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    TRUCEI:\truce\notes | | Le'Olam, Ever!
    TRUCE
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    je to samozrejme jako s drogama a abstinenci.
    muzes byt zase jiz tri tydny cistej.
    vkuse i cely rok.
    TRUCE
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    kdo se rozchazi s kym, to je vlastne jedno,
    hlavne ze zustaneme rozejiti.

    minule to bylo lepsi. mela jsem z toho dobry kick nez prislo leto. ted je to otravny a slizky. mozna proto, ze je znovu leto. cervenec = nejhorsi mesic.
    unor je az druhy nejhorsi. ...
    TRUCE
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    Philosophy and the Matrix: Return to the Source | Watch Free Documentary Online
    http://topdocumentaryfilms.com/philosophy-and-the-matrix-return-to-the-source/
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    https://twitter.com/NotDylanMoran Bernard Black himself!
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    When I was a young professor I went to a two-week neuroscience program at Dartmouth. It was all lectures. The other attendees were graduate students. I had little in common with them. There was little to do in the town, besides eat Ben & Jerry’s. The next town was 8 miles away. I couldn’t find anything I enjoyed doing. After a week, I had trouble getting out of bed, like the rat curled up in the middle of the Skinner box. A psychiatrist might have said I had major depression. I flew home and was fine.

    Seth's Blog » Blog Archive » Magic Dots: Quasi-Reinforcement Helps Get Things Done
    http://blog.sethroberts.net/2012/07/04/magic-dots-quasi-reinforcement-helps-get-things-done/

    TRUCE
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    rozdil mezi Linuxem a Windows:

    UNIX is an entire ecosystem self-tuned around text files.
    Windows is a completely different ecosystem self-tuned around APIs and Objects.
    TRUCE
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    http://www.mediafire.com/?wlpd6pz08dlc8 pekne wallpapery

    zvlast jeden
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    Na pomezí Eternaalu | knihy - Albatros Media
    http://www.albatrosmedia.cz/na-pomezi-eternaalu-d2.html

    do knihovny uz konecne.
    TRUCE
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    Delicious.com - Discover Yourself!
    http://delicious.com/truce/
    ale je to zatim vylucne IT ladene.

    casem asi pribydou i nejake umeni, psani a tak.
    TRUCE
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    Tokyo Excess: Kowloon Walled City and Gunkanjima Island
    http://tokyoexcess.blogspot.cz/2011/11/kowloon-walled-city-and-gunkanjima.html
    TRUCE
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    Photo Collection: "Kowloon Walled City" - Hong Kong, China...
    http://worldphotocollections.blogspot.cz/2010/06/kowloon-walled-city-hong-kong-china.html
    TRUCE
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    Incredible claustrophobic footage from inside the Kowloon Walled City
    http://io9.com/5713565/incredible-claustrophobic-footage-from-inside-the-kowloon-walled-city

    video z Kowloonu; a diskuse pod tim;


    And it's a great set of books and stories Gibson wrote, don't get me wrong. But Gibson is very clever. He wanted to write science fiction that was only a "little bit" into the future. He just turned on his TV and looked at all slums in the developing world and just projected that a little bit.

    Unlike a lot of other writers in the genre at the time, he wanted to wallow in that poverty. He wanted to show us what poverty would look like in the future. That was part of his genius.

    The poor person might have a cheap computer in his trailer park or run down apartment building but he's still poor.

    That computer is sadly not a powerful enabler for him. It could be, but mostly he just uses it for porn or entertainment that someone else packaged for him in walled gardens like Facebook or Hulu or Youtube.

    And yet at the same time, that computer does make him richer and smarter than the kings of ancient times. He's literate, vaguely, and the potential exists for him to use that computer to change his life.

    There may be something to the Flynn effect but since everyone is roughly proportionally enhanced, the stigma of poverty clings to him. He may have a computer and a dial-up Internet connection but his credit cards are maxed out, he's forced to continuously cash bad checks at sketchy check cashing markets instead of proper banks, he only goes to emergency rooms instead of having a proper doctor and his debts never go away.

    Maybe if he's very lucky he's got some sketchy deal going with criminals where he sends spam from his computer for a pittance. Or he's a mule for drug dealers.

    He's in the future that Gibson imagined.
    SHASHA_KRASTY
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    Kdyz uz ses u toho, zrovna vcera jedno vicemene maly vyvojarsky studio (CDProjekt - pshoni co udelali oba dva Zaklinace, coz jsou imho velice povedeny hry) oznamilo, ze zacli vyvijet hru Cyberpunk (vic info zde) .. na to se moc tesim, vypada to moc dobre .. :o)
    TRUCE
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    skvela definice cyberpunku:

    Cyberpunk as a genre is rather hard to pin down. It emerged as a twist on other forms of sci-fi, and then was it self twisted and changed so quickly that many feel cyberpunk is already a dead form. It doesn't help that it's tied into "punk", already a difficult and much debated genre of its own.

    At the core, you can get a decent but pithy understanding of the genre with any of numerous little phrases, some already mentioned. Cyberpunk can be "a science fiction genre noted for its focus on 'high tech and low life.'" Or it's film noir with emphasis on information science. Or it's sci-fi twisted so that technology is a tool of classist oppression rather than an enabler of new developments. The atmosphere of paranoia and surveilance from Orwell's 1984 are often used in cyberpunk, but not many would classify that novel as being particularly cyberpunk.

    Neal Stephenson's books are themselves odd contenders in this regard. Snow Crash is clearly cyberpunk, but compare Hiro to Nueromancer protagonist Henry Case. Despite both being hackers, Case is much closer to the "nerdy lowlife" we might expect in such a novel, while Hiro sets the standard for future protagonists like Neo in the Matrix: swordfighter, sunglasses, always cool and collected. The Diamond Age presents many cyberpunk themes -- technology, computers, classism, unlikely heroes -- but focuses on nanotech rather than cybertech. So much so that many consider it one of the first post-cyberpunk novels. Even his later books like Cryptonomicon hit many of the cyberpunk tropes without ever veering close enough to earn that genre, prompting some to dub it "cypherpunk."

    Sadly, not even games are safe. Released in 1994, System Shock is the seminal cyberpunk game, and is true to its genre. But by 1999 and System Shock 2, we're already diverting into new territory with the increased emphasis on biological modification and the nature of intelligence. SS2 can easily be seen as a battleground between the ideas of two genres, the aging cyberpunk and the emerging biopunk. This culminates when many of the original Looking Glass team go on to make Bioshock, a game so similar in structure to System Shock 2 it could be called a remake wearing a new theme. Same story, new metaphors.

    So at last maybe we can get at the root of what cyber-punk really is. On the one hand, you need punk. The surface visuals of this add much of the "street lowlife" element: mohawks, leather jackets, and invasive body mods (remember, cyberarms are just an extreme form of tatoos and piercings). The thematic underlying elements of punk are rebellion, classism, class uprising, and "grassroots movement." Stephenson used open source software and hackers for this. In Deus Ex, note that the hero starts out working for "the man" but is eventually swayed to the rebellion. The same basic story is played out in Johnny Mnemonic as well.

    On the other hand, you need cyber. The way that technology empowers rebellion, enables communication, breaks censorship, and changes people are big themes here. "Jacking into cyberspace" and bodymods are visceral ways to show that the people take technology (traditionally a tool of the empowered class) and turn it around, merge with it, and make it work for them. They subvert the system from inside it. If you subvert the cyber and replace it with some other metaphor, you get some other kind of *-punk (biopunk, nanopunk, but oddly steampunk seems to have gain enough momentum to morph into something else entirely its own).

    All the other elements commonly attributed are taken from the "parent genre" that the author is working the cyberpunk into. Gibson wrote noir, the Matrix is an action movie, and System Shock is an RPG. It's easy to mix up the cyberpunk and the other stuff. Especially when multiple examples exist. If your primary exposure to cyberpunk is Blade Runner and Neuromancer, the idea that noir detective stories are bound to cyberpunk is easy to walk away with. But I think I've managed to separate out the core themes for you and provide a few examples along the way. Hopefully, that's a start.

    answered Mar 14 '11 at 19:35
    CodexArcanum

    Capturing the essence of Cyberpunk - Science Fiction and Fantasy
    http://scifi.stackexchange.com/questions/2383/capturing-the-essence-of-cyberpunk
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