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    SCHWITAUmění hudebního obalu
    MATHEW
    MATHEW --- ---
    asi nejpovedenější obal co jsem letos viděl (a zároveň jedna z nejlepších desek)

    Laurel Halo - Quarantine (Hyperdub 2012)

    SCHWITA
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    Small Faces - Ogdens' Nut Gone Flake (1968)

    The album was originally released on vinyl in a circular novelty package of a metal replica of a giant tobacco tin inside which was a poster created with 5 connected paper circles with pictures of the band members. This proved too expensive and was quickly followed by a paper/card replica with a gatefold cover. Two limited-edition CD releases (including a three-disc deluxe edition in 2006 that included the original mono mix of the album on CD for the first time) went even further by packaging the disc(s) in a circular tin (as the original vinyl release had). However, most CD releases use conventional packaging, superimposing the circular artwork on a square booklet.
    The award-winning artwork for the album cover was done by Mick Swan who was a product of the sixties art school scene. Any other work by him is unknown but he is known to have worked as a fine arts tutor at Lowestoft F.E. College in 1974.
    ASYD
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    Rush - moving Pictures (1981)

    The album cover art is a visual pun of movers physically carrying paintings, while several songs from the album are connected to motion pictures, with "moving pictures" meaning movies.
    This second meaning is explicitly shown on the back of the album, where a movie crew is seen filming the scene from the front cover.
    A third meaning is taken from bystanders who are watching the movers and are visibly emotionally moved by the paintings, making them "moving pictures".

    SCHWITA
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    Sex Pistols - Never Mind the Bollocks Here's the Sex Pistols (1977)

    The album was originally going to be titled God Save Sex Pistols. Jamie Reid's cover concept refrained from including a picture of the group and instead was dayglo red and yellow in color with cutout lettering and a finish resembling crude screen-prints. The album's title changed in mid-1977, based on a phrase supplied by Steve Jones. Jones said he picked up the phrase "Never mind the bollocks" from two fans who would always say it to one another. Johnny Rotten explained its meaning as a working-class expression to "stop talking rubbish".
    ASYD
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    The Beatles - Abbey Road (1969)

    8 August 1969: The Abbey Road cover photography session | The Beatles Bible
    http://www.beatlesbible.com/1969/08/08/the-abbey-road-cover-photography-session/

    The Abbey Habit: How Beatles' most famous album cover inspired dozens of imitations | Mail Online
    http://www.dailymail.co.uk/tvshowbiz/article-1203117/The-Abbey-Habit-How-Beatles-famous-album-cover-inspired-dozens-imitations.html
    ASYD
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    King Crimson - Larks Tongues In Aspic (1973)
    Cover Design: Tantra Designs, London

    Ying-yang ze slunce a srpu měsíce symbolizuje doplňujícího se principu mužství a ženství
    SCHWITA
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    Green Day - Dookie (1994)

    The name of the album is a reference to the band members often suffering from diarrhea, which they referred to as "liquid dookie", as a result of eating spoiled food whilst on tour. Initially the band were to name the album Liquid Dookie; however, this was deemed "too gross", and so they settled on the name Dookie.
    The cover art is an illustration by Richie Bucher, which depicts bombs being dropped on people and buildings.
    SCHWITA
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    Joy Division - Unknown Pleasures (1979)

    The front cover image comes from an edition of the Cambridge Encyclopedia of Astronomy, and was originally drawn with black lines on a white background. It presents successive pulses from the first pulsar (a highly magnetized, rotating neutron star that emits a beam of electromagnetic radiation) discovered, PSR B1919+21—often referred to in the context of this album by its older name, CP 1919. The image was suggested by Bernard Sumner.
    SCHWITA
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    Thom Yorke - The Eraser (2006)

    The album's cover, a linocut by Stanley Donwood, depicts a figure in black hat and trenchcoat standing in imitation of King Canute, trying and failing to command the ocean. Around him are iconic London buildings that have been swept away by the Thames, including the Tower of London, the Houses of Parliament and the Thames Barrier. The images were inspired by a large flood Donwood and Yorke both witnessed in Cornwall in 2004.
    The CD packaging of The Eraser is made of cardboard but unlike a digipak, it does not contain any plastic. Yorke said this was for environmental reasons; he also said in an interview that he did not have his CDs certified as carbon neutral as he did not believe carbon offsets were a constructive solution to climate issues.
    SCHWITA
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    Black Sabbath - Black Sabbath (1970)

    The album cover features a depiction of Mapledurham Watermill, situated on the River Thames in Oxfordshire, England. Standing in front of the watermill is a figure dressed in black. The silhouette of a raven is visible among the trees on the back cover. On the original release, the inner gate-fold sleeve featured an inverted cross with a poem written inside of it. Allegedly, the band were upset when they discovered this, as it fueled allegations that they were Satanists or Occultists; however, in Osbourne's recent biography, "I Am Ozzy", he says that to the best of his knowledge nobody was upset with the inclusion. The album was not packaged with a gate-fold cover in the U.S.
    SCHWITA
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    David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972)

    The album cover photograph was taken outside furriers "K. West" at 23 Heddon Street, London, W1., looking south-east towards the centre of the city. The post office in the background (now "The Living Room, W1" bar) was the site of London's first nightclub, The Cave of the Golden Calf, which opened in 1912. As part of street renovations, in April 1997 a red 'K series' phonebox was returned to the street, replacing a modern blue phonebox, which in turn had replaced the original phonebox featured on the rear cover.
    SCHWITA
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    Sonic Youth - Goo (1990)

    The cover is a Raymond Pettibon illustration based on a paparazzi photo of Maureen Hindley and her first husband David Smith, witnesses in the case of the "Moors Murders". Ian Brady and Myra Hindley, between July 1963 and October 1965, in what is now Greater Manchester, England, killed five children aged between 10 and 17 — at least four of whom were sexually assaulted. The murders are so named because two of the victims were discovered in graves dug on Saddleworth Moor, with a third grave also being discovered there in 1987, over 20 years after Brady and Hindley's trial in 1966. The body of a fourth victim, Keith Bennett, is also suspected to be buried there, but despite repeated searches it remains undiscovered.
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    Rage Against The Machine - Rage Against The Machine (1992)

    The cover features a photo of Thích Quảng Đức, a Vietnamese Buddhist monk, burning himself to death in Saigon in 1963. The monk was protesting President Ngô Đình Diệm's administration for oppressing the Buddhist religion. The photograph drew international attention and persuaded U.S. President John F. Kennedy to withdraw support for Ngô Đình Diệm's government. It was taken by Associated Press correspondent Malcolm Browne; a similar photograph earned the award of World Press Photo of the Year in 1963.
    SCHWITA
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    Faith No More - Album Of The Year (1997)

    The liner notes for the album jacket depicts the funeral of an old man, with the words "pravda vítězí" (truth prevails) adorning the coffin. The statement is the motto of the Czech Republic, and on the photographs is Czechoslovakia's first president, Tomáš Garrigue Masaryk. The use of the imagery on the album art is representative of an end to a golden age — namely, the band's.
    One rather persistent but ultimately false claim among the fans of the band attributes the photography belonging to Lenin's funeral. The band did acknowledge the similarity of facial features, however.
    SCHWITA
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    Nirvana - Nevermind (1991)
    art director: Robert Fisher

    According to Cobain, he conceived the idea for the cover while watching a television program on water births with Grohl. Geffen's art director Fisher sent a photographer to a pool for babies to take pictures. The band settled on the image of a three-month-old infant named Spencer Elden, the son of the photographer's friend. However, there was some concern because Elden's penis was visible in the image. Geffen prepared an alternate cover without the penis, as they were afraid that it would offend people, but relented when Cobain made it clear that the only compromise he would accept was a sticker covering the penis that would say, "If you're offended by this, you must be a closet pedophile."
    The back cover of the album features a photograph of a rubber monkey in front of a collage created by Cobain. The collage features photos of raw beef from a supermarket advertisement, images from Dante's Inferno, and pictures of diseased vaginas from Cobain's collection of medical photos. Cobain noted, "If you look real close, there is a picture of Kiss in the back standing on a slab of beef."

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    (Spencer Elden, 2012)
    SCHWITA
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    The Clash - London Calling (1979)
    design: Ray Lowry, photography: Pennie Smith

    The album's front cover features a photograph of Simonon smashing his Fender Precision Bass against the stage at The Palladium in New York City on 21 September 1979 during the Clash Take the Fifth US tour. Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer thought it would make a good album cover. The cover artwork was designed by Lowry and was a homage to the design of Elvis Presley's self-titled debut album.
    In 2002, Smith's photograph was named the best rock and roll photograph of all time by Q magazine, commenting that "it captures the ultimate rock'n'roll moment - total loss of control".
    SCHWITA
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    When the band found it necessary to change their name from Panic in 1977, it was Greg Ginn's brother Raymond Ginn, under the pseudonym Raymond Pettibon, who suggested the new name Black Flag and designed their iconic logo: four vertical black rectangles comprising a stylized rippling black flag. The logo evoked a number of meanings: it was the polar opposite of a white flag of surrender, as well as a symbol for anarchism and a traditional emblem of pirates. As the band gained popularity the logo was graffitied on numerous highway overpasses and other public and private surfaces in and around Los Angeles, drawing the attention of the authorities and contributing to an increase in police presence at Black Flag shows.
    Tattoos of the Black Flag logo have become widespread since its creation. In 2009, a project entitled Barred for Life was started by a Philadelphia based group to photograph people with Black Flag tattoos for an upcoming book.

    Barred For Life
    http://www.barredforlife.net/
    SCHWITA
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    Pink Floyd & Hipgnosis

    Hipgnosis (Storm Thorgerson, Aubrey Powell, Peter Christopherson) was an English art design group based in South Kensington, London, that specialised in creating cover art for the albums of rock musicians and bands until 1983. One notable fact was that Hipgnosis did not have a set fee for designing an album cover but instead asked the artists to "pay what they thought it was worth", a policy that only occasionally backfired according to Thorgerson in his book on album cover design.


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    Pink Floyd - The Dark Side Of The Moon (1973)
    design: Hipgnosis, George Hardie

    The design represents three elements; the band's stage lighting, the album lyrics, and Richard Wright's request for a "simple and bold" design. The spectrum of light continues through to the gatefold. The light band emanating from the prism on the album cover has six colours, missing indigo compared to the traditional division of the spectrum into red, orange, yellow, green, blue, indigo and violet. (An actual prism would exhibit a continuous spectrum with no defined boundaries between colours, and colour separation would be present inside the prism.)


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    Pink Floyd - Wish You Were Here (1975)
    design: Hipgnosis, George Hardie

    The concept behind "Welcome to the Machine" and "Have a Cigar" suggested the use of a handshake (an often empty gesture). The album's cover image was inspired by the idea that people tend to conceal their true feelings, for fear of "getting burned", and thus two businessmen were pictured shaking hands, one man on fire. "Getting burned" was also a common phrase in the music industry, used often by artists denied royalty payments. Two stuntmen were used, one dressed in a fire-retardant suit covered by a business suit. His head was protected by a hood, underneath a wig. The photograph was taken at the Warner Bros. studios in Los Angeles. Initially the wind was blowing in the wrong direction, and the flames were forced into Rondell's face, burning his moustache. The two stuntmen changed positions, and the image was later reversed.


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    Pink Floyd - Animals (1977)
    design: Hipgnosis, Roger Waters

    A view of Battersea Power Station was chosen for the cover image, and the band commissioned German company Ballon Fabrik (who had previously constructed Zeppelin airships) and Australian artist Jeffrey Shaw to build a 30 feet (9.1 m) porcine balloon (known as Algie). The balloon was inflated with helium and manoeuvred into position on 2 December, with a trained marksman ready to fire if it escaped. Unfortunately inclement weather delayed work, and the band's manager Steve O'Rourke neglected to book the marksman for a second day; the balloon broke free and disappeared from view. It eventually landed in Kent and was recovered by a local farmer, who was apparently furious that it had "scared his cows". The balloon was recovered and filming continued for a third day, but as the early photographs of the power station were considered better, the image of the pig was later superimposed onto one of those.
    SCHWITA
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    The Rolling Stones - Their Satanic Majesties Request (1967)
    - photograph: Michael Cooper

    First three-dimensional picture cover in history. When viewed in a certain way, the lenticular image shows the band members' faces turning towards each other with the exception of Jagger, whose hands appear crossed in front of him. Later editions replaced the glued-on three-dimensional image with a photograph, due to high production costs.
    SCHWITA
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    The Beatles - Sgt. Pepper's Lonely Hearts Club Band (1967)
    - art direction: Robert Fraser, design: Peter Blake, Jann Hawworth, photography: Michael Cooper

    The collage depicted around 60 famous people, including writers, musicians, film stars, and (at Harrison's request) a number of Indian gurus. Adolf Hitler and Jesus Christ were requested by Lennon, but ultimately they were left out. The final cost for the cover art was nearly £3,000 (equivalent to £40,606 today) an extravagant sum for a time when album covers would typically cost around £50.
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