cau,
chtel bych se zeptat jaky mate zkusenosti s diskama do hudebnich pracovnich PC. nekdo mi vypravel, ze testoval SSD s HDD, a ze vefinale ten SSD napr. na mix, nebyl nijak rychlostne vyhodnejsi. pak jsem taky cetl, ze SSD se nehodi tam, kde se casto data mazou a prepisujou (coz u hudby tak trochu muze nekdy byt).
...na druhou stranu rychlost SSD je v nekterych smerech bezpochyb.
Mate nekdo tedy vyzkouseno, co je lepsi v praxi? nebo ten rychlostni rozdil není tak vyznamny, a neni treba investovat vic penez do SSD? nebo napriklad jestli nejni dobre poridit SSD na system a software, a data jet z HDD? diky za poznatky.

GREGOR_PRIDE: 1.koberec na podlahu, 2. bass trapy do vsech rohu mistnosti + jeden za monitor mezi repraky, nejlip i jeden nad hlavu, ale good luck s vrtanim do panelu, 4.za sebe difuzer.. to je tak jako basic treatment bych rekl... ale nejsem zadnej velkej akustik...

Ahoj, nenasel jsem diskuzi ohledne stavby domaciho studia, tak se zeptam zde, pripadne me nasmerujte diky...


... rozhodl jsem se ze si odhlucnim jeden pokoj v panelovem byte...
ANIZ BYCH CO KDE STUDOVAL nakoupil jsem polystyrenovy desky a zacal je lepit po pokoji...

v tuhle chvili to vypada nejak takhle:
https://scontent-a-vie.xx.fbcdn.net/hphotos-prn2/1382347_389852961118051_1821978988_n.jpg

v praci jsem vzal bocnice od image drumu od tiskarny, protoze mi to prislo podobny "vajickum"...
no v tuhle chvili mam pokoj polepenej .... jeste nemam ty krabice na strope, na stenach uz tak nejak jo...


co se mi libi ze zmizel ocas po tlesknuti... jako kdybych tedy uspesne odrusil ozvenu stredu a vysek...
ale co jsem se ted zhrozil, ze to v tom pokoji hrozne duni...
staci abych udelal pusou DŮ a celkem se hrozim co to do me sije...



co potrebuju bass trapy?

diky

Halloweenskej mail od Joe Gildera z Home Studio Corner (kdo je na mailing listu tak to taky dostal), myslim ze vtipny.

Here are 15 Ways to Scare Away Musicians:

1. Act like you know more than they do.
2. Don't listen to their suggestions.
3. Listen to their suggestions, and then don't do any of them.
4. Don't take any time to get to know them...and then criticize their performance during the session...then wonder why they don't seem comfortable.
5. Check your email, Twitter, and Facebook while they're recording a take. They definitely won't notice. And you'll definitely be on your game.
6. If the performance is lacking, have the musician record roughly 17 takes. It'll be easier to comp together a perfect take than to actually work with them to get one good performance.
7. Make your studio as warm as possible. Sweaty musicians are happy musicians.
8. Just set up mics and press record. Have ZERO input into the creative process. That's really valuable to musicians.
9. Don't explain why you're doing what you're doing. Make demands. Be as short and snippy as possible. It makes you look professional.
10. Don't offer any sort of refreshments to the musicians (especially the singers). If they want water, they should bring it.
11. When tensions are mounting, or the recording is getting more frustrating, do NOT offer to take a break. You gotta power through this.
12. While recording one musician, tell lots of stories about other clients you record. Make sure you make fun of them. It'll make you look cool.
13. Talk about how amazing your OTHER clients are.
14. Don't be prepared for the recording session. Instead, make the musicians wait at LEAST a half hour while you set things up. (It makes you look "in demand.")

And finally, number 15:

15. Don't have any sort of portfolio of music you've worked on. The musicians should blindly trust you, without any proof of your skills whatsoever.