a dalsi hratky, ktere jsme zacli nazyvat "furtive gestures" coz jsme si mezi sebou zavedli pro popisovani jeste vetsich picovin nez "spontaneous sculptures" hojne vyuzivaneho to pojmu Bradem Downeym

vse vyrobeno na miste behem prochazek mestem z bordelu nalezenyho na ulicich

Surprise surprise


Library


Unity:)


Shelf


Lamp


Patch


Parazites




Fountain of wisdom




My lawn


Globe




Rattle


Toulouse/ 2013

Nevšiml jsem si zde slabikáře!

Society of the Spectacle
http://www.marxists.org/reference/archive/debord/society.htm

Kdyz jsme u toho zurnalu, pred 30 lety vysel pekny rozhovor s Henri Lefebvrem o jeho vztahu k situacionismu, situacionistum a hlavne k Debordovi...
Lefebvre on the Situationists: An Interview
http://www.notbored.org/lefebvre-interview.html

On Easter Sunday, 9 April 1950, Michel Mourre (22 years old) and three other comrades (Serge Berna, Ghislain Desnoyers de Marbaix and Jean Rullier), climbed the rostrum at Notre Dame and read aloud the following declaration, which was co-written by Mourre and Berna.

Today, Easter Sunday of the Holy Year
Here, inside the notorious Basilica of Notre Dame of Paris,
I accuse
The Universal Catholic Church of the mortal diversion of our living forces in favor of an empty sky;
I accuse
The Catholic Church of cheating;
I accuse
The Catholic Church of infecting the world with its mortuary morality,
Of being the chancre of the decomposed West.
In truth I tell you: God is dead.
We vomit out the agonizing insipidity of your priests,
because your priests have generously manured the battlefields of our Europe.
Go to the tragic and exalted desert of a world in which God is dead
and brew anew this world with your bare hands,
your proud hands,
your prayerless hands.
Today, Easter Sunday in the Holy Year,
Here, in the notorious Basilica of Notre Dame of France,
we proclaim the death of the Christ-God so that finally Man can live.

NOT BORED!
http://www.notbored.org/

NOT BORED! is an autonomous, situationist-inspired,
low-budget, irregularly published, photocopied journal.

pokud me kanaly nelzou, tak pan Pechar k svemu prekladu Freuda pridal jeste preklad Lacanovych Ecrits (mozna i Seminaru, to bych kecal) a jelikoz lacaniste se o dilo sveho zakladatele velmi boji az to pripomina nutkavou, uzkostlivou neurozu(viz jejich sileny sefik Jacquaes Alain Miller), tak dovoluji vydavat preklady jen, kdyz jsou dodrzeny prisne podminky a jednou z tech podminek ma byt existence lacanitsicke pobocky v danne zemi.. cili sem maji snad ted nekdy na podzim prijet, a pak si to snad vsichni konecne budeme moci precist v cestine a jiste kongenialnim prekladu od stareho panaPechara (jenz mj. prave ted vydal tenhle hezky a kupodivu pomerne srozumitelny uvod do Lacana - http://www.kosmas.cz/knihy/183977/lacan-a-freud/ )

to klidne rozvedte tady!,)

ha, to sem neznal, ale rekl bych, ze Lacan to skvele ustal... brzy pry budeme mit lacanisty ofico uz i v Cesku;)

Excerpt from Lacan Parle (1972).mp4 - YouTube
http://www.youtube.com/watch?v=6aqGYYBwKbQ


This is fascinating to watch.

On October 13, 1972, the charismatic and controversial French theorist and psychoanalyst Jacques Lacan is giving a lecture at the Catholic University of Louvain, Belgium, when a young man with long hair and a chip on his shoulder walks up to the front of the lecture hall and begins making trouble. He spills water and what appears to be flour all over Lacan’s lecture notes and then stammers his way into a strange speech that sounds as if it were taken straight out of Guy Debord’s The Society of the Spectacle:

“The composite body which up to fifty years ago could be called ‘culture’– that is, people expressing in fragmented ways what they feel — is now a lie, and can only be called a ‘spectacle,’ the backdrop of which is tied to, and serves as, a link between all alienated individual activities. If all the people here now were to join together and, freely and authentically, wanted to communicate, it’d be on a different basis, with a different perspective. Of course this can’t be expected of students who by definition will one day become the managers of our system, with their justifications, and who are also the public who with a guilty conscience will pick up the remains of the avant-garde and the decaying ‘spectacle.’”

The 71-year-old Lacan never loses his composure. (His cigar appears bent out of shape, but it was that way from the beginning.) The audience, too, retains a certain Gallic nonchalance. Dangerous Minds sums it up in the headline “The Single Most ‘French’ Moment in all of 1972: Jacques Lacan Accosted, But No One Stops Smoking.” The scene is from Jacques Lacan Speaks, a one-hour documentary by Belgian filmmaker Françoise Wolff. You can watch the complete film, which includes Lacan’s extended and rather cryptic response to the incident and other excerpts from the lecture, followed by Wolff’s interview with Lacan the following day, in our post: “Charismatic Psychoanalyst Jacques Lacan Gives Public Lecture (1972).”

Jacques Lacan’s Confrontation with a Young Rebel: Classic Moment, 1972 | Open Culture
http://www.openculture.com/...cques-lacans-confrontation-with-a-young-rebel-classic-moment-1972.html

strictly critical: 2008 / Sešit pro umění, teorii a příbuzné zóny 4-5
http://strictlycritical.blogspot.cz/2009/09/2008-sesit-pro-umeni-teorii-pribuzne.html
2008 / Sešit pro umění, teorii a příbuzné zóny 4-5
Tématem dvojčísla 4-5 Sešitu pro umění, teorii a příbuzné zóny za rok 2008 je odkaz umělecko-politického hnutí Situacionistická internacionála (1957-1972) a jeho relevance pro dnešek. Tématu se dotýká jeden primární a tři sekundární texty (z nich jeden původní a dva překlady). Další obsah čísla tvoří články (čtyři původní a tři přeložené), které dál rozvádějí některé motivy související s tématem (problematika reprezentace, intervence do každodennosti, politická angažovanost umění), a to jednak v kontextu reflexe umění a každodenního života v reálném socialismu, jednak v rámci kritiky některých projevů současného českého umění.
Obsah:

editoriál
téma - Guy Debord, Zpráva o konstrukci situací a o podmínkách organizace a působení mezinárodní situacionistické tendence
téma - Václav Magid, Konstruovaná situace a její okamžik v čase
téma - Jonathan Crary, Spektákl, pozornost, protipaměť
téma - Steven Best a Douglas Kellner, Debord a postmoderní obrat: nové etapy spektáklu
teorie - Boris Groys, Umění ve věku biopolitiky. Od uměleckého díla k dokumentaci umění
teorie - Boris Groys, Postskript ke Komunistickému postskriptu
teorie - Tomáš Dvořák, Kompot zn. unheimlich
kritika - Radim Hladík, Bůh chraň historii
polemika - Redakce KP, Vlídná Kateřina?
polemika - Tomáš Pospiszyl, Popírání Ponětovic
recenze - Jakub Stejskal: Od příslibu k záruce: Estetika ironie a afirmativní umění

linknu sem jeste PDF az to najdu

a tamtez



Public intervention, spontanneous sculpture

Strasbourg, France, 2011

Vladimír Turner