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    JANDOSZákulisí filmu - Vše co není vidět na plátně, filmové zajímavosti.


    Vše co souvisí s filmem.. Fotografie, videa a jiné zajímavosti z natáčení a zákulisí. Filmové technologie
    rozbalit záhlaví
    MARASAN
    MARASAN --- ---
    ARAON: 7 minut 14 sekund!? Kate ma jednoduse poradny plice ;-)
    ARAON
    ARAON --- ---
    Wanted to share this photo of Kate Winslet after reading her interview in The Hollywood Reporter: “I had to learn how to free-dive to play that role in Avatar, and that was just incredible. My longest breath hold was seven minutes and 14 seconds, like crazy, crazy stuff.” She stops herself, afraid that she’s given away too much on the top-secret project. “Oh no, actually, I can’t. Yeah, I play a water person. I am a water person,” is all she will offer, instead shifting to praise of Cameron."

    FREELA
    FREELA --- ---
    Amadeus



    ARAON
    ARAON --- ---
    Alan Rickman filming the 'Hans Gruber' death scene in "Die Hard" (1988)

    FREELA
    FREELA --- ---
    Rocky II



    ARAON
    ARAON --- ---
    “Here we see the cloud landscape from the movie ALIENS (1986). These were used during the dropship and escape from Archeron shortly after the thermonuclear explosion.

    The clouds were made of polyester cotton (Fibrefill was the brand). The cloud landscape was based on a photo submitted by James Cameron. However, there were many clouds to see. Cameron just wanted a special type of cloud. This landscape was built on a glass top.“






    LOJZEE
    LOJZEE --- ---


    In Troy (2004), Brad Pitt and Eric Bana did not use stunt doubles for their epic duel. They made a gentleman's agreement to pay for every accidental hit. $50 for each light hit, $100 for each hard blow. Pitt ended up paying Bana $750. Bana didn't owe Pitt anything
    FREELA
    FREELA --- ---
    Blade Runner (1982)

    LOJZEE
    LOJZEE --- ---
    CROME
    CROME --- ---
    ARAON: Nadhera, vsechno poctiva rucni trikarina
    ARAON
    ARAON --- ---
    Strange Tales: Raiders Of The Lost Ark, at 35 (miniatures, mattes, make-up and behind the scenes)
    https://markwestwriter.blogspot.com/2016/07/raiders-of-lost-ark-at-35-miniatures.html

    FREELA
    FREELA --- ---
    FRK_R23
    FRK_R23 --- ---
    Neni to uplně zákulisí filmu, ale myslim, že se tu neztratí :)

    Hans Zimmer and his Moog Modular Synthesizer, 1970.


    https://twitter.com/Iearnhistory/status/1313529776540270593
    BOBESH
    BOBESH --- ---
    How Bodysuits Are Designed To Look Realistic In Movies & TV | Movies Insider
    https://www.youtube.com/watch?v=mVqgzW2V9OA
    FREELA
    FREELA --- ---
    Seven


    FREELA
    FREELA --- ---
    SPIKE411
    SPIKE411 --- ---
    Inside ILM: Creating the Razor Crest Celebrates the Return of Modelmaking Magic to Star Wars | StarWars.com
    https://www.starwars.com/news/inside-ilm-creating-the-razor-crest
    TRAGED
    TRAGED --- ---
    ARAON
    ARAON --- ---
    INDIANA JONES and The Temple of Doom
    Producer Robert Watts
    "The demands of the Indian bureaucracy after reading our script were intolerable, so we had to find a solution. Elliot Scott (production Designer) and I found everything we needed in Sri Lanka, except the Maharaja's Palace. I mean, a couple of scenes were bugging us. So I talked to Lucas and said, "What if we fix this with a couple of good matte paintings and a perspective set at Elstree back lot?" We reached a no return point with the Indians and we finally agreed this was the most convenient for everyone."
    Via Indiana Jones picture gallery













    ARAON
    ARAON --- ---
    Escape from New York (1981) James Cameron matte painter.

    ARAON
    ARAON --- ---
    Historka z FB skupiny “Crew Stories”:


    I’ve got a doozy, because if it had ended a little bit differently, it would’ve changed movie history.

    I was the C Camera Operator on the movie Silverado. More often than not, the C camera was not involved in the last set up, so it was fairly often for me to jump in the back of the first van off the set, when they called wrap.

    I will never forget the date: it was New Year’s Eve, and we had all of the lead Actors ensemble in the van with us.

    The movie was shot outside of Santa Fe, NM, and we were on our way back to the hotel in town, driving on the freeway at night, going easily 80 miles an hour. Everyone was happily chatting about the upcoming New Years celebration to happen in the bar, followed by a day off.

    All of a sudden the teamster driver has an epileptic fit. I kid you not! He goes stiff, locks his head looking over his left shoulder, locks his arms with a grip on the steering wheel, and stands on the throttle!

    The van accelerated through 90 miles an hour, and headed left into the center dirt-covered median between the two freeway directions, heading towards oncoming traffic, bouncing wildly over the rough terrain, still accelerating.

    The unit still photographer John, was sitting in the passenger seat up front, and did the smartest thing, he immediately realized what was happening, reached over and knocked the transmission into neutral. That stopped the acceleration, but the van was still traveling well over 90 mph, and heading into oncoming traffic.

    Then, I believe it was the Script Supervisor, a small woman who was sitting in the first passenger row in the middle, who luckily was not wearing her seatbelt, was able to kneel down in the space next to the driver, and with John’s help, wrestle the steering wheel out of the drivers hands and steer the vehicle back to the right. That happened so violently, the van went up on two wheels and almost rolled over.

    Luckily the highway at that point was gently uphill, so with the engine screaming, the van went across across all the lanes to the right-hand shoulder, where it rolled to a stop. John then pushed the transmission into park and turned off the ignition.

    We all sat there in stunned silence. Someone found a walkie, and told Transpo what had happened, and they sent another van to pick us up. It was a slow silent ride to the hotel.

    If the van had flipped or had a head-on collision with oncoming traffic, the movie would’ve been canceled, as we would’ve lost all of the lead actors.

    The driver had no prior history of epilepsy. The incident ended his professional driving career. After a trip in an ambulance into town, he was eventually sent back to Los Angeles.

    We were very lucky. Happy New Year’s.
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