CRS: Ten scénář psal Kubrick na základě stejnojmenného románu od Stephena Kinga, byly vněm drobné úpravy oproti knižní předloze, ale konkrétně psychologický vývoj postav se knihy celkem drží.

Taková špetka pátečního hnidopišství ;)

Když psal Stanley Kubrick scénář k filmu Osvícení, dospěl k závěru, že se hlavní postava, Jack, během několika měsíců v odloučení od ostatních, jen se svojí rodinou, z toho osamění musí zbláznit.
My jsme plus minus v jeho situaci už rok a držíme se. To mi, v dnešním šíleném světě, přijde jako dobrá zpráva.

Look for the flower to bloom in the silence that follows the storm, not till then. It shall grow, it will shoot up, it will make branches and leaves and form buds, while the storm continues, while the battle lasts. But not till the whole personality of the man is dissolved and melted - not until it is held by the divine fragment which has created it, as a mere subject for grave experiment and experience - not until the whole nature has yielded and become subject unto its higher Self, can the bloom open. Then will come a calm such as comes in a tropical country after the heavy rain, when Nature works so swiftly that one may see her action. And in the deep silence the mysterious event will occur which will prove that the way has been found. Call it by what name you will, it is a voice that speaks where there is none to speak - it is a messenger that comes, a messenger without form or substance, or it is the flower of the soul that opened.

(Mabel Collins - The Light on the Path)

"Magical practices are the projections of psychic events which, in cases like these, exert a counter-influence on the soul, and act like a kind of enchantment of one´s own personality. That is to say, by means of these concrete performances, the attention or better said the interest is brought back to an inner sacred domain which is the source and goal of the soul. This inner domain contains the unity of life and consciousness which, though once possessed, has been lost and must now be found again."

(C. G. Jung - The Secret of the Golden Flower)

It is impossible to escape the impression that people commonly use false standards of measurement. That they seek power, success, and wealth for themselves, and admire them in others. And that they underestimate what is of true value in life. (Sigmund Freud - Civilisation and Its Discontents)

INK_FLO: jen pro uplnost, když jsme na těch internetech: screenshot z 6h doumentu Can’t get U out of my head, jejž autor Adam Curtis framuje citátem od Davida Grabera (r.i.p.2020; udajně nejnadanější žák Marshalla Sahlinse)

dokument zde: https://youtube.com/playlist?list=PLtPP_-rkrT3CAPe8OmDnlZBDvaQ7baH7B
Graber všude ;)

Consistency is a dance on the razor. (Dušan Trajkovič)

“The best political, social, and spiritual work we can do is to withdraw the projection of our shadow onto others.” ― C.G. Jung.

MTO:

“To Jung, the psyche is analogous to the concept of the soul, which is an entity in of itself. Jung argued that thoughts and emotions, although such feelings may seem like our own, are entities of themselves…‘From my experience with unconscious phenomena I must even admit that what we call thoughts or emotions could be in a way independent psychic agencies of which we perceive only their psychological aspect, but not their potential physical nature’”

https://the-artifice.com/carl-jung/

The nature of Genius is quite akin to the nature of the Fool. In the outer environment, people of their time perceive this being as deviant and morbid, sometimes even showing a benevolent attitude towards him, trying with all their might to help this being and bring him under the wing of the mother mediocrity. But the nature of Genius is like a storm, predictable but undoubtedly unstoppable.

Furthermore, who is the most powerful court figure? Is it the pompous king, or the pouting Queen? Who has the power to tell everything directly into everyone´s face, whether true or false and stay alive? When a kingdom falls, the only person that is left to live is the court Fool. Moreover, he will surely keep his role as a Fool at the court of a new King. The Fool is alive only because of his foolishness, and the crazier, more insolent, and more reckless things he says, the more he will be rewarded. The Fool know all the secrets of the court, everyone trusts him, because the Fool takes nobody´s side. Furthermore, no one thinks that the Fool will abuse that trust for personal gain because he has no personality. He is mad. Everyone confides in him for everyone is sure the Fool is too stupid to take any advantages from it. The Fool knows evrything as everyone thinks that the Fool knows nothing. Because one who knows he is stupid is in much more lead than those who just think they are smart. Hence the Fools is Genius. His job is to be mad, to be nothing else than what he is, and we can only roam in the shadows of our thoughts to search for his true aim.

Definition of madness. Occasional changes in people´s behaviour which are deployed randomly enogh in what we call civilization. It creates a pattern that ratio defines as abnormal or beyond ordinary, depending on the cultural subgroup. An interruption in the appearance of such a change leads to the perception of the change. Thus, beyond ordinary is that which is inconceivable. Abnormal is that which misunderstood. Sometimes perverse, sometimes lovely, sometimes miraculous, but always based on the intersection of all descriptions, and that is - attractive.

Attraction is the exclusive ability and the monopoly of Will, not as a law but as an intrigue, as mobility of our Ruach to focus on seemingly dead and unimportant things, alwas for only one reason - because it wants it so.

Therefore, madness caught Genius with an infection, divine madness that can be transmitted only by other Genius. This virus of insanity that involves your being at the moment when you think clearly enough about yourself, holding that thought, perhaps not more than a moment. The objective of this infection, the only purpose of this virus is to tear down your immune system to the extent that it cuts all the influence of the Divine on your own soul. This is the time of the viruses, This is their time, and there is nothing we can do about it.

All that can be said about Genius does not deserve more than a few paragraphs of this book. We can say that all, even the negative connotations towards Genius are nothing else than his worshipping. Threfore, jealousy and the worst envy against Genius is the blessing of his appearance, while ignoring him is yet blasphemy of the highest kind. There is no greater sin for society than neglecting a Genius, and we can be sure that nature will sooner or later find ways to sanction society, eve the entire epoch in its ignorance before the appearance of such a divine creation.

The nature of Genius cannot be stereotyped into any particular acts, and as long as such work is of the usual kind, it can equally be so far from a reasonable classification that it may seem to us that Genius is loafing, while in his mind with child´s enthusiasm he deals with trials essential for the survival of the Universe. The phenomenon of Genius cannot be conditioned by its definition and observation in the eyes of the outside world. We can assume how many Geniuses went unnoticed like the fall of autumn leaves behind our back, how many Geniuses realized their courses while the whole world slept. We can believe that Genius is self-sufficient process, and certainly not a mere resultant of the forces.

Dušan Trajkovič - Anatomy Of The Abyss

DNF: to není opak. Jsi-li bez útrap, pak není třeba o tebe (nějak speciálně) pečovat čili jsi v bezpečí.

KALIPH: Tohle se da vykladat ruzne... Rekl bych, ze nejde ani tak o to, ze o tebe v bezpečí nikdo nepečuje. Jde spíš o to, že je tam tak bezpečno, že se můžeš uvolnit a o nic nepečovat.