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    GUMAGUARmoderní :: postmoderní :: současné umění
    SAIL_OR
    SAIL_OR --- ---
    sandy smith


    "Life is good (Victoria Beckham, Hilary Clinton, Julia Roberts, Germaine Greer, Grace Kelly, Marcel Marceau, Margaret Sanger)"




    'Please don't break my heart'


    google image search, installation
    KHALAVERA
    KHALAVERA --- ---
    asi jsou tu od toho lepší kluby, ale asi je nesleduju :)


    The History of Visual Communication
    http://www.citrinitas.com/history_of_viscom/
    PASHWAKA
    PASHWAKA --- ---
    vydali ji dokonce i knizku/katalog., . mel sem ji v rukou a super., . pri pristi navsteve zeme se sedmero horami, vlajkou na kazdem rohu, super cokoladou a prestavkama uprostred filmu v kine., . muzu pripadnym zajemcum zkusit sehnat ,. ;] coo? :D:D:D
    UNCLEAN
    UNCLEAN --- ---
    MATHEW: i na mou ! uzasnost...
    QUAACA
    QUAACA --- ---
    MATHEW: to jistě ti koupající holoubci tě oslovili, že milý meťjů?
    MATHEW
    MATHEW --- ---
    PASHWAKA: teď jsi zadrnkal na mou strunu pašáku!
    PASHWAKA
    PASHWAKA --- ---
    Julia Steiner (CH)
    - - - -
    kvas na papire


    Dioxin, 2007, 220 x 450 cm


    Schilf, 2007, 220 x 450 cm


    Ebbe, 2007, 150 x 303 cm


    Rat, 2006, 150 x 340 cm


    Fall, 2007, 220 x 300 cm


    Geysir, 2006, 150 x 250 cm

    Julia Steiner (*1982) studies visual design at the Hochschule der Künste in Berne. In the medium of drawing – and in terms both of technique and of content – she has developed a style very much of her own. She uses a brush to apply very dry gouache to the paper, which results in a subtle and varied structure. Dark and light, black and white, drawing and emptiness enter into a constant and interesting dialogue.

    Although Steiner remains true to figuration, she nevertheless transports the viewer into a realm of dream and fantasy based not only on thoughts, memories and ideas, but also on scenes from international literature. She does not sketch out a composition in advance, but works spontaneously, with improvisation, and usually in large formats. This spontaneous working process is expressed in the dynamic-gestural character of her works. Although spaces emerge, they remain open and could be extended infinitely.
    KHALAVERA
    KHALAVERA --- ---
    ORFANIK
    ORFANIK --- ---


    JONATHAN MESSE-http://www.saatchi-gallery.co.uk/artists/jonathan_meese.htm
    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---
    _ER
    _ER --- ---
    KHALAVERA: zrovna včera jsem si dával poměrně luxusní Before Night Falls - řekl bych, že ty pohyblivé obrázky mu jdou ještě líp než ty barvou plácané
    http://www.csfd.cz/film/15337-nez-se-setmi-before-night-falls/

    akorát teda - po tom co se válel v županu, s brýlema a panákem v dokumentu o gherym - furt musim přemýšlet, jestli má tak rád big lebowského, nebo byl on lebowského předobrazem. pokud někdo ví ať mi to řekne - je to pro mě životně důležité
    PASHWAKA
    PASHWAKA --- ---
    troika jede.,

    Troika: Cloud
    - - - - -


    The sculpture is located in Terminal 5 in the atrium hall which leads to the British Airways First Class Lounges. The brief from British Airways was open and simple: to create a signature piece that will mark the entrance of the First Class Lounges and signify the transition between the busy shopping floor and the calm and serenity of the lounges.

    We started to work on the metaphor of clouds as one’s flies, and the contrast which exists between the busy, hectic airport experience, and the calm, luminous and ethereal world which we discover as we fly through this dense layer.
    Another of our inspiration came from the old electromagnetic flip-dots which were used in railways and airport signs from the mid 70s. Those signs, with their characteristic flicking noise which instantly reminds us of travel, represent to us a golden age of technology, when analogue and digital started to merge. The indicators, dots which can flip from one side to the other with an electric impulse, have a fantastic materiality, a physicality which more modern technologies often lack, de-materialised into the virtual. ...
    MATHEW
    MATHEW --- ---
    no. to je přesně to co mě zajímá.) du do toho, dík za tip
    _ER
    _ER --- ---
    AHASVER: maš pravdu - právě to dorazilo do olomouce.
    no začal jsem to číst a vypadá to docela dobře
    AHASVER
    AHASVER --- ---
    _ER: žádný právě ;) chci si to koupit, nějaký reference? díky
    _ER
    _ER --- ---
    malé echo z oblasti teorie umění - teorie vnímání a prožívání umění // právě vyšlo
    http://www.kosmas.cz/knihy/138355/proc-lide-placou-pred-obrazy/
    KHALAVERA
    KHALAVERA --- ---
    Kliknutím sem můžete změnit nastavení reklam