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    GUMAGUARmoderní :: postmoderní :: současné umění




    "My favorite art is the art I don't understand." Pae White
    "Umění chce tvořit konečnost, která vrací nekonečno." Deleuze a Guattari
    "The ‘value’ of particular artists after Duchamp can be weighed according to how much they questioned the nature of art; which is another way of saying “what they added to the conception of art” or what wasn’t there before they started. Artists question the nature of art by presenting new propositions as to art’s nature. And to do this one cannot concern oneself with the handed down ‘language’ of traditional art, since this activity is based on the assumption that there is only one way of framing art propositions. But the very stuff of art is indeed greatly related to ‘creating’ new propositions. That there is no ‘truth’ as to what art is seems quite unrealized." Peter Coffin z rozhovoru

    než začneš diskusi o tom, o co je to umění, čti: 1, 2, 3, 4, 5 - krátký a čtivý úvod do kritiky umění
    rozbalit záhlaví
    UNCLEAN
    UNCLEAN --- ---
    KHALAVERA: tohle je bomba !
    KHALAVERA
    KHALAVERA --- ---
    Chiara Minchio









    KHALAVERA
    KHALAVERA --- ---
    Stefan Saffer



    Hokus (2007)




    Jackson and Me (2004)
    marker on back side of a poster showing the work by Jackson Pollock "Nr.11"




    Tentobee (1994)
    Outdoor Installation of 43 different camping tents arranged in rectangle




    Three Balconies (2004)




    Moskovita (2004)




    World Receiver, (2008)




    youfuckedup (2004)
    color pencil on paper, cut-out, shadow on the wall




    Worlds Fair Utopia, (2008)


    http://stefansaffer.com
    KHALAVERA
    KHALAVERA --- ---
    Helene Appel















    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---
    Ouattara Watts













    KHALAVERA
    KHALAVERA --- ---
    MAHISH
    MAHISH --- ---
    KHALAVERA: u toho jsem si vzpomněl na jméno Jules Verne oO ačkoli jsem ho nikdy nečetl, ale asi jsem zahlédl nějakou ilustraci podobných oldskůlových scifi:)
    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---
    ITSX
    ITSX --- ---
    VYKUTALENA
    VYKUTALENA --- ---
    Ahoj potrebovala bych poradit.Nevite nekdo nahodou jak se menuje ten covek jak ma na hlave tu krabici s tema trema dirkama a je focenej trebas na sidlisti v tramvaji a tak ,takova serie je to.Je to cech..
    dik za info pokud vite
    SGNLR
    SGNLR --- ---
    SELAVIE
    SELAVIE --- ---
    KHALAVERA: No to je uchylny :D
    WAKO
    WAKO --- ---
    KHALAVERA: zajimavy
    KHALAVERA
    KHALAVERA --- ---
    Peter Regli



    Reality Hacking No. 80, Furka Region, Uri, Switzerland, 1997
    Series of red and white wooden poles (300 cm) installed and abandoned.




    Reality Hacking No. 75, Diga Foranea, Genova, Italy, May 1997
    Driftwood placed in a former sailors’ monument on the harbor jetty in Genoa.




    Reality Hacking No. 135, Fraumünsterpost, Zurich, Switzerland, 16 April – 17 May 1998
    The mechanism of the tower clock at the post office was manipulated, so that the left clock would run symmetrically backwards for the duration of an exhibition at Helmhaus Zurich across the river.




    Reality Hacking No. 156, Cattle Scrabble, Buyeros, New Mexico, USA, 23 May 1999
    White letters painted on 65 cows.




    Reality Hacking No. 155, Killing Time, Buyeros, New Mexico, USA, 1998, project pending
    Clay pigeon shooting with 200 kitchen clocks




    Reality Hacking No. 175, Walk/Talk, New York, USA, 12 January 2000
    Slightly manipulated traffic sign on lower Broadway.




    Reality Hacking No. 194, Vaison la Romaine, France, 4 June 2002
    During midsummer night, the celtic stone circle mysteriously received an additonal stone.




    Reality Hacking No. 218, For the Birds, Los Angeles, USA, May 2004, project pending
    In Los Angeles I filmed birds sitting on five telephone wires crossing La Cienega Blvd. The position of the birds and the time of their arrival and departure will be transposed into a composition to be performed by the ensemble for new music zurich.



    http://realityhacking.com
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