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    ztracené heslo?
    VEXKoncept, inspirace, postupy a souvislosti v hudební tvorbě
    DANCHEZ
    DANCHEZ --- ---
    U.S. Library of Congress builds royalty-free hip-hop sampling site | MusicTech
    https://www.musictech.net/...j/?fbclid=IwAR1s-233KBCwj20MAsRVJ8Hhym_1Q4IYZsk7aMlnpeMGS4UA-yX8kko6ouA
    VEX
    VEX --- ---
    Ableton:
    Our book, Making Music: 74 Creative Strategies for Electronic Music Producers, is temporarily free to download in .pdf, .mobi, and .epub format.

    https://cdn-resources.ableton.com/resources/uploads/makingmusic/MakingMusic_DennisDeSantis.pdf
    CHINOXR
    CHINOXR --- ---
    ARCHITECH: genialni soundtrack , bavil me snad vic nez ta hra
    LAZARIUS
    LAZARIUS --- ---
    ARCHITECH: tohle je hrozně dobrý
    ARCHITECH
    ARCHITECH --- ---
    DOOM: Behind the Music
    https://www.youtube.com/watch?v=U4FNBMZsqrY


    Celý zajímavý, ale primárně část od 17. minuty, kde popisuje jak vytvořil "Doom instrument".
    UNDERMEDIA
    UNDERMEDIA --- ---
    možná nic žhavého, ale přijde mi fajn rozhovor ...

    Thomas Fehlmann: Beyond The Orb : Ask.Audio
    https://ask.audio/articles/thomas-fehlmann-beyond-the-orb
    VEX
    VEX --- ---
    Pop Mixing Masterclass with Tony Maserati [Beyoncé, Usher, Jason Mraz, Black Eyed Peas]
    https://www.youtube.com/watch?v=Tk-WE2C20-c
    DANCHEZ
    DANCHEZ --- ---
    VEX
    VEX --- ---
    Jordan Peterson on How Creative You Are
    http://www.youtube.com/watch?v=pKZYS3fFTc8
    VEX
    VEX --- ---
    Mixing Masterclass with Bob Power [MixCon 2017]
    http://www.youtube.com/watch?v=cHxMsawJsTc
    PNXNTDD
    PNXNTDD --- ---
    10 Music Documentaries worth watching on Netflix | DJMag.com
    https://djmag.com/content/10-music-documentaries-worth-watching-netflix
    PNXNTDD
    PNXNTDD --- ---
    The Art of Listening - Music Documentary (2017)
    https://www.youtube.com/watch?v=3_5MnvCUvDU
    DANCHEZ
    DANCHEZ --- ---
    zajimave:)
    Polyrhythms are Polypitch - live @ Ableton Loop, Berlin
    https://www.youtube.com/watch?v=-tRAkWaeepg
    ACID7
    ACID7 --- ---
    Přehled dílů — Jak se kalila hudba — Česká televize
    http://www.ceskatelevize.cz/porady/11577938776-jak-se-kalila-hudba/dily/
    VEX
    VEX --- ---
    BRKODLAK: Občas zkouším svoje technický nedostatky ještě zvýraznit a udělat z nich přednosti. Negativní stránka věci je, že se vzdálim žánru, ale už sem se nastavil na "who cares".
    ACID7
    ACID7 --- ---
    CYBI
    CYBI --- ---
    Lockjaw
    3 hod ·

    Pro-tip: A lot of the time, it pays off to ignore and just stop listening to a lot of the music you want to emulate or try and write.
    In the world of drum and bass, it's very easy to get caught up in the technical side of things, get obsessed over drum sounds and how people make basses and sidechain synths and weather or not your tune is up to scratch. While it's important to be technically proficient, I believe the best tunes get written when people go off on their own tangents, say "screw it" and get lost in their own tangents.
    This all sounds very abstract and workplace motivational poster-ey so here's some things you can actually do:
    1. Instead of constantly A/Bing your tunes with others as you work, instead just focus on your own and think of how to add to or improve it on your own terms. I think it's fine, however, to reference your tune at different points against other tunes to ensure you're keeping the production and technical side at a competitive level.
    2. Come up with a strange idea or production technique or goal and try to execute it. There are no "correct" ways to achieve sounds, if it works it works. I can guarantee that getting lost in strange synths and going down deep, weird producing rabbit holes will yield some of the best and most unique results. Sometimes you just gotta duplicate that bass 5 times to get the right layers.
    3. Listen to a lot of non-drum and bass and get inspired by that. There are literally millions of different ways to take inspiration and steal ideas from different genres; mix-wise, arrangement-wise, timbre-wise, etc etc.
    4. Come up with simple ideas or sound palettes in your head whilst not working on music to work on. I like to come up with simple rhythms in my head during the day as starting points for tunes, I like to imagine writing tunes with a certain timbral quality or focus on a texture and I also like seeing what things come into my head when I see movies or music videos with cool combinations of visuals and music.
    5. Focus on your strengths. After you've been writing tunes for a while, you'll probably notice you tend to subconsciously gravitate towards certain sound, styles and techniques. It's usually a good idea to keep focusing on these and hone in on them. There were certain things and ideas I wanted desperately to bring into existence when I started producing which I just failed to do repeatedly, for years. Over time though, I've figured out a workflow and learned better ways to get down things which I know work better, and get faster at it too. This process is also handy as it helps you develop your own sound as you refine your idiosyncrasies into unique, musical virtues. The things that can set you apart from everyone else doing the same thing as you are the tendencies and things you discover yourself during production.
    Just some ideas for y'all. Or not. Whatever, man.
    BRKODLAK
    BRKODLAK --- ---
    VEX: hele to mám od začátku tvorby, tu neschopnost posoudit vlastní výtvory. trochu pomáhá si to poslechnout aniž bych to hrál sám, ale jde o hraní v kapele, pro elektroniku asi nepoužitelný :-/
    VEX
    VEX --- ---
    NOOLY: Sám moc dobře nevim kam se zařadit, jsem teď na rozcestí a zkoušim všechno možný. Dneska už používám jen tři nástroje - waldorf blofeld, virus b a zoom h4n. Možná hardware proti vst už dneska zaostává, ale na druhou stranu mi to pomohlo dělat ušima, když jsem se alespoň částečně odpoutal od DAW. S tím nenuceným mixem souhlasím. Vybavuju si, že nápady, který mi zněly od začátku dobře, při mixu tolik práce nevyžadovaly.
    NOOLY
    NOOLY --- ---
    VEX: Dulezity je uz vyber nastroju, coz je urcujici pro skutecnost, jak bude cela kompozice znit dohromady. Nevim, co delas za zanr, ale inspirovat se v ramci zanru od nejlepsich je vzdy prospesna vec. Podle me se "dobry" veci pisou tak, ze mix je radost a ne boj, proste to pohromade funguje uz pred mixem.
    Kliknutím sem můžete změnit nastavení reklam