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    GUMAGUARmoderní :: postmoderní :: současné umění




    "My favorite art is the art I don't understand." Pae White
    "Umění chce tvořit konečnost, která vrací nekonečno." Deleuze a Guattari
    "The ‘value’ of particular artists after Duchamp can be weighed according to how much they questioned the nature of art; which is another way of saying “what they added to the conception of art” or what wasn’t there before they started. Artists question the nature of art by presenting new propositions as to art’s nature. And to do this one cannot concern oneself with the handed down ‘language’ of traditional art, since this activity is based on the assumption that there is only one way of framing art propositions. But the very stuff of art is indeed greatly related to ‘creating’ new propositions. That there is no ‘truth’ as to what art is seems quite unrealized." Peter Coffin z rozhovoru

    než začneš diskusi o tom, o co je to umění, čti: 1, 2, 3, 4, 5 - krátký a čtivý úvod do kritiky umění
    rozbalit záhlaví
    3SC
    3SC --- ---
    ENTER: Vystava v Serpentine byla skvela, skoda ze nemuzu najit linka na jeji animace
    QUAACA
    QUAACA --- ---
    ENTER: to se mi líbí
    KHALAVERA
    KHALAVERA --- ---
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    Terence Koh

    Crackhead, 2006


    detail:/roznych hlav je 222/


    The Camel was God, the Camel was Shot, 2007


    Untitled (Medusa), 2006




    Untitled (Vitrines 5 - Secret Secrets), 2006


    he is fuckin weird..
    more??
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    KHALAVERA: jeho Shower cisty bernini :) // alebo mozno necisty//
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    Biljana Djurdjević

    Seven Deadly Sins

    Pieta-(Sloth), 202x245, 2004


    Lust, 150x180, 2004

    Paradise Lost

    Green Room, 171x217, 2006


    Paradise lost, 250x160, 2005

    link
    KHALAVERA
    KHALAVERA --- ---
    Sarah Oppenheimer


    610-3356










    637-2356






    552-1251






    http://www.sarahoppenheimer.com
    KHALAVERA
    KHALAVERA --- ---
    SUOTAM
    SUOTAM --- ---
    tak sem pisu jeste jednou.pokud by si chtel jeste nekdo zamalovat,nebo vystavit sve prace na tomhle festivalu,tak mi piste do posty.dik
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    KHALAVERA: sa mi nepaci//
    KHALAVERA
    KHALAVERA --- ---
    PASHWAKA
    PASHWAKA --- ---
    SUSAN COLLIS: SWEAT





    Substance Misuse III, 2006, Biro on paper



    On Vacation, 2008, Biro inks and pencil on paper



    For SWEAT, Susan Collis' second solo exhibition at SEVENTEEN, the intense labour underpinning much of her detailed practice is laid bare before the viewer. In addition, a playful yet considered engagement with two distinct modes of production - the industrial and the hand made - runs throughout the exhibition.

    The space will be dominated by the bustle of ongoing productivity, a team of workers sitting at tables produce what appear to be laundry bags, the type of which you find at markets and thrift stores around the world. However, divorced from the type of rapid process that would ordinarily mark the production of such a ubiquitous commercial object, the workers instead pour intensely over sheets of Fabriano paper. With delicate precision, using only pencils and biro pens, they slowly mark out the bag pattern upon the surface of the paper. When fully patterned, the paper will be cut and assembled by the workers in order to form an object that straddles the status of both drawing and sculpture while appearing, on first look at least, to be neither. Standing in front of one of these works, it appears to have the perfect semblance of an everyday, nearly disposable item - only upon further detailed examination does the punitive hand made production value of the object become evident.

    For SWEAT Collis has constructed a world in which values according to production are realigned and reconsidered. A world in which the smiling benevolent gallerist is transformed into factory foreman via a portrait commissioned by the artist and which hangs directly over the workers as they go about there good work... A world in which a mundane digital clock that governs the flow of the working day and orders the operations of the workers inside the gallery space is in fact a video composed of individual drawings laboriously unified into a single via stop-frame animation. Indeed, a world in which, with the construction of a pseudo industrial scene of productivity, the idea of artist as virtuoso producer of rarefied objects is rallied against in favour of a more open-ended exploration of artistic praxis.

    Collis draws attention to the systems employed to produce her work, so much so that production - it's conditions and multivalent modes - becomes the work itself. Crucially, this renders the object nothing other than the necessary documentation of a greater performance, a performance of on-going creation undertaken by the artist and which, momentarily at least, transcends the idea of the finished work or final object.

    PV Thursday 11th September.

    http://www.seventeengallery.com/index.php?p=3&id=32&iid=0
    FACEO
    FACEO --- ---
    M_ABRAMOVIC: myslim ze nie ;)
    ENTER
    ENTER --- ---
    When you were a child, did you want to become an artist?

    "No, i wanted to become a designer, but i wasn’t smart enough."

    Maurizio Cattelan


    "Untitled" (2007)


    "La Nona Ora/The Ninth Hour" (1999)


    "A perfect day" (1999)


    "Bidibidobidiboo" (1996)


    "If a Tree Falls in the Forest and there Is No One around It, Does It Make a Sound?" (1998)


    "Marble" (2007)


    "Love Saves Life" (1995)


    "Love Lasts Forever" (1997)


    "Frank and Jamie" (2002)


    "Untitled" (2002)


    "The Wheel" (1999)


    "Novecento" (1997)

    http://www.mauriziocattelan.org/
    http://www.galerieperrotin.com/artiste-Maurizio_cattelan-5.html#
    KHALAVERA
    KHALAVERA --- ---
    Petra Cortright - 9:31am
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    ↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓ ...
    www.petracortright.com/ - 164k - Cached - Similar pages

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    http://www.artfagcity.com/2007/03/27/petra-cortrights-webcam-video/
    http://www.onequestioninterview.com/2008/05/petra-cortright.html
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    nechce sa mi klikat, ci tu bol. ///

    Shintaro Miyake


    Someday, 2008.


    exhibition, feb 07




    baloniky na minotauta padaju.. Minotaurus vs. Kraken, performance, Salzburg

    //////////// klik klik klik na ine priserky, potvorky a zvieratka
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    KHALAVERA: !!!!!!
    TEAPOD
    TEAPOD --- ---
    A hlavně že diky tomu chlápkovi co dělál ten portrét, jsem pochopil že velkolepá grafika Vibrone ( nebo jak byl ten červený plakát ) je dělána pluginem pro fotošop od tady to chlápka co dělál ten portrét. ( myslím ten s gradacemi )
    http://farm4.static.flickr.com/3075/2810939839_17c8736479_o.jpg
    ATOMIC
    ATOMIC --- ---
    KHALAVERA: no slušná sérka.
    Kliknutím sem můžete změnit nastavení reklam