dám to sem, nějak intuitivně cítím že to sem patří

My Bloody Valentine - Live London Roundhouse [2008]



My Bloody Valentine is an Irish band formed in 1984 in Dublin. They are best known for the modern classic Loveless. The band’s key member is guitarist/singer/composer Kevin Shields, a reclusive perfectionist and radically inventive guitarist/engineer. The band’s other original member is drummer/studio maven Colm O’Ciosoig; during their heyday MBV also included singer-guitarist Bilinda Butcher and bassist Debbie Googe. Their band shares its name with a low-budget Canadian slasher film; it was more apt during their early years as a The Wedding Present and The Jesus and Mary Chain-inspired band.

Though they released a handful of EPs during the mid-1980s, only their two official albums Isn’t Anything (1988) and Loveless (1991), are considered representative of their sound: a distinct blend of noise rock, ambient, and off-kilter melodic pop. The songs were written by Shields, except for Touched, a short instrumental by Colm O’Ciosoig.

In 1999 Pitchfork Media declared Loveless to be the greatest album of the 1990s; however in their 2003 revision of the list, it moved down to number two, swapping places with OK Computer. Kevin Shields has also been noted by Alan McGee as “a genius artist. A visionary.”, whilst an NME review of Loveless declared, “…however decadent one might find the idea of elevating other human beings to deities, My Bloody Valentine, failings and all, deserve more than your respect.”

-----(Now these were days. This is rip @ 320 AWESOME recording).-----

http://rapidshare.com/files/128941171/My_Bloody_Valentine_-_Live_London_Roundhouse_June_2008_Pt_1.rar.html
http://rapidshare.com/files/128965346/My_Bloody_Valentine_-_Live_London_Roundhouse_June_2008_Pt_2.rar

JONY: ďakujem za runhildu, som veľmi zvedavý.

JONY: od kolika budou hrát monarch? ježíš táhne ... mě fakt neláká

Urfaust - Drei Rituale Jenseits Des Kosmos (2008)



http://rapidshare.com/files/128468294/Urfaust08.rar

Runhild Gammelsæter - Amplicon (Utech, 2008)



Runhild Gammelsæter (Thorr's Hammer, Sunn0))), Khlyst) releases her first solo recording. The purpose was to create something organic – sound with and about life. A lonely thing, like life, arisen from void. Stillness and a microphone, vocal chords. An idea, thoughts, a goal. Sounds of cycles of life and death, birth and cessation, described with terminology from physics, chemistry and biology. Creating by amplifying an infinitely small idea – creating an Amplimer, an Amplicon. Amplicons are pieces of DNA formed as the products of natural or artificial amplification events. Like evolution, giving rise to animal forms with ability to reproduce and die. Amplifying from a minute non-tangible idea something larger which may be experienced with the auditory sense. In physics, matter creation is the appearance of elementary particles in physical processes; the opposite of annihilation. Amplicon see Gammelsæter as a creation operator, increasing the number of particles in a given state, taking the operation necessary to amplify ideas to sound. Mixed by Tore Ylvisaker of Ulver.

http://rapidshare.com/files/128386471/__017_runhild_gammels__ter__2008__nihilistikterrror_by_ca_nihil.rar

Yellow Swans At Sonar 2008.mov
http://www.thewire.co.uk/index.php?page=articles&article=1142

Burning Star Core / Prurient - Ghosts Of Niagara 10xC10 (Hospital Productions, 2008)



A series of minimal and careful sniper like compositions surrounding deaths and suicides over the grandfather of natural oblivion....niagra falls. anyone who has seen the falls has experienced the lure and attraction and deathly power that this hole in the earth conjures. a brewing cauldron of violence, the falls show us natures power and triggers man's inherent and ubiquitous self destruction.

http://www.sendspace.com/file/ibi979

kdyby někdo byl v olomouci, v pondělí 7.7. děláme s mathewem a překrásnou violoncellistkou (atd.) koncert k promítání řádně dronitýho hororu Maschera del demonio (CSFD) všichni zvaní atp.

Yellow Swans - Deterioration (Modern Radio) 2008

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In a couple of days time The Yellow Swans will be no more. Deterioration will not be their last record (there should be an “official” release in 2009) but if it had been then good lord what a way to go out. I had no idea that this had even been released and it was only by accident that I found it last week. This record is nearly a perfect distillation of how good the Yellow Swans can be. In fact, I like this better than At All Ends (and boy did I love that record). It’s a thrilling ride through drone, noise and experimental rock. In fact it is an important reminder of just how vital avant garde, experimental music can be. As I was listening to Deterioration again today it struck me how it sounds like a noise version of the aural dynamics pioneered by God Speed You Black Emperor. I can’t recommend this highly enough.

The thing I find sad about this release is that it is clear from Deterioration that Yellow Swans were only getting better and better and I wonder just how far they could have gone. I have no idea whether this is in wide release and I urge you to track it down. This is the first truly great record of 2008 (and it only took until June!)



http://www.sendspace.com/file/gu8p1t

MLOK: možná přibude ještě jedna kapela. jinak 24.9. budou na sedmičce Guapo (ty ale neděláme)

JONY: notyvole doprdele

toho 25.9. se ná podařilo k Religious Knives přidat Birchville Cat Motel :-)

JONY: tak tak, tento album chcem rozhodne pocut predtym nez sa rozhodnem si ho kupit alebo nekupit.

JONY: mne prijde lepsie si album najskor vypocut, az potom kupit...

cookshop emeralds

GOTTLIEB: a co si to koupit? utech je label co si zaslouží maximálni podporu

čaute, niekto prosím
http://www.discogs.com/release/1385553

MONARCH! (Fra) + Ježíš táhne na Berlín & BJ Tzarr (CZ)
pátek 11.7.2008 sklep Chateau Rouge, Praha

Keiji Haino & Yoshida Tatsuya - Uhrfasudhasdd [2008 Tzadik]



A sequel of sorts to their New Rap album, this new offering from Japanese underground heroes Keiji Haino and Ruins drummer Tatsuya Yoshida finds the long-term collaborators scaring up some heavy going 21st century blues, and noise-fuelled prog-jazz with more than a hint of manic psychedelia infecting the whole surreal affair. The two musicians switch instruments and musical styles and disciplines at a rate that's difficult to keep up with, but the combination of Haino's screaming guitars and the punishing drums of Yoshida makes a formidable central format for the record - these two make unfeasible amounts of noise, but significantly it's never indistinct. There's no reliance on feedback and distortion for the kind of mess these two make. A theme running throughout the album is a tendency to cut up short musical phrases, repeating them arrhythmically, this can be a bit distracting, sounding a bit like someone just discovered a sampler for the first time, but these unceremonious stutterings only serve to highlight the relentless strangeness of the album.

dwnld