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    MAARTGALERIA PHANTASMAGORICA | středověké PANOPTIKUM & ORTODOXNÍ BLUDAŘINA | ENCYCLOPEDIA OBSCURA - MEDIUM AEVUM
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    Historic maps and much more

    http://www.davidrumsey.com/directory/
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    dalsi babel

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    dikk! (do pekla ,`)
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    MAART: husto nakladas! vyborne,len tak dalej!! (:kam len na to chodis?;)

    TOBIAS: uff..ina kava toto..vdak za typ, pojdem pozriet:)
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    - docela vdecna galerka cesky historie http://ao-institut.cz/Galerie/Ceska-zeme/

    ale nejaky ten bludar, jako tady honza- se tam dycky najde


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    Matthias Gerung - satirical print, 1520-1560
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    daemon by dore
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    Died on 05 October 1524: Joachim Patinir (or Patenier), Flemish painter born in 1485.
    — Patinir was a pioneer of landscape as an independent genre. Nothing is known of his early life, but in 1515 he became a member of the Antwerp Guild. In 1521 he met Dürer, who made a drawing of him and described him as a "good landscape painter". There are only a very few signed paintings, but a great many others have been attributed to him with varying degrees of probability. Patenier also painted landscape backgrounds for other artists and The Temptation of Saint Anthony (155x173cm; 720x802pix, 110kb) was done in collaboration with his friend Quentin Massys (who after Patenier's death became guardian of his children). Although landscape never constitutes the subject of his pictures, Patenier was the first Netherlandish artist to let it dwarf his figures in religious and mythological scenes. His style combines naturalistic observation of detail with a marvellous sense of fantasy, forming a link between Bosch and Bruegel.
    — Patinir or Patenier was born probably in Dinant, near Namur. In 1515, he was elected master to the Antwerp Saint Lukas Guild. He is noted as one of the earliest painters to make landscape a main element of his compositions. The artist developed a so-called “world landscape”, a bird’s-eye view, with a seemingly endless horizon. This brought him international fame during his lifetime. Thus, three of his paintings were mentioned in 1523 in the records of the Palazzo Grimani in Venice, and Dürer also frequently mentioned him in his notes on his travels in the Netherlands. About twenty of his signed paintings cannot be regarded as pure landscapes. He mostly depicted religious scenes, with figures, but they were completely integrated into the landscape, which was an entirely new attitude. The painter created a depth of space by modulating the colors from warm green shades to cold grayish blue. This was an atmospheric perspective which Jan van Eyck had also used in his work almost a hundred years earlier. Patinir had a huge influence on succeeding generations as well as on his contemporaries.
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    Jacques Callot

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