PASHWAKA: velmivelmivelmi interesantni, ten hrob je neco zkratkovite dokonaleho

MAHISH: neni zac., ,. knizku doporucuju.,

PASHWAKA: ty jo dík!

Tak rychle, dokud ostatní nebyli ve veletrznim palaci, to tady nahažu.




http://www.seandawson.net/index.htm

Obrazy stylu 80 let, ktere by se mohli požívat v nějakých klubech třeba. Na netu není ani jedna dobra reprodukce.

je to tak dobre, az sem to pro vas prefotil

John Baldessari
Guide Yourself through the Gallery
by Liam Gillick

---

text: http://www.oknea.net/_host/gillick
—
book: http://www.artbook.com/3905701014.html

Martin Spengler

Kathedrale 3

je to relief vyrezany do nekolikavrstve vlnite lepenky, doporucuju navstivit mezinarodni trienale ve Veletrznim palaci NG, kde je k videni jeste mnohem zajimavejsi relief s nazvem Wave

ATOMIC: jojo

PASHWAKA: jé tu znám byla u nás na stáži a měla vetc výstavu : http://www.etcgalerie.cz/?path=2006/006_kresby_s_hlavou

 
Zoro Feigl

---

Loop, 2007

http://www.youtube.com/watch?v=T3UKRSSg_NY
http://www.youtube.com/watch?v=RhFJyc-kky4

 
Vlucht, 2007

Some school kids try to figure out how it works.

http://www.youtube.com/watch?v=DP6rl4p2u5c

A projection of a bird on a white screen. The bird flys around on the screen.
When the bird flies into the camera lens it literally pops out of the screen.

 
The Breakers, 2008


http://www.youtube.com/watch?v=BJ1J3ncJYe8

http://www.zorofeigl.nl

Marc André Robinson

Myth Monolith, 2002-2003

Manfred Pernice


Secretary, 1999



Commerzbank 1,2004

Commerzbank 2,2004

Commerzbank 3,2004

KHALAVERA: jj., ten je miloucky

Tom Friedman

---

"1,000 Hours of Staring"
1992-97
stare on paper
32 1/2 x 32 1/2 in

KHALAVERA: také jsem se nad nim zasekl :)

PASHWAKA: no teda, ten bronzový míč mě chytil za srdíčko...

MAHISH: ten prispevek od M2S mi zas pripomel tohle:

Ariel Orozco

---

"Perro Balón", 2003
A starving stray street dog, which was ignored and abused by people was intervened in the form of a soccer ball, after which it became the centre of attention, creating an immediate bond and interest by the people around it.
This work elaborates on the lack of attention to the individual and how can absurd actions may lead to celebrity and attention.


"Rompecabezas", 2004
The skeleton of a chicken was constructed by individual bones obtained in different restaurants where costumers gave them up to be eaten by the artist.
The skeleton was formed by 27 diferent chicken bones, connected by 27 charity gestures.


"Doble Desgaste", 2005
An eraser was used as a model for a drawing and at the same time to erase it, generating an effect in the eraser’s shape, such eraser was then used as a model for the next drawing, the process was repeated until the disappearance of the image and the model.


"Yo paso por la ciudad y la ciudad pasa por mi", 2005
In this action, Ariel Orozco went through the streets of Mexico City wearing a designer suit looking for strangers in order to convince them to engage in a cloth exchange process. The entire action lasted three days. As result of the action he was able to cross through different layers of a complex socioeconomic structure.


"Ejercicio de Sueño", 2006
By this gesture the artist alters the use and meaning of an ordinary object and an ordinary action. The bed sleeps on the sleeper.


"Duelo Personal", 2006
A heavy bronze reproduction of a soccer ball is painted to look as an actual lightweight ball.
Ariel Orozco transited during long walks on the streets of Melbourne, acting as he was carrying a light soccer ball.
This work deals with the emotional weight concealed by people surrounding us on every day life.


"Espacio sin Espacio", 2007
By this action Ariel Orozco tries to establish a connection between the finite and the infinite.


"Melodía Robada", 2007


"Contrapeso", 2003
Ariel trained for two months with the sole objective to become his own flag for one second. The effort we make to achieve an objective almost never corresponds to the final result, most of times the effort is not proportional or coherent with the objective. This work makes reference to the prominent absence of a paradigm.

http://artnews.org/arielorozco

M2S:

New law proposed in response to exhibition
It would criminalise those who harm animals when making art

http://www.theartnewspaper.com/article.asp?id=8065

AHASVER: no tady bych imho hledal to odhalování hovna v kýči (jakožto světa bez hovna, podle Kundery)

MYKO: ono je to zábavný právě jen v tom prvním plánu, dál už je docela cynická práce s popkulturním materiálem

KHALAVERA: taky mi to nepripada usmevny