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    JONYamplified worship - maximum volume yields maximum results
    JONY
    JONY --- ---
    28.října by měli být v Praze Skepticism
    JONY
    JONY --- ---
    MATHEW: chystají i cosi společného s Nadjou
    MATHEW
    MATHEW --- ---
    Pyramids - S/T [Hydra Head 2008]



    It starts in the upper atmosphere, in that rarefied air where silence sings and time is little more than an abstraction. As it makes its way down through the tree line, to sea level, to the ear canals, elliptical windows and auditory nerves of the great unwashed, the shapes begin to shift. The sine waves become more distinct: swarming, swirling guitars, drums like a churning steam press, a chorus of celestial voices. Instruments collude and collide in a roiling shoal and then dissipate, leaving a cavernous hole, a ghost town, the vestiges and echoes of a brief terrestrial existence. Out in Dallas and “other parts of the country,” where seemingly mild psychotropic disturbances can have vast and sinister implications for certain elements within the local populaces, Pyramids conjure the cacophonies of the great unknown, one song at a time.

    http://rs79.rapidshare.com/files/110109878/Pyramids_-_Pyramids__2008_.rar
    MATHEW
    MATHEW --- ---
    na ftp pyramids [hydra head], cítím v kostech další návykovku a la alcest.)
    MATHEW
    MATHEW --- ---
    Vajra - Live [PSF 2008]



    First ever live album from the world-beating trio of Keiji Haino, Kan Mikami and Toshi Ishizuka in a limited edition of 1000 copies in mini paper LP-style sleeves with obi. Haino’s playing is at its most straight-forwardly beautiful, with soul-searing arcs of beautiful single-note bliss cutting high swathes through the heart of Mikami’s black blues. There is a suite of songs that appeared on another Mikami CD that represents the most epic and emotionally-charged playing the trio have ever laid down and the way that Ishizuka triggers single martial explosions while Haino illuminates the space above him has exactly the same electrifying spirit/force of the Albert Ayler Orchestra. There are moments here that are so outrageously epic, just increasing peaks of vertical tone-on-tone, that it’s almost overwhelming and when Haino joins Mikami on vocals it feels uniquely cathartic. The tongue-in-cheek blurb on the disc best sums it up: “With a combined age of 171, the most powerful geriatric rock trio in the world.” And it’s no mere hubris. In the absence of Fushitsusha, they might just be the greatest rock band in the world. Best Vajra ever. Highest possible recommendation.

    http://www.megaupload.com/?d=RCXGOLPK
    JONY
    JONY --- ---
    MATHEW: jj moc pěkná deska
    MATHEW
    MATHEW --- ---
    JONY:

    Kevin Drumm - Imperial Distortion (2xCD) [Hospital Productions, 2008]



    What does a person do when faced with a work like Imperial Distortion? There are rare moments in an artist's work where they reveal a greater truth. Kevin Drumm has already made such a statement with his last major solo work, 2002's Sheer Hellish Miasma. Where that record took noise music to a new level of near-impenetrable exactitude, Imperial Distortion is an altogether different beast. Beauty as an aesthetic can be as terrifying as horror, desire unfulfilled, romance that lingers and never goes away, no matter how disappointing. A preoccupation with death can be the only result. On this extended long-form release, Kevin Drumm comes face to face with minimal drone music and confronts the genre by providing one of its absolute pinnacles at the forefront; movement. Drone music at its most concentrated and ably performed has build and depth in its tones. Although there might be the illusion of stasis, the opposite is true. From the opening 20-minute track 'Guillain-Barre,' the mood of the album is laid clear. The arrangements are shadowy layers of soundtrack-like tones not entirely unlike the work that Popul Vuh provided for Herzog's films. To answer the initial question of Imperial Distortion, this is a work that commands intellectual and emotional commitment on the levels of the greatest works to come from this genre. Kevin Drumm has accomplished that rare balance to create a masterwork that no one has yet to come close to in this era. Your best bet is to surrender.

    http://rapidshare.com/files/119344564/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part1.rar
    http://rapidshare.com/files/119351258/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part2.rar
    http://rapidshare.com/files/119264891/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part3.rar
    MATHEW
    MATHEW --- ---
    OM - Live At Jerusalem [Southern Lord 2008]



    In December of 2007 the mighty duo that is OM made a pilgrimage to Israel to play for its people. Their pinnacle performance unfolded at 4 Aristobolus Street in Jerusalem the site of Uganda Records.

    The band played for over 4 hours on this evening! The tracks: "Flight of the Eagle" and "Bhimas' Theme" were captured and the transmission of these recordings were flown back to the United States where the vinyl lacquers were made by Bob Weston.
    Southern Lord in cooperation with OM present you the listener with this 180 gram black vinyl transcendental offering: OM-"Live at Jerusalem". Limited to 3,100 machine numbered copies.

    http://lix.in/a4977ecf
    MATHEW
    MATHEW --- ---
    hezký vobrázky náhodou
    MLOK
    MLOK --- ---
    šmarjá :))
    MATHEW
    MATHEW --- ---
    Earth + Sir Richard Bishop - The Peacock Angels Lament / Narasimha [12", Southern Lord 2008]




    http://rapidshare.com/files/119250261/Earth___Sir_Richard_Bishop.zip
    JONY
    JONY --- ---
    Jumalhämärä - Slaughter The Messanger [ep] (2007)



    We've gotten to a really weird place in our music obsession, as evidenced by the fact that sometimes a recommendation against, is almost stronger than a recommendation FOR. Sounds weird but it's true. We have friends at other stores, who will tell us something is terrible, they hated it, but then will add "you might like it though." And the weird thing is, they're usually right (that we'll like it). We've developed such a taste for the bizarre, it's sometimes hard to tell if something is bad, or so fucked up it's genius.
    However, one of those friends recommended against buying this very record, very vehemently in fact. Hard to recall, but it was something along the lines of it not being very metal and being all jangly and wussy. Fair enough. But they are from Finland, and they do have a song called "Discover The Pigtail"! Those two pieces of critical info were enough to overrule our friend's warning, and we're so glad they were.
    This latest ep from Finnish black metal, psychedelic post rock horde Jumalhamara is AMAZING. Three songs, all on the long side, with a sound that is pretty difficult to pin down. It is easy to see why someone questing for serious black metal grimness might be disappointed. The record begins with the sound of children, laughing, playing, and what sounds like oinking pigs, a field recording of some village, until the band ROAR into action, pounding out a fierce blast of blackened buzz, grinding and intensely heavy, but it literally only lasts for about 10 seconds, then the band drifts off into some washed out hippy psych territory, all crooned reverbed vocals, lazy sun baked melodies, simple hand drums, slippery minimal bass, streaks of dubbed out distorted guitar, but for the most part, this is almost like some blackened Finnish Grateful Dead. Near the end there's even some fuzzy organ, the guitars get a bit heavier, the vocals moaning and chant-like, but it never really explodes, just gets thicker and more dense, while still seeming jammy and druggy. So awesome. Almost like a slightly heavier, way more fucked up black metal version of the recent Dead Man record.
    "Discover The Pigtail" begins with glistening harmonics, which are soon joined by some strange off kilter drumming, tangled riffing and howled vocals, the cool thing about this track is that those harmonics never go away, so even as the band slithers and sprawls, spewing out a sort of buzzy blackness, the glistening shimmer totally shines through, diluting the heaviness, turning what might be something raw and heavy into something way more bizarre and trippy, at times it almost sounds like two records playing simultaneously, they drift in an out of sync, all very dizzying and gloriously tweaked.
    The final track is the briefest of the bunch, and begins as a grinding gnarled and blackened doomic dirge, but not typically sludgy and murky, instead it's super dense and layered, the drums doing much more than pounding away, stumbling and skittering, beneath streaks of high end guitar, and chugging blown out riffage, the cymbals sizzling, the whole track recorded super hot and in the red, blasting and pounding and twisting until it fades out.
    Definitely not really black metal, more like some sort of twisted doom-ed post rock avant psych, but still plenty heavy and really fucking great!

    http://rapidshare.com/files/46560899/Jumalhaemaerae_by_nidhogg.rar
    JONY
    JONY --- ---
    rozhovor Apačky s Kayo Dot ze včerejších LN

    http://www.tinyurl.com/4hklnf
    JONY
    JONY --- ---
    JONY: vytáhni z něj kazetu winter hunt. To jediné mi od Ajilvsgy chybí :-)
    JONY
    JONY --- ---
    JONY: vytáhni z něj kazetu winter hunt. To jediné mi od Ajilvsgy chybí :-)
    JONY
    JONY --- ---
    MATHEW: blahopřeji
    ELECTRICFRET
    ELECTRICFRET --- ---
    sorry za ot, ale nemůžu jinak:
    postmetal goes abc
    MATHEW
    MATHEW --- ---
    dostal jsem na majspejsíku zprávu:)


    hey man, i'm really digging your stuff. do you have any releases planned (other than the free ep)? also, i was in your neighborhood last year doing an artists residency in slavonice. had a really good time there. digitalis is releasing a collaboration that we did with magor from plastic people of the universe. it's magor reading over heavy noise. it's called postcommodity + magor (there is a video on youtube). please keep me posted on what you are doing next.

    nathan
    ajilvsga
    Kliknutím sem můžete změnit nastavení reklam