PASHWAKA: ten je fakt super.

PASHWAKA: dobry typek...i ty jeho actions s balonkama jsou super...

KHALAVERA: ten bas je skvost!

Kirsten Pieroth (DK)

Barvy moře a (zleva) v lahvích jsou vzorky vody z Červeného, Bílého, Černého a Žlutého moře.


http://www.kopenhagen.dk/fileadmin/oldsite/international/interviewsint/pierothint.html

 
William Lamson
http://www.williamlamson.com/
stranka ve flashi

tohle video doporucuju., v sekci video je to to predposledni

Hernan Bas










http://www.saatchi-gallery.co.uk/artists/hernan_bas.htm
http://www.danielreichgallery.com/artistsbas.html

Wangechi Mutu






















http://www.saatchi-gallery.co.uk/artists/wangechi_mutu.htm
http://sikkemajenkinsco.com/wangechimutu_works.html
http://vielmetter.com/artists/Mutu/wangechi_mutu.htm

MAHISH: ještě si nedopustim dodatek, pardon:

Tamara Zahaykevich











http://www.tamarazahaykevich.com/

MAHISH: ...oprava k tomu WTC; tak jen půl roku poté...

trocha participačního umění (brrr)

Daniel Seiple (a spol)

a safeway


Installation in Budgenís Supermarket, Anglia Square, Norwich, England.
European Legs, Outpost, Norwich
General Public, Berlin
2007


quick click



Tohle mi přijde jako naprostej úlet vzhledem k tomu, co se tam odehrálo rok poté.
In Quick Click, we took pictures of people standing in one window on the 91st floor who, in turn, looked out at the New York City landscape...One-by-one each person stepped into the lit window and had their picture taken from the helicopter. After 20 minutes, about 60 people had been photographed. On the second day of the Open Studios, participants could come back to pick up their free photograph.

http://www.travelhome.org/index.html

MAHISH: hmmm... !

Nicholas Knight









http://nicholasknight.net/ - http://www.65grand.com/knight_works.php

Matthew Day Jackson
























http://www.saatchi-gallery.co.uk/artists/matthew_day_jackson.htm
http://www.perryrubenstein.com/exhibitions/2007_1_matthew-day-jackson/

Harm van der Dorpel chats with Damon Zucconi
http://www.nyartsmagazine.com/index.php?option=com_content&task=view&id=37952&Itemid=714
 

MANIFEE: fajne, dekujem

Exhibit, o. s. hledá umělce, kteří by se chtěli účastnit výstavy FIFTY-FIFTY s podtitulem Gender, porno a umění.

Omlouvám se za spam

KHALAVERA: parada :) u me vede tetris

 
Sven Stuckenschmidt
- - - -

ma tam ty hnusny ramecky, takze lepe projet jeho web

http://www.svenstuckenschmidt.de/


Zwischenfall, 2004

 
Stella Geppert
- - - -

PARASITIC RELATIONSHIPS AND DIALOGUES, 2002
Installation in the subway ‚Alexanderplatz’, Berlin
62 pillows, metal, lacquer





Over a period of two weeks I spend some time observing people in the subway. I watched how they walked and how they responded to the architecture and structure of the station: What directions were the people travelling in? And where were they briefly stopping?

I was interested in how the people related to the architecture around them, even if they were there only for a minute – for example: how they would lean on the handrails, pillars or the random boxes that one finds on the platform? These are places where people create private space without any physical effort, casually and at short notice. I have noticed that some areas of the station are used more frequently than others and that all are used in a different way.
I have decided to emphasize these different places in the subway station by positioning cushions in different sizes; these cushions reflect how frequently these places are used.

The cushions are not striking, but they are certainly noticeable when used. Because these were the favorite places of visitors in the station, the cushions were used a great deal. The moment of “casual use” and the action of leaning were both carried out more intensely: The passers-by settled themselves into the cushions: reading, lolling, lounging, dreaming etc.. Or they themselves became interested observers of the what happened in the subway station, just as I was. It was not obvious that this installation was meant to be art, since its design was influenced by the design in Berlin’s public transport system. Taken as a whole, the 62 cushions form a super ordinate system of unusual ‘functional markings’.

http://www.stella-geppert.de