OSIP: hehe, díky:))
kruh se uzavřel, můžu to tady zavřít ;)

Zajimava bakalarska prace "Odkaz BBC Radiophonic Workshop a Kling Klang studia: Technologické objevy a novátorské postupy"

http://is.muni.cz/th/342255/ff_b/

VINNEE: to si vyloženě říká o house remix:)

btw brzo to tu ožije, dělám na novým projektu.
v souvislosti s tím sem prosím cokoliv, co se týká současného sound artu, zvuku umění, hudbě i vědě - weby, jména, instituce, výstavy, cokoliv. danke!

Mezinárodní uskupení Reiner Hess Quartet zahajuje v Praze své středoevropské turné; mladí muzikanti tří kontinentů balancují mezi free jazzem, soudobou vážnou hudbou a volnou improvizací. V dejvické Klubovně se představí společně s multiinstrumentalistou a experimentátorem Tomášem Procházkou (Federsel, B4, Handa Gote nebo Gurun Gurun) a právě vzniknuvším projektem Posthorn čerpajícím z punkové estetiky a free jazzu. Celý koncert zakončí všichni interpreti společným provedením skladby z pera brazilského experimentátora Blu napsané speciálně pro tuto příležitost.

17.10. povalečská Klubovna
[ Reiner Hess Quartet (D/PT/IL/BR)-Federsel-Posthorn / koncertconcert / 6.10.2011 / CR - Praha - Klubovna, Generála Píky ]
http://www.faustnaoko.xf.cz

Ahoj! Hledame dobrovolniky pro spolupraci na festivalu nové hudby a mediálních umění ECHOFLUXX 11, který proběhne 12. - 16. července v Trafačce v Praze. Jednalo by se o pomoc s propagací (vyvěsit někde v kavárně plakátek), přípravou prostoru před vystoupením umělců a službu u vchodu před koncertem (aby někdo něco neukradl apod.) Festival je zdarma, vzniká bez rozpočtu. Více na: http://efemera-ephemera.org/
Pokud byste někdo rád pomohl, napište mi prosím na stanislav.abraham@gmail.com
díky!

proc -3? podivejte se kdo hraje v bio oko.. prijede treba steve buchanan, ktery hraje na step piano. pohybuje se od experimentu v klasicke hudbe, az k elektronice..

[ ALTERNATIVA FESTIVAL 2010 / festivalfestival / 20.11.2010 / CR - Praha - Divadlo Archa / Kaštan ]


www.alternativa-festival.cz
www.myspace.com/alternativafestival
Alternativa na Fecebooku
www.unijazz.cz

20. 11. so 18.00 Kaštan
MALÁ ALTERNATIVA – přehlídka nových kapel současné hudební scény
42 VLAŠTOVEK, JANELE Z LIKŮ, SIBÉRIJA, SOUSEDI, ŠPINAVÉ SPODNÍ PRÁDLO

21. 11. ne 20.00 Kaštan
VOJTĚCH PROCHÁZKA TRIO (NOR/CZ)

22. 11. po 20.00 Kaštan
MAZEN KERBAJ (Libanon)
MIA ZABELKA TRIO (A/CZ)

23. 11. út 20.00 Kaštan
HARMONIA ENSEMBLE (I)

24. 11. st 20.00 Kaštan
ADAM SIMMONS (AUS)
MILOŠ DVOŘÁČEK (CZ)

25. 11. čt 20.00 Kaštan
POSTMODERN ORCHESTRA (GER/CZ)
HANS IM GLÜCK – projekce dokumentárního filmu
HANDS UP – EXCITEMENT! (GER)

26. 11. pá 20.00 Divadlo Archa
UŽ JSME DOMA (CZ) – Pětadvacet na holou (výročí 1/4 S-to letí!)
hosté:
ZEENA PARKINS (USA) + HÉLÈNE BRESCHAND (F) + ELLIOTT SHARP (USA) + FRANCK VIGROUX (F)

27. 11. so 20.00 Divadlo Archa
SATO-SAN TO (CZ)
KÁRPÁT MÖBIUS (H)
TONY BUCK – [projekt]TRANSMIT (AUS/GER)

no asi ten john cage sedmýho prosince!

SAIL_OR: a která že to je ta nová hudba? :p

brno ode dneška

Mezinárodní hudební festival Setkávání nové hudby Plus - HF
http://hf.jamu.cz/snhp/

patří jsem jen okrajově: [ RUDOLF @ Mluvene slovo CZ i ENG ]

D. Byrne: Bicycle Diaries: Audiobook

After this book came out in hardback about a year ago, I wondered to myself, what if the audiobook for this project was more like a cross between a podcast and a radio show instead of the usual author or actor reading in silence? I was thinking about the kind of radio show that NPR stations do from time to time, with background music, street sounds and other ambiences that help put the listener in the picture. So, I did one chapter (New York) as a test, with me reading, and though it took a lot longer to assemble than I expected, I felt it did indeed do what I imagined it could; when you heard the tinkle of glasses and silverware during a restaurant “scene,” boom!—you immediately felt you were there. Your mind fills in the details and these little sound cues help paint a fuller picture. If only I could have added smell! When the text went off on one of many tangents, and I began ruminating about a subject off the beaten path, a little bit of music I happened to have available helped tell you, the listener, that, yes, we’ve left the “story” temporarily, but will return soon. It started as an experiment and then turned into a complete DIY project, with the Hendler Brothers keeping the ball rolling.

The Wire: Adventures in Modern Music: Article
http://thewire.co.uk/articles/4507/

do záhlaví s ním!

Raymond Scott



Raymond Scott (born Harry Warnow, 10 September 1908 — 8 February 1994),[1] was an American composer, band leader, pianist, engineer, recording studio maverick, and electronic instrument inventor. He was born in Brooklyn to a family of Russian-Jewish immigrants. His older brother, Mark Warnow, a conductor, violinist, and musical director for the CBS radio program Your Hit Parade, encouraged his musical career. Though Scott never scored cartoon soundtracks, his music is familiar to millions because of its adaptation by Carl Stalling in over 120 classic Bugs Bunny, Porky Pig, Daffy Duck and other Warner Bros. Looney Tunes and Merrie Melodies animated features. Scott's melodies have also been heard in twelve Ren & Stimpy episodes (which used the original Scott recordings), while making cameos in The Simpsons, Duckman, Animaniacs, The Oblongs, and Batfink. (The only music Scott actually composed to accompany animation were three 20-second electronic commercial jingles for County Fair Bread in 1962.)


Soothing Music For Baby [Basta 1964]



Soothing Sounds for Baby is a three-volume set of ambient electronic music by American composer, musician, and inventor Raymond Scott. Scott originally intended to lull infants to sleep with the music, but later generations have found value in the music for its minimalist aspects, often comparing it to the works of Brian Eno, Kraftwerk and Tangerine Dream despite having predated such artists by more than a decade.
Originally released in 1964 in collaboration with the Gesell Institute of Human Development of Human Development, the volumes are split up into three age groups: Volume 1 is 1 to 6 months; Volume 2 is 6 to 12 months; and Volume 3 is 12 to 18 months. The music gets more complex with each volume. Scott created much of the music on the albums with instruments he created, such as the Electronium and the Clavivox. "Particularly on Soothing Sounds for Baby, Scott proved to be one of the first composers to merge the Brave New World of electronic sounds with a rhythmic pop sensibility." Basta Music of Holland released the albums as a 3-CD set in 1997.

Download Volume 1; 0-6 Months @ mediafire.com
Download Volume 2; 6-12 Months @ mediafire.com
Download Volume 3; 12-18 Months @ mediafire.com

Manhattan Research Inc. [Basta 2000]



Manhattan Research Inc. is a two-CD compilation of electronic music created by the musician, composer and inventor, Raymond Scott and his company, "Manhattan Research Inc." Posthumously released in 2000 by Basta Music of Holland, the album contains selected samples of Scott's work from the 1950s and 1960s for film soundtracks, commercials, and for his own technical and musical experiments. The synthesizers, sequencers, and drum-machines used were designed and constructed by Raymond Scott.
Scott would often describe Manhattan Research Inc. as "More than a think factory - a dream center where the excitement of tomorrow is made available today." The material, while never intended for commercial release, provides insight into Scott's work. Included among the tracks on the album are commercials for companies such as Ford Motor and IBM, a humorous "Audio Logo" collage entitled "Don't Beat Your Wife Every Night!", and various collaborations with Jim Henson (of Muppets fame). The album features a number of Scott's inventions including the Clavivox keyboard, Circle Machine, Bass Line Generator, Rhythm Modulator, Karloff, Bandito the Bongo Artist, and the auto-composing Electronium.
Much of the audio selections, as well as the images for the accompanying 144-page book, were culled from the University of Missouri Kansas City's extensive collection of Raymond Scott material. Album producers Gert-Jan Blom and Jeff Winner worked with several of the university's staff in choosing material for the project. During the process, the two producers were impressed by the quality and fidelity of the recordings, despite being some thirty to forty years old. Due to Scott's meticulous attention to detail, "They were so well recorded that almost no audio correction was necessary during the mastering" of the album." In the CD notes, Blom & Winner write, "Scott sought to master all aspects of sound capture and manipulation. His special interest in the technical aspects of recording, combined with the state-of-the-art facilities at his disposal, provided him with enormous hands-on experience as an engineer."

Download Manhattan Research Inc. @ mediafire.com