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    JANDOSZákulisí filmu - Vše co není vidět na plátně, filmové zajímavosti.


    Vše co souvisí s filmem.. Fotografie, videa a jiné zajímavosti z natáčení a zákulisí. Filmové technologie
    rozbalit záhlaví
    ARAON
    ARAON --- ---
    The xenomorph in Alien: Romulus was created using practical effects.
    x.com
    https://x.com/i/status/1848408018201022763

    #video

    FRK_R23
    FRK_R23 --- ---
    The Driller Bot from #Transformers Dark of the Moon was the most complex asset ILM had done for Transformers by that point. It had 70,000 individual parts, over 7x more than Optimus Prime.

    This sequence where it is crushing the skyscraper took 288 hours per frame to render with all of the reflections and simulations.

    During the last weekend, ILM used their entire render farm, amounting to 200,000 rendering hours per day which is 22.8 years of rendering time in 24 hours.

    Video: https://x.com/RassoulEdji/status/1846189795187335499
    FRK_R23
    FRK_R23 --- ---
    //video

    Sigourney Weaver won the Golden Lion Lifetime Achievement Award at the Venice Film Festival!

    x.com
    https://x.com/Sigourney49/status/1828844484609880292
    L4MA
    L4MA --- ---
    FRK_R23: kk, to pak jo. video jsem videl tady, ale na ty dalsi dily jsem pak zapomnel.
    SPIKE411
    SPIKE411 --- ---
    Filmmakers World 🎥🎬 | [ERIC + INTERVIEW] Behind the scenes and final from the latest work of @benedict_spence_dop ⚡Check our link in bio for an insightful... | Instagram
    https://www.instagram.com/p/C8o9jAjNxRJ/

    [ERIC + INTERVIEW] Behind the scenes and final from the latest work of @benedict_spence_dop ⚡Check our link in bio for an insightful interview with Benedict 🍿

    👉 x more behind the scenes and read👇 the caption for more insight 💡

    📝There were a number of scenes in Eric set on a subway carriage, not just scenes with people, but also one featuring our giant puppet monster, Eric.

    Director @forbesforbes and I knew that would make filming the scenes a challenge.

    In 1980’s New York the subway carriages were covered in graffiti and mess. We tried to get hold of a real subway carriage in our time shooting in NYC, but we were not allowed to add graffiti to it in anyway if we were going to show it on TV (which of course we were!).

    So we ended up building our own carriage, during our time in Budapest, on top of a gimbal so that we could rock it around mid-take. Outside the carriage we added banks of LED screens. And on these screens we showed real footage of the real NYC subway, which I took on my iPhone on the scout.

    We also added a number of ARRI Sky Panels to push light into the carriage, these were pixel mapped and fed a sample of the same video as the screens.

    Gaffer Zsolt “Hofi” Hoffer can be seen here sitting in for me during the prelight!

    Credits:
    Lucy Forbes director @forbesforbes
    Olly Taylor as Eric
    @theollytaylor
    Eric costume by
    @stitchesandglue
    Alex Holmes production designer
    @mralholmes
    Gaffer Zsolt “Hofi” Hoffer
    Grip
    @kecskemetidavid
    VFX supervisor
    @jeanlouisautret
    FRK_R23
    FRK_R23 --- ---
    Cool kamera v novejch Bad Boys :) Video bohužel na twitteru

    x.com
    https://x.com/DiscussingFilm/status/1798131953956458538

    JONEZ1
    JONEZ1 --- ---
    BOBESH:: nasel jsem k tomu i to video :-) https://www.youtube.com/watch?v=iOw47NC_sxI
    FRK_R23
    FRK_R23 --- ---
    LUCIEN
    LUCIEN --- ---
    ASYD: Doplním tě, protože celý je to ještě o chlup zajímavější.

    Christopher Nolan explains why he broke his own rules for a critical scene in Interstellar

    Nolan recounts filming one of Interstellar’s most emotional scenes, wherein McConaughey watches videos of his children that he’s missed over the years. Nolan did two things that he wouldn’t normally do, but he says they ultimately made sense for that specific moment.

    “The wonderful truth is that it was in my brother’s script, and one of the things that made me want to do the film. As a parent, it seemed like such a powerful story moment. It was always the north star of the film, this beautiful sequence—and some of the actual words in the script, the specifics of what was said in the messages, never changed. We filmed McConaughey’s reaction first, in close-up. You never do that in a scene. You start with a wide shot and then warm up. But he hadn’t seen the video messages—we’d filmed them all in advance, so that everything would be there in the moment—and he wanted to give us his first reaction. We shot it twice close-up, and I think I used the second one, because the first one was too raw. Then we shot the monitors, and the wider shots, and put it together.

    The last piece of the puzzle was a beautiful piece of music by Hans Zimmer that hadn’t really found a place in the film. I think he literally referred to it as “organ doodle.” My editor, Lee Smith, and I tried playing it just while we were in the room playing a cut, and we both felt that it was devastating. The other thing we did, which I don’t think I’ve done in any of my other films, is to treat the music as a diegetic sound: When the messages stop, the music stops. It almost breaks the fourth wall, and it’s not the sort of thing that I like to do, but it felt perfect and apt for that moment.”

    Source: https://screenrant.com/interstellar-movie-cooper-crying-scene-christopher-nolan-filming/
    ASYD
    ASYD --- ---
    Christopher Nolan talks the scene where Cooper finds out he missed out on his kids' lives in Interstellar

    "It was always the north star of the film ... We filmed McConaughey’s reaction first ... he hadn’t seen the video messages—we’d filmed them all in advance, so that everything would be there in the moment ... The last piece of the puzzle was a beautiful piece of music by Hans Zimmer that hadn’t really found a place in the film. I think he literally referred to it as “organ doodle" ... it was devastating ... When the messages stop, the music stops ... it’s not the sort of thing that I like to do, but it felt perfect and apt for that moment"
    FRK_R23
    FRK_R23 --- ---
    V pauze jsem kouknul na video o Usual suspects. Většinu věcí jsem znal, ale uniklo mi jak Verbal kouří cígo. Jako jedinej ve filmu totiž cigáro drží mezi palcem a ukázováčkem, což je údajně zvyk v jistých částech Turecka. A když je vidět Keyser Söze, tak kouří stejným stylem :))

    20 Things You Somehow Missed In The Usual Suspects
    https://www.youtube.com/watch?v=G2mUJYL42mk&t=329
    FRK_R23
    FRK_R23 --- ---
    TRAGED: chceme video!:))
    TRAGED
    TRAGED --- ---
    What's the most incredible prank a director has ever pulled on one of his actors on the set of a movie?
    Long considered a legend, the prank that Steven Spielberg played on Harrison Ford on the set of #IndianaJones and the Temple of Doom is one of the most surprising ever!

    In 2017, a video (of poor quality) finally emerged confirming that the deception in question was not an invention, but that it had actually happened.

    Steven Spielberg took advantage of a visit to the set of Carrie Fisher, director Irvin Kershner (The Empire Strikes Back) and singer Barbra Streisand to play a prank on Harrison Ford.

    During the filming of the scene in which Indiana Jones is tied to a rock and is whipped, Barbra Streisand takes the place of the executioner and pretends to whip Harrison Ford, as if to punish him for the bad films he starred in at the beginning of his career. He quickly realizes what is happening and decides to join in the fun, asking for even stronger lashes, as if he were enjoying sadomasochism games.

    But a second surprise awaits. Then, Carrie Fisher throws herself at him, disguised as a guard with a scarf covering her face, and kisses him on the mouth, recreating the scene from Return of the Jedi in which she frees Han Solo from the carbonite.

    Director Irvin Kershner then intervenes to criticize the performance.

    The match was never officially broadcast, probably because it was a bit raunchy, and because Barbra Streisand – when Harrison Ford insisted that she whip him harder – shouted: “I can't do it, I feel like a fagot!”
    SPIKE411
    SPIKE411 --- ---
    Why Does Attack of the Clones Look Like a Video Game?
    https://youtu.be/I7Iuia5560Y


    Tohle je taky zajímavý ohlédnutí.
    ARAON
    ARAON --- ---
    FRK_R23: Ach. To mi pripomelo tohle video:

    "NO CGI" is really just INVISIBLE CGI (1/4)
    https://youtu.be/7ttG90raCNo
    HRAFNAIN
    HRAFNAIN --- ---
    Kubrick's Unused Aliens in 2001: A Space Odyssey
    https://youtube.com/watch?v=9pqqCbqKiIc


    plus diskuse je vlastně zajímavější než to video, je tam spousta dobrejch postřehů
    TOOMIX
    TOOMIX --- ---
    https://twitter.com/Rainmaker1973/status/1666058235936137217?s=20
    FRK_R23
    FRK_R23 --- ---
    https://twitter.com/ATRightMovies/status/1653802423113199620
    SPIKE411
    SPIKE411 --- ---
    The Original Take Of The 'Wilhelm Scream' Has Been Uploaded
    https://kotaku.com/wilhelm-scream-star-wars-video-games-movies-sound-1850321598
    BOBESH
    BOBESH --- ---
    https://twitter.com/ATRightMovies/status/1629949427870777351?s=20
    Kliknutím sem můžete změnit nastavení reklam