DANCHEZ: no spis pokudze podle tebe vymezuje kvalitu jen to, co nepotrebuje vic informaci, nez ty, ktery sou prenositelny ve vizualni slozce dany veci... tak nemluvis o obecnejch pravidlech toho, co urcuje kvalitu, ale pouze o tom, co za ni si schopnej / ochotnej povazovat... takze nemluvis o omezenosti "tech ostatnich veci" ale pouze o omezenosti vlastni ;]

PASHWAKA: pravda, by artists for artists uz je z mody

PASHWAKA: já s ním souhlasím - tohle bych si klidně pověsil na zeď

DANCHEZ: lidova kriteria., to jede

Daniel Lefcourt - po dlouhy dobe neco na co se da koukat a neporebujes k tomu pet stran obhajoby
Pierre Labat - taky moc zajimavy

In response to the emptiness of his subject matter, Lefcourt says he sees his paintings as tragedies. Titling his work to refer to structural elements of tragedy or allegory, Lefcourt aims to create a serious body of work, but not at the expense of the important quality of absurd humor. 'It's always when my thoughts turn to Sisyphus that I start realizing how silly I've gotten.' They are, after all, sumptuously painted and scrupulously conceived, funny pictures of rocks.

tohle je podle mě "prázdnota" s vysokým rozlišením, s mystickou váhou enigmatických černých objektů... chtěl bych to vidět na vlastní oči

DKULHANEK: j, podle popisu je k té instalace s uhlím patří ještě video, ale obrazy fungují samy za sebe

oni některý věci bez komentáře (tj. významu) těžko něco řeknou ...

Daniel Lefcourt




















http://www.certainlynot.com

Coolhunting interview with Olaf Breuning

---

In honor of Swiss artist Olaf Breuning's inclusion in the 2008 Whitney Biennial, this video visits his Manhattan studio. In the midst of working on his two-part installation for the show, Olaf takes the time to explain his inspiration and thinking behind his mini army made of readymade objects and a recreation of a 1932 photograph. There's also plenty of examples of his other playfully absurd photographs, videos and sculptures as well as a few comments about how materials spark his creativity, pop culture and the differences of working out of a place of pleasure vs. struggle.

---

YT: http://www.youtube.com/watch?v=UoznQFHJSqk

Pierre Labat


Dum-Dum






Shoot the sun






space between




Pinball Cyclo






http://www.pierrelabat.net/

Juan Ford
















http://www.ssfa.com.au/artists/54/

Penny Byrne


















http://www.ssfa.com.au/artists/41/folio/1/

Marc de Jong




















http://www.ssfa.com.au/artists/38/

(...)

<|>

?!

?

KHALAVERA: co je na té reakci nepochopitelnýho? :))

?

KHALAVERA: achjo ...

fake is the new real

subway systems of the world, presented on the same scale



London




Moscow




Los Angeles




Beijing

http://www.fakeisthenewreal.org/subway/


Skyscrapers over 100m Connected in Height Order



Chicago




Boston


Comparative Timeline: Elvis Presley's Life vs. US Involvement in South-East Asia

http://www.fakeisthenewreal.org/eap_vnw/


the year in national holidays

http://www.fakeisthenewreal.org/holiday/

Daniel Tierney






















http://www.invincibleclock.com

Rory Macbeth
















http://www.union-gallery.com/content.php?page_id=2512&offset=1

SILVER_CL: dokedy je ta vystava? velmi rad by som siel pozriet

docela by me zajimaly nazory na toho Helnweina ..me se to teda dost nelibilo ..ty obrazy totiz vypadaji jako digitalni tisky na platne do kterych on jen sem tam prida trochu barvy stetcem ...a tomu pak rika hyperrealisticka malba ..jestli je to jinak tak me vyvedte z omylu

Gottfried Helnwein, výstava Angels Sleeping v Galerii Rudolfinum(www.galerierudolfinum.cz). Zítra v rámci Muzejní noci od 19:00 VSTUP ZDARMA, přijďte se podívat!

:)

Jonathan Monk [Born 1969, Leicester, England. The artist lives and works in Berlin, Germany.]



Untitled (Walter de Maria's LIGHTNING FIELD painted in the style of Jack Goldstein, 1986), Version 1, 2006
oil on canvas
170 x 200 x 10 cm



A journey between here and there, 2006
powder-coated aluminum
180 x 360 cm



The little things make all the difference, 2004
altered colour newspaper images, endless
15 x 24 cm



Altered to Suit (Sol LeWitt incomplete open Cube 5-9, 1974)
2004
powder-coated aluminium
100 x 300 x 100 cm



Blue without hidden noise, 2003
slideinstallation and wallpainting



The little things make all the difference, 2000
altered newspaper images, endless
30 x 21 cm

http://www.meyer-riegger.de/en/index.php?cat=artist&artist_id=15

Jan Vormann's Lego Wall Crack Fillers in Bocchignano, Italy





http://www.janvormann.com/dispatchwork.php