JONY: mne sa velmi pacilo aj pale skatches (okrem 1. tracku). ma skor viac irituju tie beaty, ktore mi pridu uplne na jedno kopyto a zneju ako keby pouzival posledne 2-3 roky zvukovu banku z 2 kickov, snareov a hajtiek a tie jebal v roznych obmenach do kazdeho tracku :)

škoda... mne u obou LP moc baví ta zpomalená těžká rytmika v kombinaci s těmi shoegaze kytarami a melodiemi... bohužel to už totálně zmizelo...

MATHEW: no pěkná kulisa k práci, beaty generické, shoegaze kytárky generické... až má člověk podezření, že na to má doma nějakého robota :-) prostě čím dál větší muzak :-(

JONY: možná je to pro nás všechny znamení, že by bylo záhodno se na jesu vysrat.)

MATHEW: je pěkné že se to teď objevilo v New Music Downloads :-)

JONY: já ještě neměl odvahu si to pustit, je to přeslazená píčovina jo?

MATHEW: broadrickovi by měl urychleně někdo pořádně nafackovat

Nejen avantgardou živ je člověk. Před pár dny jsem zalovil v archívech a zcela propadl debutové desce Solefald (hlavne potom Coutryside Bohemians).

Solefald - The Linear Scaffold (1997)



Review by William York
The Linear Scaffold was Solefald's debut album, and it showed right off the bat that they were a band with their own sound and vision. They get lumped into the black metal genre, and they do have certain sonic elements in common with the more symphonic black metal bands such as early Cradle of Filth or Dimmu Borgir; for instance, the big pipe organ keyboards and the painfully shrieking vocals that appear on much of this album. But Solefald passes on the overdone gothic aesthetic favored by so many bands in this same symphonic black metal field, and their music is more wide-ranging and open to experimentation than most bands of that type. Considering that this is just a duo, the songs and arrangements are especially full-sounding, incorporating a variety of keyboards (synth strings, acoustic piano, horror movie organs, and the above-mentioned pipe organs) and vocal styles (clean-voiced singing, spoken passages in both French and English, death metal growls, and high-pitched shrieks) in addition to a nice mix of clean-toned, distorted, and acoustic guitars. The songwriting also has a great sense of flow and dynamics, balancing moody, atmospheric sections with moments of shrieking, blasting intensity, and heaviness. Just as importantly, they come up with consistently strong and memorable melodies throughout the album. For music of this expansive, open-ended sort, this album is a bit on the short side, clocking in at less than 40 minutes, but that's just about the only criticism. One of Solefald's best.

http://www.megaupload.com/?d=KA87PQQ9

Black Boned Angel - The Endless Coming Into Life (20 Buck Spin, 2008)



Campbell Kneale, of prolific one-man bliss drone project Birchville Cat Motel, returns to his metallic alter-ego Black Boned Angel.
Both projects chase a similar idea from different ends of the spectrum. The Endless Coming Into Life is Kneale's third full-length release as Black Boned Angel (in addition to a slew of CDR EPs), all released by 20 Buck Spin. This work is perhaps Kneale's most obvious combination of the extreme minimalism of his ambient tendencies and the extreme maximalism of his forays into the center of the subterranean metal guitar riff. The album first lulls one into a meditative state of relative calm before plummeting into the chasm created by the vibrations of a single, snarling riff so heavy it could rip a hole in the heavens.
Consisting of a sole one-hour track, The Endless Coming Into Life sits comfortably alongside the darker end of Kneale's ever-growing catalog of work dedicated to finding the light (or dark) source of the universal drone.

http://rapidshare.com/files/138814180/Black_Boned_Angel_-_2008_-_The_Endless_Coming_Into_Life.rar.html

a teď ještě toho brzdícího šneka před hovnem a bude to dokonalé:)

MATHEW:

koncert za rohem a helemese:

Religious Knives - The Door [Ecstatic Peace, 2008]



Religious Knives’ new album The Door is set for release on October 14th! To be released on Ecstatic Records , the album contains six songs. The band will be touring in the fall throughout Europe from September 17th until October 5th. TINY MIX TAPES comments on the band saying, "In a land far, far from the confines of the A-A-B-A song format lies a different form of organization: The Mantra. Religious Knives mine this never-ending pit for all it's worth, digging greedily until there's little room left for human life.." You can listen to some of the tracks off of the upcoming album on theirMySpace page

dwnld[mdfr]

Jesu - Why are we not perfect ? EP [2008]



Date: 2008
Genre: Industrial / Drone-Ambient / Electronica

The new Trent, another bombardement of Jesu this year.

Track List
01] Farewell
02] Blind And Faithless
03] Why Are We Not Perfect?
04] Farewell (Alternative Version)
05] Why Are We Not Perfect? (Alternative Version)

http://rs274.rapidshare.com/files/138110906/j-wawnp.rar

Growing - All The Way [ The Social Registry 2008]



All The Way, the debut full-length from Growing on The Social Registry, concludes a epic trip. Through six tracks Kevin Doria and Joe DeNardo continue the conceptual arc initiated on their 2006 album, Color Wheel. If we still bought into genres, we would say that this record finally achieves a perfect balance of noise and pop, yet what we can say is that you’ll potentially hum melodies long after your headphones are out. Recorded by Barry London at his Ocropolis Studio during the 2007-08 winter, All The Way sounds like some sort of frozen urban chaos taking place at a superclub on another planet. Opener “Green Flag” sets the record’s tone. Instead of keeping the form free, a crunchy guitar texture oscillates through a drum machine, setting a distinct and danceable rhythm that forms the foundation for tone bubbles to peel off the edges of your speakers. The next track, “Wrong Ride,” might remind the
listener of a never-ending roller coaster ascent – mixing subtle dub elements with interweaving sound sculptures reminiscent of The Field. “Lens Around” continues to touch on abstract, whip-like dance rhythms in a refreshing organic context as the propulsive low-end mixes with a watery, melodic lead. “Rave Pie Only” takes the band’s percussive exploration to its extreme – sounding akin to Total Life (solo project of Kevin Doria). The track throbs with a four-to-the-floor pulse that could conceivably stun listeners with how far the band has come from their fluid beginnings. In a year with The Social Registry, the band has released a killer seven-inch single and the mini-album Lateral – all while fuzzing-out faces across Europe with Japanese noise-kings, Boris. All The Way is the perfect culmination of this journey. It blows records of its ilk out of the water, and shows just how
lazy and dogmatic the clones of bands like Growing have become.

http://www.mediafire.com/download.php?ifytjb7kmmu

pražská premiéra fialové psychedelické kytary emily!

tak teda už tento pátek v praze, zařezávání kozlů, prasat a dětí s rakovinou;
poslední koncert před japonským turné, s sebou jen dobrou náladu.

Orrery - Nine Odes To Oblivion (2008)



Indeed – as the creator states, this has a touch of Blazebirth Hall about it. The recording although lo-fi and rough is incredibly clear. What strikes me immediately is the peculiar guitar tone which contributes so well to that lo-fi effect. The guitars sound as if the clear and distorted parts have been separated into 2 distinct layers. The distorted layer made distant and crackly whilst the clear layer brought to the foreground and amplified. The result is Black Metal as it would sound on early 1960’s equipment – if one can imagine say George Martin ever getting into that sort of thing. The fact that these are environment/room recordings is therefore quite a striking one. The album sounds surprisingly good.

The music is epic, distant and melancholy instrumental Black Metal that aside from the aforementioned Blazebirth, at least to me does not have a precedent in anyone’s earlier works. The lack of vocals accentuates the feeling of detachment from the audience, which is very pleasing. This release is thus made more difficult to get into and requires many a listen to understand.

I think that this album needs to be listened end-to end without stopping. I have been given a copy of the tape master which has 2 long tracks – one per side. This too is very fitting because it forces the listener to consider the work as a whole rather than a succession of tracks. Naturally it was not done in one take – the electric pieces are intertwined with acoustic performances and some rain and wind samples have been added to a very pleasing atmospheric effect. As the creator pointed the locations these were recorded in – misty peaks towering in the distance he explained that gusts of the real wind can be heard in the recordings as low thumps in the microphone. They decided to add synthesized wind, which would be more familiar to the average listener and thus achieve the desired effect.

The album finishes with a synthesizer piece akin to some of the ambient works of Aphex Twin, at least having recently heard it, it made me think of him immediately.

Overall - an outstanding minimalist, lo-fi album from some very inspired people. At the time of writing it has not yet been released, but I recommend it highly – once it becomes available.

http://rapidshare.com/files/120078146/Orrery_-_2008_-_Nine_Odes_To_Oblivion__g_.rar

díky b straně doporučuji k pozornosti i démonickým zemědělcům

Reverend Bizarre / Rättö ja Lehtisalo (split) 12" (Ektro Records, 2008)



One track by each band, both well over ten minutes in
length. Classic doom on one side, folksy medieval psychedelia on the
other.

http://rapidshare.com/files/138323002/reverend_bizarre___raettoe_ja_lehtisalo_-_from_the_void_II___soihdut_nostakaa.rar.html

JONY: dík!