TANAIS: dík

SGNLR: no, spíš jde o to někde začít. Zkus napsat na výzkumný pracoviště avu, kde se ty informace daj získat. Když už je vedou v db, tak určitě budou vědět, jak se k nim dostat...
Někde jsem četla i nějaký jejich stanovy.

TANAIS: diky ! bohuzel ohledne jejich prvnich akci (mystifikacni cinnost v podobe vedeni fiktivniho uradu) tam ale neni ani zminka(to je to co hledam)..i tak diky ale !

SGNLR: http://vvp.avu.cz/idatum/search/autori-193

nemel byste nekdo prosim blizsi info o skupine B.K.S.( bude konec sveta)? krome jedne dokumentace vystavy a odstavci v Akcnim umeni od Morganovy jsem o nich nic nenasel a zajimali by me...diky !

Van Gogh TV

Karel Dudešek, Mike Hentz, Benjamin Heidersberger, Gerard Couty, Salvatore Vanasco, Martin Schmitz, Tim Becker, Axel Roselius, Jens Heise, Ernst Pfannenschmid, Julean Simon....

http://www.facebook.com/pages/Van-Gogh-TV/49893552814#/pages/Van-Gogh-TV/49893552814?v=wall&viewas=1123417811

http://www.medienkunstnetz.de/works/piazza-virtuale/









Artists and technicians from Austria and Germany have been working together as Van Gogh TV since 1986 in the Ponton European Media Art Lab. Some of their members developed joint projects from as early as 1979 in the Minus Delta T group. 'Piazza Virtuale' is an interactive television project that could be received all over Europe via 4 satellites for 100 days during documenta IX in 1992. Visitors to documenta could beam themselves in via videophones and cameras that had been permanently installed in Kassel and other European cities to the live broadcast called 'Piazza Virtuale'. It was possible to use telephone, fax or modem to dial into the broadcast from home. The aim of the project was to transform the mass medium of television into an interactive medium that reverses the relationship of one broadcaster and many receivers.



"In the mid-eighties, Van Gogh TV decided to filter their experiences of performance art, avant-guarde music and the traditional arts into the electronic mass media. Art thus became research. Became experimental; expeditionary; adventurous. Van Gogh Radio (present at documenta 8 in 1987, for example), was followed by Van Gogh TV. The future broadcast environment was determined to be: Interactive Television."

Originally created as a mobile project, the early works of VGTV were pirate radio and pirate TV interventions and performance actions. Working under the names PONTON and Van Gogh TV, these partner projects maintained an active profile at commercial digital expos. and at international media art festivals.

The first live TV broadcasts of VGTV were supported by the Ars Electronica Festival in Linz, and broadcast on ORF2 and 3SAT.

1986: At Ars Electronica, the media simulation ContainerCity.
1987: Documenta 8, Kassel: International Radio Syndicate (pirate radio).
1987: Book Fair, Frankfurt: Mobile Radio.
1988: Osnabrück: first Van Gogh TV (pirate TV).
1989: In 1989, VGTV established its first permanent laboratory, the European Media Art Lab on Koppelstraße, in Hamburg’s Kunstatelier Werkstatt. With a permanent base, VGTV began high level experimental research into the creative use of public communication systems.
1989: Ars Electronica: European Mobile Media Art Project.
1990: Ars Electronica: Hotel Pompino (live television project).
1992: documenta IX: Piazza Virtuale
1993: Van Gogh TV begins to develop online systems for the Internet.
1994: Ars Electronica: Service Area a.i.
1996: Worlds Within, an on-line 3D multi-user communication environment for the Internet.

poraďte mi, prosím
potřebuji nějaký přehled českých exilových výtvarných skupin po roce 68.

máte k tomu něco?

assume vivid astro focus

AIDS-3D

22 year old artists, Daniel Keller and Nik Kosmas were born to advertising executives at the same hospital in Chicago.
Amazingly, on dates coinciding exactly with the winter and summer equinoxes. Despite this unsual coincidence, it was not until 2004 at an art therapy class for troubled youth that they finally met and became friends.
For a short period in 2005 they toured the midwest as educational dance troupe MIRAJ. Later that year, they were awarded a contract by the United States Government Service Authority to laser scan the Dirksen Federal Courthouse, a Mies Van Der Rohe skyscraper in Chicago.
After the completion of the project in the fall of 2006, they moved to Berlin and launched AIDS-3D.COM, fusing their mutual interests in social activism and state-of-the-art technology.
In 2007, their technologically sophisticated light spectacles and media performance wowed ecstatic crowds throughout Europe, from the hottest clubs in Athens, to the ICA in London.
In 2008, they launched their new venture, FREE INTERNET, a studio, club and magazine, which they hope will call attention to the world's dire need for standardized international voltage, more free Wifi hotspots, and cheaper SMS service.






http://www.aids-3d.com

Omlouvám se za spam. Zpracovávám výzkumný projekt týkající se současného umění. Zajímá mne, zda je současné umění srozumitelné pouze odborné veřejnosti (umělci, studenti, pracovníci galerií) nebo zda je schopné oslovit i širší veřejnost stran zájemců o umění (návštěvníci galerií, účastníci odborných diskuzí). Moc by mi při výzkumu pomohla vaše pomoc, resp. vyplnění anonymního online dotazníku zde: http://zajem-o-soucasne-vytvarne-umeni.vyplnto.cz/ . Děkuji.

VIR_KENNY: už ti někdo šlápl na chobot?

VIR_KENNY: Děláš ze sebe debila, zbytečně...