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    GUMAGUARmoderní :: postmoderní :: současné umění
    PASHWAKA
    PASHWAKA --- ---
    SUSAN COLLIS: SWEAT





    Substance Misuse III, 2006, Biro on paper



    On Vacation, 2008, Biro inks and pencil on paper



    For SWEAT, Susan Collis' second solo exhibition at SEVENTEEN, the intense labour underpinning much of her detailed practice is laid bare before the viewer. In addition, a playful yet considered engagement with two distinct modes of production - the industrial and the hand made - runs throughout the exhibition.

    The space will be dominated by the bustle of ongoing productivity, a team of workers sitting at tables produce what appear to be laundry bags, the type of which you find at markets and thrift stores around the world. However, divorced from the type of rapid process that would ordinarily mark the production of such a ubiquitous commercial object, the workers instead pour intensely over sheets of Fabriano paper. With delicate precision, using only pencils and biro pens, they slowly mark out the bag pattern upon the surface of the paper. When fully patterned, the paper will be cut and assembled by the workers in order to form an object that straddles the status of both drawing and sculpture while appearing, on first look at least, to be neither. Standing in front of one of these works, it appears to have the perfect semblance of an everyday, nearly disposable item - only upon further detailed examination does the punitive hand made production value of the object become evident.

    For SWEAT Collis has constructed a world in which values according to production are realigned and reconsidered. A world in which the smiling benevolent gallerist is transformed into factory foreman via a portrait commissioned by the artist and which hangs directly over the workers as they go about there good work... A world in which a mundane digital clock that governs the flow of the working day and orders the operations of the workers inside the gallery space is in fact a video composed of individual drawings laboriously unified into a single via stop-frame animation. Indeed, a world in which, with the construction of a pseudo industrial scene of productivity, the idea of artist as virtuoso producer of rarefied objects is rallied against in favour of a more open-ended exploration of artistic praxis.

    Collis draws attention to the systems employed to produce her work, so much so that production - it's conditions and multivalent modes - becomes the work itself. Crucially, this renders the object nothing other than the necessary documentation of a greater performance, a performance of on-going creation undertaken by the artist and which, momentarily at least, transcends the idea of the finished work or final object.

    PV Thursday 11th September.

    http://www.seventeengallery.com/index.php?p=3&id=32&iid=0
    FACEO
    FACEO --- ---
    M_ABRAMOVIC: myslim ze nie ;)
    ENTER
    ENTER --- ---
    When you were a child, did you want to become an artist?

    "No, i wanted to become a designer, but i wasn’t smart enough."

    Maurizio Cattelan


    "Untitled" (2007)


    "La Nona Ora/The Ninth Hour" (1999)


    "A perfect day" (1999)


    "Bidibidobidiboo" (1996)


    "If a Tree Falls in the Forest and there Is No One around It, Does It Make a Sound?" (1998)


    "Marble" (2007)


    "Love Saves Life" (1995)


    "Love Lasts Forever" (1997)


    "Frank and Jamie" (2002)


    "Untitled" (2002)


    "The Wheel" (1999)


    "Novecento" (1997)

    http://www.mauriziocattelan.org/
    http://www.galerieperrotin.com/artiste-Maurizio_cattelan-5.html#
    KHALAVERA
    KHALAVERA --- ---
    Petra Cortright - 9:31am
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    www.petracortright.com/ - 164k - Cached - Similar pages

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    http://www.artfagcity.com/2007/03/27/petra-cortrights-webcam-video/
    http://www.onequestioninterview.com/2008/05/petra-cortright.html
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    nechce sa mi klikat, ci tu bol. ///

    Shintaro Miyake


    Someday, 2008.


    exhibition, feb 07




    baloniky na minotauta padaju.. Minotaurus vs. Kraken, performance, Salzburg

    //////////// klik klik klik na ine priserky, potvorky a zvieratka
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    KHALAVERA: !!!!!!
    TEAPOD
    TEAPOD --- ---
    A hlavně že diky tomu chlápkovi co dělál ten portrét, jsem pochopil že velkolepá grafika Vibrone ( nebo jak byl ten červený plakát ) je dělána pluginem pro fotošop od tady to chlápka co dělál ten portrét. ( myslím ten s gradacemi )
    http://farm4.static.flickr.com/3075/2810939839_17c8736479_o.jpg
    ATOMIC
    ATOMIC --- ---
    KHALAVERA: no slušná sérka.
    TEAPOD
    TEAPOD --- ---
    KHALAVERA: oooooooo, děkuju moc, nejlepší!
    KHALAVERA
    KHALAVERA --- ---


    Club Internet

    nová sada... http://www.clubinternet.org/
    KHALAVERA
    KHALAVERA --- ---
    Todd Gray


    California Missions










    Shaman Series








    http://toddgrayart.com
    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---


    Martijn Hendriks

    Untitled (12 glowing men)
    2008
    Color and black and white video, sound
    4 min 10 sec

    http://12glowingmen.com/


    http://www.martijnhendriks.com/
    http://www.artlurker.com/2008/08/martijn-hendricks-interview-by-committee/
    KHALAVERA
    KHALAVERA --- ---
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    ENTER: z tych malych curakov nemozem. haaaaaaaaaaa. prepacte mi.haaaaaaaaaaaa
    ENTER
    ENTER --- ---
    Niels Osthorst
    http://www.niels-osthorst.de


    Martyrium des Heiligen Sebastian (2002)
    Acryl auf Holz, 93x103 cm


    St Sebastian (2002)
    Acryl auf Holz, 50x110 cm


    Marter des heiligen Sebastian (2004)
    Acryl auf Nessel, 50x60 cm


    St Sebastian (2005)
    Acrylic on canvas, 50x60cm
    SEEKER
    SEEKER --- ---
    MANYA: taky to neni dizoš, žejo.
    MANYA
    MANYA --- ---
    KHALAVERA: hh moc dobré, hlavně ten nápad s tím ptákem! Prakticky ale naprosto nepoužitelné :)
    Kliknutím sem můžete změnit nastavení reklam