you’ve ever heard. I double dare you. You’d be a liar if you did. The song descends into psychedelic madness later on with a full steam sludge attack that has plenty of mind-altering noise going on in the background.

    “288 Years of Sin” returns from the Kingdom EP and is even better this time around. Another massively groovy song from the Cough boys that still sounds depressive as all hell but latches onto a few swinging riffs that are quite upbeat. The sheer might of the grooves will bowl you over in an instant with another classic lead putting the icing on the cake. Here Chris returns to that strange, distant holler that I’m such a fan of and uses it wisely to intersperse the rabid screams in just the right way. There’s an especially driving mid-section in this song that is the kind of stuff sludge legends are made from. Damn good decision to make this sucker return in spruced up form.

    Murderous intent is displayed with the slinky crawl of “Northern Plague” that allows a swampy bass groove to lead the charge in the early going. Nothing about this song ever picks up in anyway; shape or form as far as speed is concerned. Instead this one is a creeping scum rocker that dumps a load of sewage on top of your head and then kicks your ass just for bragging rights. There’s still a few of their classy lead licks on display but mostly this one is just a nail to the throat approach.

    They save the major swing grooves for the second half of “Shallow Grave” which starts out with a heaving deathbed riff but morphs into a no bullshit rock n’ roll shuffle in the end. As if Grief took just enough uppers in order to nail that scorching, desert burned rumble that Cavity wielded so well. Even the feedback, riff, repeat method following the big groove that the song ends on is right out of the Cavity playbook. I’m never going to knock any band that draws their influence in and Cough does it with gusto. Finishing out the mix is a song that I’m not sure the first letter of. The ridiculous font on the back of the tray leaves me wondering exactly what the hell this track’s name is. It turns out that it doesn’t really matter what it is called as it’s an epic slow burner that also happens to catch a groove late in the game only to descend into a goddamn shitstorm of menacing screams and bowel ripping feedback.

    Sludge fans need this. Honestly, it is an essential album with six songs that never have an average moment. Every one of these heathen jams is a prime cut of beef with no fat. It is surely going to put them on the map and if it doesn’t then your deaf. Cough is one of the hardest hitting sludge/doom bands to come down the pike in quite sometime and there’s a bit of everything here for the diehard sludge fanatic; groove, feedback, repetition, misery and an overpowering ugly attitude. Highly recommended to all fans of the low and the slow.

    http://tinyurl.com/4yslyp
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