Behind the Scenes of Pingu
https://www.youtube.com/watch?v=gtsiGooNK4c

Return of the Jedi

V LOTRovi byl plánovaný flashforward, kde by si Frodo vyjevil, jak by to dopadlo, kdyby si nechal prsten.

Building the miniature for “Christmas with the Kranks.”

Since they built from scratch the neighborhood row of 17 facades in a parking lot, there was no overhead shot that wouldn’t reveal “Hemlock Street” was a fake. So, a miniature was made to show the whole area.

Creating the Kranks Neighborhood | HowStuffWorks
https://entertainment.howstuffworks.com/kranks.htm

Moon (2009)

“This is me shooting with the miniatures. The brush was to pat down our footprints and the spray contained water to mist over the top and damp down dust. Still had black bogies at the end of the day though.”

-Gavin Rothery

One Zoom to Rule Them All | Reunited Apart LORD OF THE RINGS Edition
One Zoom to Rule Them All | Reunited Apart LORD OF THE RINGS Edition
http://www.youtube.com/watch?v=l_U0S6x_kCs&t=2846


Video je linknuty na cas, kde je precteny vzkaz Bilba alias Iana Holma, ktery dnes ve veku 88 let zemrel...

Combining live action with a matte painting on glass by Harrison Ellenshaw for
TRON (1982). This was the only matte painting effects shot for the film.

Robert De Niro on the set of "The Deer Hunter"

bruce dern, dakota fanning on set OUATIH

ARAON: Ja fotil hlavme detaily MF, protoze tu mam kit od AMT/ERTL. Ale porad jsem se k nemu nedostal.

Men in Black (1997)

TRAGED: Krasna galerie. Kdybych mohl jednu vycitku, chybi dobre nafoceny kokpit Tantive IV, s temi roztomilymi plakaty. :-)

ARAON: Ja mam MF nafoceneho v detailech az, az ze SW:Imaginery :-)

https://photos.app.goo.gl/V16bQSDBrDFw4enRA

TRAGED: Ale jak si jen přejete, pravilo sluchátko.

Ta samolepka je ovšem strašně titěrná. ;-)

Miniature work on the Nostromo in Alien-1979. ‘Designed by conceptual artist Ron Cobb, the spaceship Nostromo was envisioned as the product of a science fiction world that was industrial, lived in, and more than anything else real. Using Cobb's design, the British visual effects team led by Brian Johnson then scratch-built an eleven by seven foot model ironically termed a " filming miniature." By the time it was delivered to the production the Nostromo would weigh more than 500 pounds’.