Pension Reform 2020 France | Vladimír Turner
http://sgnlr.com/works/inside/pension-reform-2020-france/

Berlíňan a umělec Simon Weckert vymyslel způsob, jak obelstít dopravní mapy na Googlu. Do malého nákladního vozíčku dal 99 mobilů, se kterými chodí po městě a finguje tak dopravní zácpy.

https://magazin.aktualne.cz/...99-mobily-vytvari-na-googlu-umele/r~803979d8466211ea9b40ac1f6b220ee8/

SGNLR: tak u nas je to asi obzvlast posunuty kdyz prazskou kunsthalle nezakladaj umelci, ale ex-uhlobaron co okrad ex-uhlobarona co ukrad celej dul...

GUMAGUAR: me popravde u Jeremy Dellera tohle taky prekvapilo, ale obecne se spis posledni dobou divim, ze to uz nikoho neprekvapuje a pripadam si jako idiot, kdyz se vubec opovazim o necem takovym mluvit. Cesky "levicovy kriticky umelci" soutezej v zavodech, kdo je lepsi umelec pod hlavickou JT banky a nikomu to divny neprijde

AAHHWISEGUY: nojo, Gucci patří do finančního impéria podnikatele Francoise Pinaulta, což je jedna z nejvlivnějších osobností na světové umělecké scéně - sběratel a mimochodem také majitel dvou benátských muzeí Punta della Dogana a Palazzo Grassi, kde byla například poslední velká výstava Damiena Hirsta... a časopis Frieze rozhodně není antikapitalistický plátek... takhle to ve světě "vysokého" umění (bohužel) chodí, prachy, prachy, prachy

AAHHWISEGUY: Ja za to nemuzu

Film written and directed by Jeremy Deller, explores the social history of the UK between 1985 and 1993 through the lens of acid house and rave music. The film is based on a real-life lecture given to a class of students in London.

"Everybody in the Place" by Jeremy Deller | Frieze & Gucci
https://www.youtube.com/watch?v=N0xtv-bWYbQ

SGNLR: jo tohle je ten festival. Urcite doporucuju navstivit. Ja jsem si tam pripadal jak na takovym radikalnim Bienale, ale pomerne blizko od Prahy:)

steirischer herbst ’19: Grand Hotel Abyss
https://www.steirischerherbst.at/en/

na podzim jsme vystavovali na velkym umeleckym festivalu v Grazu a byla to dost ruznoroda prehlidka netradicnich prostoru, ale i bilejch kostek a kunsthalle. site-specific akce, kazdej den doprovodnej program... vystavy byly dost radikalni, nejen formou ale i politicky.

me se nejvic libil gruzinskej film od Giorgi Gago Gagoshidze, instalovanej v tomhle baroknim palaci, o volny ruce trhu(je to videt na konci reportaze)

Installations at Palais Attems
https://vimeo.com/372631032


jinak je videt vsude rozsirenej posun k dokuentarnim postupum..

Putin's Happy
https://vimeo.com/377776060

HUMAN STRIKE- teaser
https://vimeo.com/348038542


Human Strike
Site– specific happening with 30 participants, drone video documentation
Besançon_ 2018
Drone footage_ Antoine Bonzon
Photos_ Elisa Murcia Artengo

This situation in public space happened symbolically on Place De Revolution in Besançon on 50th anniversary of 1968 revolts. Word “grève” is French for “strike”.



“Human strike can be a revolt within a revolt, an unarticulated refusal, an excess of work or the total refusal of any labour, depending on the situation. … But human strike is a pure means, a way to create an immediate present here where there is nothing but waiting, projecting, expecting, hoping…This type of strike that interrupts the total mobilization to which we are all submitted and that allows us to transform ourselves, might be called a human strike, for it is the most general of general strikes and its goal is the transformation of the informal social relations on which domination is founded.”

Forbidden Fruit 2019 | Vladimír Turner
http://sgnlr.com/works/outside/forbidden-fruit-2019/



Forbidden Fruit
Public intervention

„Just as the tree of life, standing in the midst of paradise, means regeneration and a return to the original state of perfection, Turner’s tree with sprouting cobblestones instead of fruit represents a symbol of renewal and the desire to establish new, fairer conditions. It is an expression of resistance to the existing power structures and their repressive apparatus, simultaneously expressing disapprovaIot any form of subordination and conformism. Although the tree is located in an almost deserted place, practically hidden from people’s eyes. it paradoxically personifies primarily the voice of the street, as the prime instigator and mover of social change. Thus, if the tree of knowledge is in many traditions associated with the first man and his fall, Turner’s tree can be conceived as a symbol of the beginning of a new tradition and new rise of human beings.“