http://adampizurny.com/portfolio/koil-lady-emz-breakin-through-ep/


http://adampizurny.com/portfolio/talon-feat-fs-faded/


http://adampizurny.com/portfolio/visionz-zonal-volume-2/

Scars EP | adam pizurny
http://adampizurny.com/portfolio/scars-ep/

Aardvark - Anti Concept (EP, The Album, 2011)

The third album from Aardvarck, on Eat Concrete Records, is a white vinyl with a picture cover. The artwork is by Jar Moff, with additional artwork by Evan Odd & Pete Concrete, and follows the idea of complex ambient soundscapes with Detroit Techno and dub edges. They are illustrated with this photographic collage of landscape images.

Die Alten Maschinen - Songs about Love and Machines (Volume 1, 2 - 2010)

"Die Alten Maschinen jsou ideologicky projektem o strojích, které jsou člověku přátelské. O technologiích, které nejsou hrozbou, ale mají lidstvu především sloužit a pomáhat. Je to také pocta všem snílkům, vynálezcům a spisovatelům prvních idealistických sci-fi, kdy snít o budoucnosti bylo přece ještě tak krásné."

Za projektem stojí Moimir Papalescu a Petr Venkrbec, dále kanadský zpěvák a bubeník Leon Stevenson z novovlnných The Extras a Gerald V. Casale, lídr legendární americké skupiny DEVO. Obal desek má na svědomí výtvarník Adolf Lachman http://adolflachman.cz/cs/ .

Iggy Pop - Préliminaires (2009)

Préliminaires is a 2009 album by Iggy Pop, released in 2009, and inspired by Michel Houellebecq's novel La Possibilité d'une île (The Possibility of an Island). The visuals for the album were created by French-Iranian graphic novelist and animated film director Marjane Satrapi. Marjane and Iggy met when she asked him to voice one of the characters in the English language version of her Academy-award nominated movie Persepolis in 2007. When it was reviewed in Rolling Stone magazine, they called it "definitely the weirdest record of the punk godfather's career".

WWW - Tanec Sekyr (2009)

WWW (We Want Words) is a legendary project that, in the early 1990’s, created the basis of the contemporary Czech hip hop scene. However, their first full album called Neurobeat was released in 2006, long 15 years after the band was formed in 1991.
Cover design of Tanec Sekyr record was done by Vladimir 518 and Michal Škapa, photograph taken by Nikola Ivanov.

Lvmen - Heron (2008)

Písně pražské post hardcore / sludge kapely Lvmen, založené v roce 1995, staví temné, monumentální zvukové stěny a boří je atmosférickými instrumentálními mezihrami. Často samplují sekvence filmů 60.let, a to především od Františka Vláčila, což se stalo typické pro jejich projev.
Obal desky Heron byl proveden technikou parciálního laku.

10 classic Storm Thorgerson album cover designs | Graphic design | Creative Bloq
http://www.creativebloq.com/graphic-design/10-classic-storm-thorgerson-album-cover-designs-4132447

Talking Heads – Remain in Light (1980)

The cover art was conceived by Weymouth and Frantz with the help of Massachusetts Institute of Technology researcher Walter Bender and his MIT Media Lab team. Using Melody Attack as inspiration, the couple created a collage of red warplanes flying in formation over the Himalayas. The planes are an artistic depiction of Grumman Avenger planes in honour of Weymouth's father who was a US Navy Admiral.
The idea for the back cover included simple portraits of the band members. Weymouth attended MIT regularly during the summer of 1980 and worked with Bender's colleague, Scott Fisher, on the computer renditions of the ideas. The process was tortuous because computer power was limited in the early 1980s and the mainframe alone took up several rooms. Weymouth and Fisher shared a passion for masks and used the concept to experiment with the portraits. The faces (except for eyes, noses and mouths) were blotted out with blocks of red colour. Weymouth considered superimposing Eno's face on top of all four portraits to insinuate his egotism—the producer wanted to be on the cover art together with Talking Heads—but decided against it in the end.
(wiki)

A Place to Bury Strangers - Onwards to the Wall (2012)

A Place to Bury Strangers is a New York–based noise rock band composed of Oliver Ackermann (guitar/vocals), Dion Lunadon (bass guitar) and Robi Gonzalez (drums). The band plays a heavy, atmospheric wall of sound-influenced blend of psychedelic rock, shoegaze and space rock.

Storm Thorgerson Dies Aged 69
http://www.neptunepinkfloyd.co.uk/index.php/news/733-storm-thorgerson-dies-aged-70?utm_source=Newsletter&utm_medium=Email&utm_content=Storm&utm_campaign=NL130418

R.I.P.

Younger Brother - The Last Days of Gravity (2007)

The Last Days of Gravity is the second album of Younger Brother (The name “Younger Brother” is inspired by an indigenous Colombian tribe called The Kogi, for whom the band wrote their first song. The Kogi refer to themselves as “Elder Brothers” and the people of western civilisations as “Younger Brothers.” ). It is a collaborative downtempo psychedelic project between English psytrance Producers Simon Posford (Hallucinogen, Shpongle) and Benji Vaughan (Prometheus, Cyberbabas). The album was positively received by critics. The cover art of The Last Days Of Gravity is done by Storm Thorgerson.

Africa Hitech - 93 Million Miles (2011)

The album from Steve Spacek and Mark Pritchard, released on Warp. The artwork is from Andy Gilmore http://crowquills.com/, just like the two previous singles. Feels like "Victor Vasarely meets 8-bits visuals into a church".

Kasabian - Velociraptor! (2011)

Velociraptor! is the fourth album by the British indie rock group Kasabian. The record has received mostly positive reviews. The album cover is an edited picture of all four band members covered in feathers (as Velociraptors were traditionally feathery) and screaming, edited from the "Switchblade Smiles" music video.

Blackbird Blackbird - Modern Disbelief (2010, EP)

Blackbird Blackbird is the moniker of San Francisco-based wünderkind Mikey Maramag. His unique style of dreamy folktronica recalls influences from all ends of the musical spectrum; deeply textured, hypnotic songs pay homage to psychedelic pop with the warmth of analogue instrumentation spliced with digital artifacts.