lol, z rozhovoru s Ćosićem:


Tilman Baumgartel: There is one piece on Nicholas Negroponte on your website too. What is that about?

Vuk Cosic: When Negroponte came to Ljubliana, I had a big fight with him, and we interrupted his speech. Luka Frelih and I went around the city spraying graffiti: "Wired = Pravda". I made it look like a secret internet terrorist organisation. On the website we compare him to Tito. But we did it without fanatism.

krutá esej :)
http://www.netzliteratur.net/cramer/pornography/london-2005/pornographic-coding.html

Motto:"Ale joo proc nee"odpovedel Micac a dostal." (Gato;Soumrakodlak II.)
Ma esej o mapovani kyberprostoru ke stazeni zde
Kritiku a obzvlast upozorneni na hlody a nesmysly predem vitam:)

Aesthetic Conditions in Art on the Network: beyond representation to the Relative speeds of hypertextual and conceptual implementations
http://switch.sjsu.edu/web/v4n2/brett/index.html

Art in the Age of Technological Seduction
http://www.newmediacaucus.org/media-n/current_table.htm

Interview with Vuk Ćosić
http://www.heise.de/tp/r4/artikel/6/6158/1.html

TAGallery by CONT3XT.NET extends the idea of a tagged exhibition and
transfers the main tasks of non-commercial exhibition-spaces to the
discourse of an electronic data-space. The method of tagging allows
the attribution of artworks to different thematic fields. In
TAGallery the act of selecting and recombining -- besides
chronologically ordered show-rooms, exhibition-titles in a
semantically concentrated form and various ways of contextualizing
the presented artworks -- will be published as well: The continuous
progression of curating can be followed by the public, using
newsfeeds.

__ to the gallery [ http://del.icio.us/TAGallery ]

Our love affair with computers, computer graphics, and computer networks runs deeper than aesthetic fascination and deeper than the play of the senses. We are searching for a home for the mind and heart. Our fascination with computers is more erotic than sensuous, more spiritual than utilitarian. Eros, as the ancient Greeks understood, springs from a feeling of insufficiency or inadequacy. Whereas the aesthete feels drawn to casual play and dalliance, the erotic lover reaches out to a fulfillment far beyond aesthetic detachment.

http://project.cyberpunk.ru/idb/erotic_ontology_of_cyberspace.html

MANCA: Diky, podivam se na to.

PONKIE: Adam Greenfield, ale trochu vic general ne primo internet, myslim
ale to se taky muze hodit...

SUBTALK: Zajima me pohled uzivatele/obcana/mozna spolecnosti. Jde mi o trade off mezi novymi sluzbami, moznostmi a svobodou a soukromim.

jedna z "výhod" :))
http://www.notbored.org/the-scp.html

PONKIE: a osobne, ktora perspektiva ta zaujima viac? ake (ne)vyhody to prinasa organizaciam alebo ake (ne)vyhody to prinasa prijemcom/spotrebitelom/uzivatelom? Lebo to je dolezite a ten ADAMMov Foucault by v tom mohol urobit zmatok :)

SUBTALK: Nemam tady ted presnou osnovu doresenou s vedouci (delal jsem to uz pred rokem), ale ma to byt nejak takhle: Nejprve vysvetlim, co je to surveillance, jak meni soucasnou spolecnost.. pak to chci navazat na stale vetsi pouzivani internetu a to, ze lidi sverujou stale vice citlivych informaci bez uvazeni ruznym sluzbam (treba google, ktery indexuje kazdej email, kazde vyhledavani, chaty v googletalku atp.) a pak nejake zamysleni nad tim, jake jsou potencialni hrozby.
Idealni by bylo, kdybych pak mel i nejake prakticke priklady, kde bych ukazal, jak se spojuje tohle pomale sebeodhalovani lidi na netu se ve spojitosti s korporatnim spehovanim.

mozna by nekoho mohlo zajimat DEAF – Dutch Electronic Art Festival

michel foucault, tedy...

PONKIE: Dohlížet a trestat: kniha o zrodu vězení. Praha : Dauphin, 2000. 427 s. ISBN 80-86019-96-9

PONKIE: takze interdisciplinarne :) ak sa ti chce, napis v kratkosti co si takto na prvy pohlad o e-surveillance myslis.
mam nejake zaznamy, mozem ti ich posunut, ale najprv trochu specifikuj svoj nazor