pro ty, co by se poflakovali po anglii...

Varèse 360º

* From 16/04/10 to 18/04/10
* Location: London Southbank Centre, United Kingdom

The complete works, totalling just under three hours of music performed in three concerts with accompanying visuals, of the French composer and ‘father of electronic music’. London Southbank Centre, 16 & 18 April, times/prices vary.

n 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established the Columbia-Princeton Electronic Music Center, which Ussachevsky directed for twenty years. It was the first large electronic music center in the United States, thanks to the path-breaking support of the Rockefeller Foundation and encouragement from two of the country's leading universities. The Center became one of the best-known and most prolific sources of electronic music in the world. All of the music on this historic 2006 reissue is the result of the pioneering work of the Center and its composers.

http://dualtrack.blogspot.com/2009/10/va-pioneers-of-electronic-music-1991.html

SAIL_OR: ale jo, nakonec vyjde už ráno, už jsem s biografií u Man Machine, zatím 8800 znaků, to bude epos

trram tadadam, o tomhle bude moje analýza příští týden! (dnes už na to nemám čas)
pičfork nezklamal


Kraftwerk are a band trapped in the vast frame of their apparent influence. Aptly for a group so fascinated by travel they enjoy an image as the ultimate electronic pioneers-- "the reason music sounds like it does today," as one BBC documentary put it. Let's take for granted then that it's impossible to imagine modern pop music without Kraftwerk and try a more interesting thought experiment: Let's try to imagine Kraftwerk without modern pop. What if they'd released the same body of work and influenced nobody? Would it still sound as good?

celá recenze zde: http://pitchfork.com/reviews/albums/13742-the-catalogue/

// c o n s t a n t e //
http://www.ivanpuig.net/constante.html

zitra

Lucidní sny pana Williama Heerleina Lindleyho

Site-specific performance, instalace a živé satelitní vysílání v síti EBU
v rámci Sezóny euroradia 2009 / 2010:

Performativní site-specifická instalace je veřejným vyvrcholením dvouletého projektu Nejmilejší zvuky Prahy autorů Miloše Vojtěchovského a Petera Cusacka, který se uskutečnil v rámci mezinárodní česko-německé koprodukce rádio d-cz.

"Site-specific instalace a živé vysílání jsou poctou člověku, který napomáhal ke zlepšení kulturních, politických, zdravotních a sanitárních podmínek života a přispěl k přijetí modernity v Praze a dalších městech střední a východní Evropy. Cílem skladby a zvukové instalace je znovuoživení pozemských, nebeských a podzemních vrstev Pražských vodovodních sítí: jejich rigolů, potrubí pitné vody, řek, podzemních toků, dešti. Nabízí reflexi transformačního procesu, znečistění vody, sedimentace, recyklace, čistění a kulturní a chemické trans-kódování prvků."

http://www.rozhlas.cz/radiocustica/news/_zprava/628212

YouTube - megabass waterphone demonstration
http://www.youtube.com/watch?v=BSnr5RQJjbA

tohle jsem neznala
http://www.scaruffi.com/avant/1900.html

nenechte se znechutit grafikou. ještě jsem to nečetla, ale vypadá to dobře - copypaste témat:

Table Of Contents:
The birth of the soundscape aesthetics
The Avantgarde
Post-modernism
Event Music
Christian Revival
Minimalism
Droning minimalism
Electronic Music
Computer Music
Event Music in the electronic age
The second generation of Minimalists
The voice
Collage and field recordings in the electronic age

New Age Music
Computer music in the age of the laptop
Collage music in the age of the sampler
Post-jazz music
Post-chamber music

The Ambient Avantgarde in the digital age

Glitch Music and Digital Minimalism

In Preparation
Appendix: Chronology of Events

Appendix: Selected works

Database of Contemporary Composers

YouTube - John Cage Water Walk
http://www.youtube.com/watch?v=7KKE0f1FGiw&hl=cs

SAIL_OR: jeho pro tenhle klub nejdůležitější film, Wochenende z roku 1930, se mi zatím nepovedlo najít.
Každopádně se jedná o film bez obrazu, má tedy formu spíš rozhlasovky nebo i soundtracku a je předzvěst konkrétní hudby i současné moderní kompozice.

Walter Ruttman



Ruttmann was born in Frankfurt am Main on December 28, 1897. He studied architecture in Zurich and then painting in Munich. [...] In ‹Berlin. Die Sinfonie einer Großstadt› he applied the principles of his abstract studies and film montage to realistic photographs from the city of Berlin. [...] After ‹Berlin› he turned to sound experiments and was eventually able to make ‹Melodie der Welt›, a Tobis film commissioned by Hapag-Lloyd and the first fulllength German sound film. [...] Ruttmann did not emigrate. He collaborated on a film for a ‹Reichsparteitag› but withdrew from the team for unknown reasons. Beginning in 1934 he was employed as a director by UFA and made cultural, industrial, commercial, and propaganda films. On July 15, 1941, he died in Berlin after an operation.»


Berlin: Symphony of a Great City


akt 1
http://www.youtube.com/watch?gl=CZ&hl=cs&v=5ej84nN1WcE
http://www.youtube.com/watch?v=D2TO02smKjU&feature=related

akt 2
http://www.youtube.com/watch?v=wNxIWgnjAB4&feature=related

akt 3
http://www.youtube.com/watch?v=iA9CzYn_fa4&feature=related
http://www.youtube.com/watch?v=YK5n7st4cLQ&feature=related

akt 4
http://www.youtube.com/watch?v=_IbuO6lhcGo&feature=related
http://www.youtube.com/watch?v=YQbQg3zjy2M&feature=related

akt 5
http://www.youtube.com/watch?v=YzZI9bQ0cxA&feature=related

nebo torrent: http://thepiratebay.org/torrent/3463027/Walter_Ruttman_-_Berlin__Symphony_of_a_Great_City_(1927)

já jsem úplně zapomněl na tenhl klubísek
[ BARONFRITZ @ experimental is not a genre :: toto nie je hudbá! ]

tohle je zadax .)
[ FISHEYE_100 @ sound art ]

MAIA: Mno nevim. Moc to ve mě nevzbuzuje bez vypsanejch credits důvěru. Kdyby tam bylo alespoň kde se to bude odehrávat, učebny a tak.. Tohle je takový plácnutí do vody. Něco tak strašně obecnýho jako naučim vás stavět.

MAIA: a co když někdo nemá talent?

Milan Knižák Bossanova Suite (19:30)
Performer [2 Record Players Playing Destroyed Music, 2 Taperecorders With Tapes Of Older Pieces], Synthesizer [2], Piano

http://www.edisk.cz/stahni/02331/Fluxus-Anthology-30th_04_Milan_Knizak.mp3_17.82MB.html

UNCLEAN: