JONY: to já také ne, ani ji nemám tak kůl proužkovanou

JONY: ale já nemám v lednici stephena o´malleyho :/

MATHEW: kdesi jsem četl postřeh, že než investovat do tohoto cd, je lepší si v noci sednout k vrčící lednici :-)

Stephen O'Malley - Salt [cd, Ideal 2008]



SALT is the audion component created for "Bleed", the initial collaboration between sculptor Banks Violette and musician Stephen O'Malley. First shown at Barbara Gladstone Gallery, NYC summer 2005 "Bleed" was part of the group show "Bridge Freezes Before Road", curated by Neville Wakefield, and was the first of five collaborations between the two artists. A quite moderate audio setup created some of the ongoing themes between the audio and physical work; sound pressure in relation to insubstantial mass, standing wave play, sense of space created by air pressure, and modifications of said space in relation to physical sculptural work.

Long playback loops of acoustic guitar and bass sine wave sparsely moved to the ear on it's own, but was designed to instead suggest modulation and border to the viewer/listener through their movement around and in relation to the work itself.

Subsequently the piece was acquired by The Guggenheim Museum and remains in their collection in NYC. "Bleed" also reemerged in summer 2007 as part of the "The Shapes of Space" show at said space.

Stephen O'Malley // guitar & production

http://rapidshare.com/files/119779370/Stephen_OMalley-Salt-2008.rar

btw tahle nové série vypadá moc dobře. To ep Skulflower je výborné, obě aktuální ukázky zní výborně a ta další jména vypadají také dobře.

Jinak je už týden k mání download only ep Final a dle mého názoru je to jedna z nejlepších věcí co Broadrick pod touto značkou vydal. Je to takový kytarový velejemný +/- drone ambient s až takovou "könerovskou" atmosférou.

JONY: ty vole dobře ona! už aby to bylo

ukázky z přpravovaného ep Runhildy Gammelsæter

http://www.utechrecords.com/

Harvey Milk - Life... The Best Game In Town (Hydrahead, 2008)



After making their auspicious but notoriously underexposed debut with 1994’s My Love Is Higher Than Your Assessment Of What My Love Could Be, Athens (GA) dirge lords Harvey Milk recorded two more full-lengths (1995’s Courtesy And Good Will Towards Men and 1997’s The Pleaser) before going tits up in 1998 in a fit of nuptials and child-rearing.

Reintroduced to the underground at large through reissues, live DVDs and whatnot, The Milk reformed to unleash Special Wishes upon the feverishly lactating public, which has been lactating feverishly ever since. Which is to say that the Milk — as they themselves like to say—have “not” been “canceled due to lack of interest yet.”

Fast forward to the here and, like, now, and Harvey Milk are celebrating their own renaissance by lauding the virtues of The Best Game In Town. Spearheaded by the alternately burly and angelic vocal stylings of Milk mastermind Creston Spiers, The Best Game In Town. is both tumultuous and grueling, resonating with the glorious slow-motion radiance of Total Dirge Power. In layman’s terms: Yet another classic. Oh, and did we mention that they’ve since been joined by Thrones legend Joe Preston? Well, they totally have.

http://www.shareonall.com/Harvey_Milk_-_2008_-_Life..._The_Best_Game_In_Town_metalarea.org_by_White_Zombie_okvt_rar.htm

Vyšlo nové album Lull.

A jinak kurva, kurva, kurva...

http://www.last.fm/event/224771

Painkiller live:

John Zorn saxophone
Bill Laswell basse
Mick Harris batterie
special guests:
Mike Patton voix
Fred Frith guitare

i loled http://www.doom-metal.com/faq.html#top

28.října by měli být v Praze Skepticism

MATHEW: chystají i cosi společného s Nadjou

Pyramids - S/T [Hydra Head 2008]



It starts in the upper atmosphere, in that rarefied air where silence sings and time is little more than an abstraction. As it makes its way down through the tree line, to sea level, to the ear canals, elliptical windows and auditory nerves of the great unwashed, the shapes begin to shift. The sine waves become more distinct: swarming, swirling guitars, drums like a churning steam press, a chorus of celestial voices. Instruments collude and collide in a roiling shoal and then dissipate, leaving a cavernous hole, a ghost town, the vestiges and echoes of a brief terrestrial existence. Out in Dallas and “other parts of the country,” where seemingly mild psychotropic disturbances can have vast and sinister implications for certain elements within the local populaces, Pyramids conjure the cacophonies of the great unknown, one song at a time.

http://rs79.rapidshare.com/files/110109878/Pyramids_-_Pyramids__2008_.rar

na ftp pyramids [hydra head], cítím v kostech další návykovku a la alcest.)

Vajra - Live [PSF 2008]



First ever live album from the world-beating trio of Keiji Haino, Kan Mikami and Toshi Ishizuka in a limited edition of 1000 copies in mini paper LP-style sleeves with obi. Haino’s playing is at its most straight-forwardly beautiful, with soul-searing arcs of beautiful single-note bliss cutting high swathes through the heart of Mikami’s black blues. There is a suite of songs that appeared on another Mikami CD that represents the most epic and emotionally-charged playing the trio have ever laid down and the way that Ishizuka triggers single martial explosions while Haino illuminates the space above him has exactly the same electrifying spirit/force of the Albert Ayler Orchestra. There are moments here that are so outrageously epic, just increasing peaks of vertical tone-on-tone, that it’s almost overwhelming and when Haino joins Mikami on vocals it feels uniquely cathartic. The tongue-in-cheek blurb on the disc best sums it up: “With a combined age of 171, the most powerful geriatric rock trio in the world.” And it’s no mere hubris. In the absence of Fushitsusha, they might just be the greatest rock band in the world. Best Vajra ever. Highest possible recommendation.

http://www.megaupload.com/?d=RCXGOLPK

MATHEW: jj moc pěkná deska

JONY:

Kevin Drumm - Imperial Distortion (2xCD) [Hospital Productions, 2008]



What does a person do when faced with a work like Imperial Distortion? There are rare moments in an artist's work where they reveal a greater truth. Kevin Drumm has already made such a statement with his last major solo work, 2002's Sheer Hellish Miasma. Where that record took noise music to a new level of near-impenetrable exactitude, Imperial Distortion is an altogether different beast. Beauty as an aesthetic can be as terrifying as horror, desire unfulfilled, romance that lingers and never goes away, no matter how disappointing. A preoccupation with death can be the only result. On this extended long-form release, Kevin Drumm comes face to face with minimal drone music and confronts the genre by providing one of its absolute pinnacles at the forefront; movement. Drone music at its most concentrated and ably performed has build and depth in its tones. Although there might be the illusion of stasis, the opposite is true. From the opening 20-minute track 'Guillain-Barre,' the mood of the album is laid clear. The arrangements are shadowy layers of soundtrack-like tones not entirely unlike the work that Popul Vuh provided for Herzog's films. To answer the initial question of Imperial Distortion, this is a work that commands intellectual and emotional commitment on the levels of the greatest works to come from this genre. Kevin Drumm has accomplished that rare balance to create a masterwork that no one has yet to come close to in this era. Your best bet is to surrender.

http://rapidshare.com/files/119344564/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part1.rar
http://rapidshare.com/files/119351258/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part2.rar
http://rapidshare.com/files/119264891/Kevin_Drumm_-_Imperial_Distortion__Hospital__2008_.part3.rar

OM - Live At Jerusalem [Southern Lord 2008]



In December of 2007 the mighty duo that is OM made a pilgrimage to Israel to play for its people. Their pinnacle performance unfolded at 4 Aristobolus Street in Jerusalem the site of Uganda Records.

The band played for over 4 hours on this evening! The tracks: "Flight of the Eagle" and "Bhimas' Theme" were captured and the transmission of these recordings were flown back to the United States where the vinyl lacquers were made by Bob Weston.
Southern Lord in cooperation with OM present you the listener with this 180 gram black vinyl transcendental offering: OM-"Live at Jerusalem". Limited to 3,100 machine numbered copies.

http://lix.in/a4977ecf

hezký vobrázky náhodou

šmarjá :))