MARIANN: Samotný kostel je v době bohoslužeb přístupný všem (gregoriánský chorál v tom prostoru je vážně zážitek), se zbytkem kláštera je to horší, no.
Každopádně tady je ještě jeden audiovizuál (související možná trochu okrajově, ale přece...)
YouTube - Morgenrot
http://www.youtube.com/watch?v=l7sB7isi64A
Clamping wedges of leather, felt or rubber between the strings; preparing the hammers with aluminium paper or rough films; placing crown corks on the strings, weaving guitar strings around the piano's guts, or pasting them down with gaffa tape - his resulting tracks are composed both originally and charmingly. The results are vivid, unconventional pieces made in a spirit of playful research-enthusiasm.
Rather than striving for any purist academic perfection, Volker’s playing seems as much informed by modern electronica or Indonesian gamelan as it is by any classical cannon. With the aid of his interventions, the piano becomes as much a machine for generating rhythms as it does for melody. Now and again Hauschka utilises additional, non-piano sounds such as synthesizer, drum machine, electric bass, or other acoustic instruments like vibraphone, strings or brass. His pieces may be seen as small rhythmic sound-vignettes or just quiet ballads which have their roots in east-asian harmonies, the minimalism of Reich, Glass, Nyman, etc., and also in Satie or Ravel.