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    TRUCEI:\truce\notes | | Le'Olam, Ever!
    TRUCE
    TRUCE --- ---
    skvela definice cyberpunku:

    Cyberpunk as a genre is rather hard to pin down. It emerged as a twist on other forms of sci-fi, and then was it self twisted and changed so quickly that many feel cyberpunk is already a dead form. It doesn't help that it's tied into "punk", already a difficult and much debated genre of its own.

    At the core, you can get a decent but pithy understanding of the genre with any of numerous little phrases, some already mentioned. Cyberpunk can be "a science fiction genre noted for its focus on 'high tech and low life.'" Or it's film noir with emphasis on information science. Or it's sci-fi twisted so that technology is a tool of classist oppression rather than an enabler of new developments. The atmosphere of paranoia and surveilance from Orwell's 1984 are often used in cyberpunk, but not many would classify that novel as being particularly cyberpunk.

    Neal Stephenson's books are themselves odd contenders in this regard. Snow Crash is clearly cyberpunk, but compare Hiro to Nueromancer protagonist Henry Case. Despite both being hackers, Case is much closer to the "nerdy lowlife" we might expect in such a novel, while Hiro sets the standard for future protagonists like Neo in the Matrix: swordfighter, sunglasses, always cool and collected. The Diamond Age presents many cyberpunk themes -- technology, computers, classism, unlikely heroes -- but focuses on nanotech rather than cybertech. So much so that many consider it one of the first post-cyberpunk novels. Even his later books like Cryptonomicon hit many of the cyberpunk tropes without ever veering close enough to earn that genre, prompting some to dub it "cypherpunk."

    Sadly, not even games are safe. Released in 1994, System Shock is the seminal cyberpunk game, and is true to its genre. But by 1999 and System Shock 2, we're already diverting into new territory with the increased emphasis on biological modification and the nature of intelligence. SS2 can easily be seen as a battleground between the ideas of two genres, the aging cyberpunk and the emerging biopunk. This culminates when many of the original Looking Glass team go on to make Bioshock, a game so similar in structure to System Shock 2 it could be called a remake wearing a new theme. Same story, new metaphors.

    So at last maybe we can get at the root of what cyber-punk really is. On the one hand, you need punk. The surface visuals of this add much of the "street lowlife" element: mohawks, leather jackets, and invasive body mods (remember, cyberarms are just an extreme form of tatoos and piercings). The thematic underlying elements of punk are rebellion, classism, class uprising, and "grassroots movement." Stephenson used open source software and hackers for this. In Deus Ex, note that the hero starts out working for "the man" but is eventually swayed to the rebellion. The same basic story is played out in Johnny Mnemonic as well.

    On the other hand, you need cyber. The way that technology empowers rebellion, enables communication, breaks censorship, and changes people are big themes here. "Jacking into cyberspace" and bodymods are visceral ways to show that the people take technology (traditionally a tool of the empowered class) and turn it around, merge with it, and make it work for them. They subvert the system from inside it. If you subvert the cyber and replace it with some other metaphor, you get some other kind of *-punk (biopunk, nanopunk, but oddly steampunk seems to have gain enough momentum to morph into something else entirely its own).

    All the other elements commonly attributed are taken from the "parent genre" that the author is working the cyberpunk into. Gibson wrote noir, the Matrix is an action movie, and System Shock is an RPG. It's easy to mix up the cyberpunk and the other stuff. Especially when multiple examples exist. If your primary exposure to cyberpunk is Blade Runner and Neuromancer, the idea that noir detective stories are bound to cyberpunk is easy to walk away with. But I think I've managed to separate out the core themes for you and provide a few examples along the way. Hopefully, that's a start.

    answered Mar 14 '11 at 19:35
    CodexArcanum

    Capturing the essence of Cyberpunk - Science Fiction and Fantasy
    http://scifi.stackexchange.com/questions/2383/capturing-the-essence-of-cyberpunk
    TRUCE
    TRUCE --- ---
    EVELINA: uzasne, tak tam urcite pujdu :)
    EVELINA
    EVELINA --- ---
    !!!Tornádo Lue - Praha Vagon - 1.7.!!! :-)
    TRUCE
    TRUCE --- ---
    nadrazni odjezdove tabule online!

    Informační tabule
    http://provoz.szdc.cz/tabule/
    TRUCE
    TRUCE --- ---
    TRUCE: seeding, tak tahejte ;o)

    ted jsem byla na navsteve u jedne holky, pili a kourili jsme az do tri, a v knihovne mela presne tuhle knihu - s obrazky z filmu a texty z filmu a je to tak dobry, ze to musim co nejdriv videt, a pak si to mozna taky koupim, tu knihu.
    a.

    TRUCE
    TRUCE --- ---
    chci se podivat - ukladam.

    (h) The Reality of Me (2011) Trailer
    http://vimeo.com/35228547
    TRUCE
    TRUCE --- ---
    La vida es una aventura de nuestra propia creación, interceptada por el destino y por una serie de accidentes afortunados y desafortunados.
    =Patti Smith=

    ...toto si prave v praci stahuju (mimo jine:)
    http://thepiratebay.se/torrent/7185199/Patti_Smith__Dream_Of_Life_[2008]
    LIBRIUM
    LIBRIUM --- ---
    Alles Gute!
    TRUCE
    TRUCE --- ---
    TRUCE
    TRUCE --- ---
    menim se v audiofila. mam tu jiz troje bednicky. ty posledni, tesla 1pf 067 33 jsem prave zapojila do zesilovace a zkousim, a asi si je necham, hraji prekvapive dobre

    stejne tak ale mam o jeden par vic nez potrebuju, takze nejaka dohoda/smena je mozna
    TRUCE
    TRUCE --- ---
    TRUCE
    TRUCE --- ---
    OVERDRIVE: jsem asimilovala. uz jsem smejici se bestie.
    TRUCE
    TRUCE --- ---
    jsi hroznej narcis. ale hroznej.
    cim vic se zajimam sama o sebe, tim min me berou tve sebedefinice :))))
    OVERDRIVE
    OVERDRIVE --- ---
    mmchodem kdo kurev5 rekl, ze jsem tady od toho abych nekoho bavil... kdyz jsem ted koukal na sve bookmarky, tak mi z toho vychazi typ jak vysity na zabiti od nejakeho nacka: angazovane umeni/jung/marx/queer/knizky/psani/muzika/zidovska tematika

    myslis, ze takovej clovek muze bejt vhodnej na zabavu jinak nez pri ukrizovani? ;]]]
    OVERDRIVE
    OVERDRIVE --- ---
    TRUCE: neptal jsem se na sikanu zbytku sveta jednou polosilenou zrzavou AI bytosti
    TRUCE
    TRUCE --- ---
    OVERDRIVE: az vymyslis zase zabavnou anketu, budu hlasovat.
    prej rovnopravnost. dobre vis ze ja jsem casto rovnopravnejsi nez vsichni ostatni,
    jak se muzes tak blbe ptat :)))
    TRUCE
    TRUCE --- ---
    ke kacirskym myslenkam:

    Thought is subversive and revolutionary, destructive and terrible, thought is merciless to privilege, established institutions, and comfortable habit. Thought is great and swift and free.
    -- Bertrand Russell
    TRUCE
    TRUCE --- ---
    Predstav si polozit si do toho jidla pohlavni organ..
    Mezi jehnecim saslikem, hromadou sekanyho cerstyho koriandru, rimskyho salatu a
    vareny cizrny, vse lesknouci se kapkama olivovyho oleje, vypada rozhodne lip nez moje
    pero ve vindaloo omacce s 4 kouskama brambory.
    OVERDRIVE
    OVERDRIVE --- ---
    TRUCE: hezky on...


    all: nechce se vam zahlasovat v ankete? [ OVERDRIVE @ OVERDRIVE, nejlepsi pritel sama sebe: "you military industrial machine capitalist." ]
    [asi bude casem na main, ale presto]
    TRUCE
    TRUCE --- ---
    Ales Kot plots youthful rebellion in 'Wild Children' – USATODAY.com
    http://www.usatoday.com/life/comics/story/2012-04-17/Wild-Children-graphic-novel/54346844/1
    Kliknutím sem můžete změnit nastavení reklam