https://vimeo.com/24728383

https://vimeo.com/24324430

a trochu soucasnosti

Documentation TERRAIN VAGUE (WAVE GROUND) David Renault, Mathieu Tremblin (2013)
https://vimeo.com/72493369

nicmene k mapovani utopickych/dystopickych vizi jsou tu jiny auditka

[ Kolapsy komplexních společností ]

[ Utopie, dystopie / antiutopie ]

uz ted je mi jasny, ze jsem dal klubu moc omezujici nazve, ale koho to zajima, tak snad zamer a siroky zaber tohoto klubu pobere:)

pokud nekomu vyber prispevku nedava smysl, rad to proberu, ale myslim, ze tyhle zakladni informace, jsou zatim dost konzistentni

mezi umelce tvorici se snahou prekonavani utopickych vizi, a vlastne i jejich vytvareni patri rozhodne i Buckminster Fuller.tady treba jeden z dokumentu o nem online
A Necessary Ruin: The Story of Buckminster Fuller and the Union Tank Car Dome - YouTube
https://www.youtube.com/watch?v=Yca5k5SYqzk

pro pochopeni sirsiho zaberu tohoto auditka je fajn vedet neco i o ruznych "utopickych" vizich sveta, tzn od T.Mora, pres Ch. Fouriera, komuny, americky osady jako La Reunion, socialni utopie, piarti, TAZ v pojeti Hakima Beye atd

sdilejte texty, obrazky, filmy

a nakej obrazek k tomu, kdyz to ma byt hlavne vizualni klub: navrh Phalenstere, Ch Fouriere


dokument o Le Corbusierovi, ktery se snazil(inspirovanm nejen Fourierovymi texty) vytvorit idealni komunitni bydleni, tzv. Unité d'habitacion, poprve v Marseille

Le Corbusier - Documentary - Part 1 - YouTube
https://www.youtube.com/watch?v=rWbcbC7uUaQ

zajimavy magazin zabyvajici se umenim prom revoluci a revoluci, ktera by totalne osvobodila umeni..

Red Wedge Magazine - Home
http://www.redwedgemagazine.com/

online archiv textu

situationist international online
http://www.cddc.vt.edu/sionline/index.html

zajimave shrnuti SI toho,jak se projevovaly behem roku 68 v ramci poulicnich boju



Enragés and Situationists in the Occupations Movement | libcom.org
http://libcom.org/library/enrag%C3%A9s-situationists-occupations-movement

“Since the beginning of the movement there has been a problem as to what to call artistic works by members of the SI. It was understood that none of them was a situationist production, but what to call them? I propose a very simple rule: to call them ‘antisituationist.’ We are against the dominant conditions of artistic inauthenticity. I don’t mean that anyone should stop painting, writing, etc. I don’t mean that that has no value. I don’t mean that we could continue to exist without doing that. But at the same time we know that such works will be coopted by society and used against us. Our impact lies in the elaboration of certain truths which have an explosive power whenever people are ready to struggle for them. At the present stage the movement is only in its infancy regarding the elaboration of these essential points.” — Attila Kotányi at the Fifth Conference of the SI, 1961