ORLOCK: dvojka imho lepsi nez jednicka

Josh Burke - Prana (Aguirre Records, 2010)
(New Age, Experimental)

josh burke - prana.zip
http://www.mediafire.com/?ecjdge6barmraer

“Relax and imagine yourself hovering above the returning current, submerged in the presence of universal water.” Josh Burke continues his endeavor into new age. With relaxing synths, and the occasional outbreak, the man behind Sky Limousine & the illustre Midnight Star Media takes you to space and back in just over 30 minutes. Iasos seems to have been watching over his shoulder when recording this album. There are some faster, more layered tracks varied with some bare, minimal, classical new age tracks. It makes the perfect mix and relaxing listening experience. Comes with Insert. Released in an edition of 330.

JONY: je to smazaný ze všech serverů, co jsem zkoušel. můžeš to, prosím, upnout někam?

JONY: File not available
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dneska sem objevil tuhle kapelku, jsou dost stary ale treba to nekdo taky nezna

YouTube - Front - Polaroid - 1981.mov
http://www.youtube.com/watch?v=luZcYeb64eA&feature=related

Tango Luger - S/T (1981 France)
coldwave / post-punk / experimental
°°°


The Passage - Degenerates (1982 UK)
post-punk / synthpop / experimental
°°°


Sad Lovers and Giants - Epic Garden Music (1982 UK)
post-punk / post-punk / post-punk
°°°

ORLOCK: vyborny

Krautrock bude

[ Plug & Pray #1: Antiehdas (At), Sky To Speak, M/ch / koncertconcert / 12.2.2011 / CR - Jihomoravsky kraj - Sklenick ]

Pre tých čo nesledujú kryptofašistické fóra, možno aj sem :
[ ORLOCK @ New Music Downloads ]

ORLOCK: Scorpion Violente feels fucking illegal. Ripped from the sonic beast of Metz-area France (see also: The Anals, A.H. Kraken, Normals, et al), the duo are just as dirty-nasty-raw as any of their neighbors: smoldering throbs of bass, beats like black leather and illicit sex, so many screeching synths. Think Cheveu meets Cccandy meets Cabaret Voltaire—then think about Giorgio Moroder producing it all from the backseat of a stolen Lamborghini.

And lest you think such danceable ultra-violence can’t hold water beyond a seven-inch or two, behold Uberschleiss: eight tracks of mega-fucked, Italo-fueled, trashy analogue jams that rarely let up or even threaten to lose their footing. From the piercing propulsion of “Fugue De Pute Mineure” to the rudimentary grit-shuffle of “Viol et Revanche” (which translates to “Rape and Vengeance” or, if you smush the first two words together, purple revenge a la fresh bruises), each track surges forward like bloody hell on the Autobahn. Even the comparatively lighter songs—”The Cherrypopper”, for instance—punch and kick and bite; ballads forged from shattered bone, the way only Scorpion Violente could do them.

Still, you’ve got to get used to all this screeching. Though the heaviest of beats and bass do cut through it, loads of Uberschleiss is buried beneath of waterfall of wails, most notably the (Suicide-esque) moaning vocals. But then, Scorpion Violente aren’t much for subtlety. Vengeance and violence and black-clad beasts dancing all drug-addled to woozy Italo-industrial, sure. Minor shifts in mood and melody, smooth little synth lines: not so much. But to be totally honest? They’re 100% better—and more dangerous—for it.

Scorpion Violente - Uberschleiss [Avant! Records, 2010]



dark wave, minimal synth, post punk, rough electro, witch house, post industrial

dwnld