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    GUMAGUARANGAZOVANE UMENI / umeni vs. politika a společnost --- aktivismus, propaganda, kritika, subverze NOVÉ: 666
    VOYTEX
    VOYTEX --- ---
    CABOWITZ: heskii. pro lidi bez FB uctu
    Flyerservice Hahn – by ZPS
    https://afd-muell.de/
    https://twitter.com/politicalbeauty
    CABOWITZ
    CABOWITZ --- ---
    nebylo? velka parada :) - letakova antikampan Zentrum für Politische Schönheit proti AfD
    Přihlásit se k Facebooku
    https://www.facebook.com/MatejLuptak2/posts/10220139115089501
    SMYSLOV
    SMYSLOV --- ---
    HYNEK: :DD
    HYNEK
    HYNEK --- ---
    :))

    Sedm českých umělců založilo FIRMU, musí být manažery vlastního úspěchu — ČT24 — Česká televize
    https://ct24.ceskatelevize.cz/kultura/3382740-sedm-ceskych-umelcu-zalozilo-firmu-musi-byt-manazery-vlastniho-uspechu

    „Dlouho nevznikla výraznější výtvarná skupina, proto jsme se dali dohromady. Změnila se doba a my na to chceme reagovat,“ říká jeden z členů FIRMY Pasta Oner. K zakladatelům patří také Michal Cimala, Jan Kaláb, Martin Krajc, Matěj Olmer, Michal Škapa a Karel Štědrý. Nemají sice společný výtvarný styl, názorově se ale shodnou na tom, jaké je být umělcem jednadvacátého století.
    GGG
    GGG --- ---
    Private Views: A High-Rise Panorama of Manhattan - Andi Schmied – Book Therapy
    https://booktherapy.cz/products/private-views-a-high-rise-panorama-of-manhattan-andi-schmied
    VOYTEX
    VOYTEX --- ---
    Credit Suisse closing my account, says Chinese artist Ai Weiwei | World | The Times
    https://www.thetimes.co.uk/article/chinese-activist-ai-weiwei-says-credit-suisse-closing-his-foundations-account-lqwjhtbz0
    SGNLR
    SGNLR --- ---
    TERROR NULLIUS - Video & Film - e-flux
    https://www.e-flux.com/video/416793/terror-nullius/

    Part political satire, part eco-horror, part road movie, TERROR NULLIUS is a political revenge fable constructed entirely from samples pirated from the Australian cinema cannon. Binding together a documentary impulse with speculative muckraking, Soda Jerk’s revisionist history opens a queer narrative space where cinema fictions and historical facts permeate each other in new ways. The apocalyptic desert camps of Mad Max 2 become the site of refugee detention, flesh-eating sheep are recast as anti-colonial insurgents, and the women of Australian cinema go vigilante on Mel Gibson. Working within and against the official archive, Soda Jerk’s feature remix offers an incendiary un-writing of Australian national mythologies. Funded by the Ian Potter Moving Image Commission in 2016, TERROR NULLIUS was notoriously disowned by the organization just days prior to the film’s premiere in 2018. Offended by its politics, Ian Potter’s Board of Trustees described the work as “a very controversial piece of art” and “unAustralian.” The Guardian named the “dizzyingly ambitious satirical work” one of the best Australian films of the decade.
    GGG
    GGG --- ---
    Affect and Colonialism: Call for Digital Fellows for Web Lab | On the Move
    https://on-the-move.org/news/affect-and-colonialism-call-digital-fellows-web-lab
    HYNEK
    HYNEK --- ---
    Ve ctvrtek 16. zari v Oku zadarmo tento film - je v nem mimo jine rozhovor s typkem, ktery v Cine vymyslel system socialnich kreditu. Spolu s nim kratky dokument o biometrickych kamerach v Cesku.

    Vice info: [BIG BROTHER FILM FESTIVAL]

    Bio Oko bude ve čtvrtek 16. září plné kamer na rozpoznávání tváří - Digitální svobody
    https://digitalnisvobody.cz/blog/2021/09/03/bio-oko-bude-ve-ctvrtek-16-zari-plne-kamer-na-rozpoznavani-tvari/

    "Tous surveillés : 7 milliards de suspects" (le 21 avril 2020 à 20h55 sur ARTE)
    https://www.youtube.com/watch?v=-0e2iKrd5og
    SGNLR
    SGNLR --- ---
    v pristim roce vyjde knizka Political Art od Gestalten. Pokracovani "bible" Art & Agenda



    The Art of Protest: Political Art and Activism: gestalten, Gavin, Francesca, Bieber, Alain: 9783967040111: Amazon.com: Books
    https://www.amazon.com/Art-Protest-Political-Activism/dp/3967040119

    Thanks to art’s ability to communicate and influence, it has always had a charged relationship with activism and politics. And, given the tumultuous times in which we live, with traditional democracies being challenged from all sides, the changing climate, global movements for social justice, and political upheaval causing millions to search for a better life abroad, this relationship has never been more important. The Art of Protest will explore the connection between art, politics, and activism today, revealing how, over the past decade, artists have been engaging with political and social issues of all kinds, through different artistic mediums.
    SGNLR
    SGNLR --- ---
    GGG
    GGG --- ---
    Drugs in the Art World – a panel discussion

    Drugs in the Art World – a panel discussion | The Wise Fool Art podcast
    http://wisefoolpod.com/drugs-in-the-art-world-a-panel-discussion/?fbclid=IwAR3GCFSfWpH9zROFd53cdVYWEx8iMZOGwvSZvk1XxxH8YMftRl-vyEloOMg
    ZZUZI
    ZZUZI --- ---
    pozvánka na Big Brother film festival v zářijové Praze
    Kamery rozpoznávající tváře, úprk od Google a digitální disidenti. Filmový festival Velkého bratra poodhaluje program - Digitální svobody
    https://digitalnisvobody.cz/blog/2021/08/13/kamery-rozpoznavajici-tvare-uprk-od-google-a-digitalni-disidenti-filmovy-festival-velkeho-bratra-poodhaluje-program/
    SGNLR
    SGNLR --- ---


    POSTTRAUMATIC
    https://theposttraumatic.com/


    The Posttraumatic is a newspaper created by creatives and artists.

    Why a newspaper? We believe that a newspaper is an important link between our social reality (built over the centuries by three-headed monsters and the occasional fairy godmother) and the individuals who live in it, because it is an essential communication element and because its content is a fucking drama almost always

    When Ulrich Beck, a literate man, assures us that “the media does not respond to the inspiration of the enlightenment but to that of the market and capital” we can only read the news with a distrustful and defenseless frown. Uncle Sam manipulates us to his likings and we satisfy our appetites by feasting on his words as if they were cocaine-coated cookies that only serve to fatten the need to win over arguments at our neighbor’s dinner-table conversations. We do not know if the information we swallow is invented, bought, if they are news clippings curated by a 4channer´s paranoid imagination, or if it is an objective, absolute, eternal truth.

    The newspaper is a very common object around us that needs to be reviewed and, the one that you have in your hands, although it does not pretend to be ideal, intends to be a breath of fresh air.

    Based on these fatalistic, dramatic and somewhat depressing theories on news and their consumption, 39 artists were contacted and each one was granted with a space, a sort of an article, to do whatever they wanted with it. It has not been intended to generate any specific ideological discourse and there is no gift flag.

    The concept of the newspaper has served us as a starting point but we don’t know if we would know how to define the result. Any description could seem reductionist, so we are going to limit ourself to saying that it is the outcome of an experiment and, although this description is unsatisfying, it is the only one that we dare to give.
    SGNLR
    SGNLR --- ---






    Greenwashing 2021 Luhačovice | Vladimír Turner
    http://sgnlr.com/works/outside/greenwashing2021-luhacovice/

    Many corporations started to present themselves as environmentally friendly while they just adapt to new climate situation so they can continue their business. These marketing strategies are smoke screen to hide real problems. They push consumer to feel personal guilt if he/she can not buy bio, fair-trade, organic products etc. There is a long list of various corporations like airlines, fossil industry, chains of food supplies, car manufacturers, … We can find greenwashing strategies even within political propaganda.

    I created this installation in the cheapest way so it looks like theatrical scenery and it’s fakenes is glaring. Fake grass in contrast with the real one is just as absurd as greenwashing agenda of billionaires and their corporations. Unskillful way of this construction from its backside is in contrast with clean frontside facade. The same as advertisement provides us: beautiful packaging but rotten from inside.

    All the material from this piece will be reused in different context.Thanks to production team of Luhovaný Vincent
    VLKSAMOTAR
    VLKSAMOTAR --- ---
    SGNLR: ale prosimtě! :)
    SGNLR
    SGNLR --- ---
    VLKSAMOTAR: paráda. je tě tu škoda v tomhle buranově!
    VLKSAMOTAR
    VLKSAMOTAR --- ---
    VOYTEX: díky!
    Dobré, že sis všiml, chtěl jsem, aby ta věta byla lehce ponižující, ale zároveň, aby to nešlo na první poznat. Tak takový lopato vtípek. :)
    VOYTEX
    VOYTEX --- ---
    VLKSAMOTAR: Vyborny.

    (Jen drobna nekonzistetnce ve videu s VK, hlas rika "wrote a scholarly essay", zatimco v textu je "wrote an essay".)
    VLKSAMOTAR
    VLKSAMOTAR --- ---
    Příspěvky na výstavu "Supermarket Museum".
    Pohled na dávno zrušené supermarkety z perspektivy roku 2050.

    ––––––––––––––––––––––––––––––––––––

    Supermarket VR
    Idea, director, post-production: @horylesy
    DOP: Martin Matěj
    Sound design: Jonáš Kucharský

    The Supermarket Museum VR
    https://youtu.be/mGuJNgx-8X0


    Supermarkets try to hide information about how the food they sell was produced. Industrial methods of food production have damaged entire ecosystems - destroying biodiversity, the climate, the soil, the health of people and other creatures.
    Fresh food, distinctive packaging design, discounts, all of this, along with smiling staff and elevator music, made for a calm and comfortable shopping experience. The huge basket invites you to fill up, and the supermarket is so huge that you are bound to get hungry sooner or later when you visit.
    Supermarket VR offers a mediated period experience with contextual build-up of the way and production of a particular food item that appears to the player upon contact with the product. Yum!

    ––––––––––––––––––––––––––––––––––––

    BE$T VA£UE D!SCOUNT SAL€ !

    (@horylesy)

    Horylesy - Supermarket Museum Leaflet - Strana 1 - Created with Publitas.com
    https://view.publitas.com/horylesy/supermarket-museum-leaflet-romjlj63zk74/

    Supermarkets use many types of aggressive marketing, including greenwashing techniques and creating demand for products that would not be needed if they were not advertised - testing the limits of uselessness and unsustainability. Consumer culture has its own language that feeds on people's need to belong, boosts their self-esteem and plays on their virtues and vices.
    “Consumer society thrives as long as it manages to render the non-satisfaction of its members (and so, in its own terms, their unhappiness) perpetual. The explicit method of achieving such an effect is to denigrate and devalue consumer products shortly after they have been hyped into the universe of the consumers' desires. But another way to do the same thing, and yet more effectively, stays in the semi-shade and is seldom brought out into the limelight except by perceptive investigative journalists: namely, by satisfying every need/desire/want in such a fashion that they cannot but give birth to yet new needs/desires/wants. What starts as an effort to satisfy a need must end up as a compulsion or an addiction.”
    (Zygmunt Bauman, Consuming Life)

    ––––––––––––––––––––––––––––––––––––

    The Origin Of The End

    (@horylesy)

    The Origin Of The End
    https://youtu.be/o1q6Gj7YrcA


    In a warm day in June, almost 30 years ago, the subject of supermarkets first came up as a public debate. We can thank the brave and intrepid Václav Klaus, the former President of the Czech Republic, an economist and politician who played a major role in the transition of socialist Czechoslovakia to a capitalist economy in the 1990s, for this historic turning point.
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