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    JANDOSZákulisí filmu - Vše co není vidět na plátně, filmové zajímavosti.
    GREATDRAKE
    GREATDRAKE --- ---
    TRAGED: chápu že nedokážeš udržet na uzdě svou broukpytlíkovskou rozumbradovitost, ale reference na té lodi jsou poměrně důkladně zdokumentované, modely vystavené. Behind the scenes fotky analyzované a ano, byly tam vědomé reference na star wars.
    ARAON
    ARAON --- ---
    TRAGED: Myslíš ta světla co jsou vidět hned za ním? Vezmi si prosím brýle.
    TRAGED
    TRAGED --- ---
    ARAON: A ze se urcite nejedna o stejny model jsi si vsiml? Viz svetla?
    ARAON
    ARAON --- ---
    Tady je ještě směrový TIE fighter...

    ARAON
    ARAON --- ---
    TRAGED: Jojo. Směrový R2D2.

    TRAGED
    TRAGED --- ---
    FRK_R23,ARAON: Plha a Plha? Jde o to, ze filmy vznikaly ve vice mene stejne dobe, takze je to spis nepravdepodobne. A vic nez R2 to vypada na smerovy reflektor.
    ARAON
    ARAON --- ---
    Another classic franchise which used outstanding visual fx.
    Aliens - Miniature / Set Extension
    As the Marines make their way through the atmosphere processor, they discover the entrance to the ‘alien hive’.
    This is a great example of using a foreground miniature to extend the size of a filming set.
    One of the very first shots of principle photography, this was always going to to closely scrutinised by the studio.
    After viewing this shot for the first time, execs asked, “You seem to be spending all the money on gigantic sets, where are the visual effects?”
    The art department were quite pleased that they had fooled them.





    FRK_R23
    FRK_R23 --- ---
    TRAGED: To jsou jenom takový vtípky, se sdílením produkce to nemá nic společnýho. U všech těch filmů tak či onak figuroval George Lucas.
    ARAON
    ARAON --- ---
    TRAGED: Že by byli Spielberg a Lucas kamarádi, a navzájem dávali do svých filmů jako vtípky odkazy na filmy to ho druhého? Plus speciální efekty a modely pro oba režiséry dělali většinou ti samí lidé.
    TRAGED
    TRAGED --- ---
    FRK_R23: Ze by az takhle sdilely produkce? Ty filmy jsou od sebe pul roku.
    KEB
    KEB --- ---
    Budete asimilováni! Odpor je marný!



    ARAON
    ARAON --- ---
    FRK_R23: Na té lodi toho je. Mimo jiné školní autobus a poštovní schránka. :-)
    FRK_R23
    FRK_R23 --- ---
    ARAON: Blízká setkání třetího druhu :)

    ARAON
    ARAON --- ---
    Tohle není tak úplně zákulisí, ale vlastně skoro jo. :-D

    Raiders of the Lost Ark (1981) R2-D2 and 3-CPO


    ARAON
    ARAON --- ---
    Die Hard ll Visual effects rigging crew in Mojave Desert 1990.







    ARAON
    ARAON --- ---
    Enrico Altmann working on the Tumbler in THE DARK KNIGHT (2008).

    TOOMIX
    TOOMIX --- ---
    Old Disney sound effect cartoons
    http://www.youtube.com/watch?v=l70td8UoCiQ
    ARAON
    ARAON --- ---
    Behind the scenes on Indiana Jones and the Temple of Doom (1984).

    GREATDRAKE
    GREATDRAKE --- ---
    ARAON
    ARAON --- ---
    Back in the days when there was no drones and no gimbals, Dare devil Aerial Cinematographer Johnny Jordan used this technique to film 007 ski action sequence in 1967.

    While filming You Only Live Twice (1967), Johnny was leaning out of a helicopter to get a better shot. Another helicopter was caught in a gust of wind and was blown closer. The rotor blade cut Johnny's leg which had to be amputated. Three years later, he was filming Catch-22 (1970) over the Gulf of Mexico when another plane passed close by. He was sucked out of the open doorway and fell 2,000 feet to his death. He had always refused to wear a safety harness and with his artificial leg wasn't as agile as he used to be.

    He developed a special helicopter harness for filming aerial shots of the mountain slopes and action sequences in the James Bond movie On Her Majesty's Secret Service (1969). He would hang eighteen feet below the chopper from a large round metal support apparatus.

    Credit :The key grip

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