Beham, Hans Sebald (1547): Der Tod und das stehende Weib. (Kupferstich)

http://www.ceskatelevize.cz/ivysilani/209251000030003-umeni-vcera-a-dnes/

prednaska martina hilskyho: Chvála bláznovství, Shakespearovi klauni a šašci

Beham, (Hans) Sebald (1500-1550): Der Narr und die Närrin. The Fool and the Lady Fool. Kupferstich, engraving. 3,7 x 5,2 cm. B. 213, Pauli, Hollstein 213 II. Mit den Streifen auf dem Ärmel des Narren. Ausgezeichneter, gleichmäßiger Druck mit schmalem Rändchen. Winzige Eckabrisschen links, vereinzelte Stockfleckchen, sonst gutes Exemplar. Selten.

no od doreho je toho stale mraky

krizackou historii proilustroval dost komplexne

http://images.google.cz/imgres?imgurl=http://www.texttribe.com/gallery/Gustave_Dore/Crusades/gustave_dore_crusades_after_victory.jpg&imgrefurl=http://www.texttribe.com/gallery/Gustave_Dore/index_Crusades.htm&usg=__rjBdz5K44aKZuH90H165zCdQkac=&h=1210&w=901&sz=453&hl=cs&start=4&um=1&tbnid=JUpRPg4uYgcZXM:&tbnh=150&tbnw=112&prev=/images%3Fq%3Ddore%2Bcrusaders%26imgsz%3Dxxlarge%26hl%3Dcs%26lr%3D%26sa%3DG%26um%3D1

Gustave dore crusades the massacre of antioch

crusaders after victory

dore

Travelogue of the first voyage of the Dutchmen Neck and Warwick to East India (1598-1600), title page w. copperplate engraving.

Gallery: Geographical Works
http://images.google.cz/imgres?imgurl=http://www.oeaw.ac.at/biblio/Woldan/Images/Graphics/reise5.jpg&imgrefurl=http://www.oeaw.ac.at/biblio/en/Woldan/graphics1.html&usg=__fG_s1xZWyYlYN8KacqvrU7MnXCc=&h=1046&w=1424&sz=449&hl=cs&start=701&um=1&tbnid=r5iD3kEhkx3_eM:&tbnh=110&tbnw=150&prev=/images%3Fq%3Dexecution%2Bmedieval%26imgsz%3Dxxlarge%26ndsp%3D21%26hl%3Dcs%26lr%3D%26sa%3DN%26start%3D693%26um%3D1

Caravaggio’s David with the Head of Goliath (1604)



We seem to be in more familiar iconographic territory here. Adolescent boy kills man-sized adversary. The sword, however, looks more David-sized than Giant-sized, and we seem to be at a peculiarly uncomfortable graphic moment in the decapitation. The Goliath head, which is the focus of the composition, is looking toward us with disbelief. He doesn’t know that he’s dead yet. The blood is still gushing from the fresh wound.

This dramatic fresco represents all the desperation of the condemned, persecuted and tortured by the devils as portrayed in a mass of flesh, muscles and bodies prostrated by pain.

vice zde http://images.google.cz/imgres?imgurl=http://www.initaly.com/regions/umbria/pix/duomo/orvieto6.jpg&imgrefurl=http://www.initaly.com/regions/umbria/duomo.htm&usg=__m95-p81JMtBhII7nCucuLALKxWc=&h=771&w=1024&sz=320&hl=cs&start=69&um=1&tbnid=IVNWM1meCTwmwM:&tbnh=113&tbnw=150&prev=/images%3Fq%3Dexecution%2Bmedieval%26imgsz%3Dxxlarge%26ndsp%3D21%26hl%3Dcs%26lr%3D%26sa%3DN%26start%3D63%26um%3D1

This scene was probably influenced by Savonarola’s execution by burning at the stake. Just to the right of the center, the figure of the Anti-Christ stands on a pedestal with a devil clinging to his shoulders. All around is a crowd of figures each representing an important role, such as the rebellious Archangel hit by lightning, a woman receiving money for her sins from a Jew.

AZRAEL: Děkuji. To je ono.

RAEL: had je inkarnacia lucifera svetlonosa, takze to mal na starosti on osobne. niektore veci sa neoutsourcuju :)

RAEL: tak v Písmu je pouze had - ale obecně je spojován s ďáblem ;-)

MADIETTA: no, nad tím jsem právě uvažovala. Byl to přímo on-ten had v ráji? Nebo je to jen odkaz?

RAEL: ovoce ze stromu poznání, ne? ;-)

ECLECTICA: Ano :)

Vidím prasklou korunu, zlomené žezlo, chápu, myslím, ale co tam to jablko nakousnuté?

ECLECTICA: to jo, taky podle puvodni verze je dokonaly andel-cherub ochrance...(ale nehodilo se to cirkvi do kramu moc,aby byl krasny)