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    GUMAGUARmoderní :: postmoderní :: současné umění
    PASHWAKA
    PASHWAKA --- ---
     
    JOHN DELK
    JOHN & PAM CALL AMERICANS



    For this piece Pamela Jo Buchwald and I formed a non-profit organization, John & Pam, whose mission was to call Americans and "check in" to see how they were doing. During designated office hours we would report to work and call strangers across the country to ask if everything was going OK.
    Responses to our service varied widely.


    http://www.johndelk.com/work/gallery/235
    OTAKAR_KUBIN
    OTAKAR_KUBIN --- ---
    PASHWAKA: pekna epilepsie..otakar i kubin davaj thumbs up
    PASHWAKA
    PASHWAKA --- ---
     
    JOHN DELK
    NEW CARS


    2002

    New Cars consists of hundreds episodes of The Price is Right reduced to the climax of each show when a new car is offered as a prize. Strung together, the clips become an endless series of ecstatic moments.


    QT: http://johndelk.com/static/dyn-files/0/270.mov

    http://www.johndelk.com
    PASHWAKA
    PASHWAKA --- ---
     
    SUSAN COLLIS
    DON'T GET YOUR HOPES UP


    Seventeen Gallery, London
    1/3 - 14/4 2007

    Areas of the gallery walls appear to have been left unfinished after the de-installation of the previous show. Unusually the behind-the-scenes paraphernalia of display such as screw-heads, nail holes, rawl plugs and pencil marks are still in evidence, together with seemingly unintentional marks associated with the movement of art work. A bucket catches drips from the ceiling and a general air of neglect pervades.

    Within Susan Collis practice, everyday objects and surfaces are presented splattered and stained with the marks of wear and tear, and the viewer might, upon further investigation, realise that the timeworn flecks of paint that cover an old broom, are in fact delicate and precisely inlaid pearls, jasper, turquoise, garnets and black diamonds. Initially, the demarcations seem to be the secondary results of a primary activity, seemingly worthless and easily ignored. Collis is interested in the shift of perception that takes place upon discovery that they are, in fact, intentional and primary activities themselves.

    For this her first solo exhibition at SEVENTEEN Collis has produced a series of interventions that refer to the accidental and neglected, within the context of gallery space. The exhibition will be easy to overlook, as a cursory glance might lead the viewer to believe the gallery was empty. However, further investigation of the space will reward the viewer, leading them towards Collis notions of hidden labour, within a complex network of contradictions and revelations. Dont get your hopes up questions the structures and methods of its own production, together with the viewers most basic assumptions about artistic production and display.


    Installation view


    Made good (DETAIL)
    Length 27 cm
    Coral, black onyx, 18 carat white gold (hallmarked), diamond, silver. Edition of 10


    Untitled, (Rawl plugs)
    2007
    Dimensions variable
    Jasper, black onyx, red carnelian, garnet, brown goldstone


    Waltzer (DETAIL)
    2007
    127.5 x 37 x 11 cm
    Wooden broom, opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite.


    Call the show off DETAIL
    2007
    Length 6 meters
    Sapphires, smokey topaz, black diamonds, 18-carat yellow gold (hallmarked), citrine


    Long gone (DETAIL)
    2007
    Length 135 cm
    Carved turquoise, smokey topaz, Edition of 3


    Rock bottom riser
    2007
    6 meters installed
    Mother of pearl gemstones


    Call the show off DETAIL
    2007
    Length 6 meters
    Sapphires, smokey topaz, black diamonds, 18-carat yellow gold (hallmarked), citrine


    Without you the world goes on
    2007
    Bucket, water, water pumping system, MDF, plaster, plug socket


    Waltzer DETAIL
    2007
    127.5 x 37 x 11 cm
    Wooden broom, opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite.


    http://www.seventeengallery.com/index.php?p=3&id=14&iid=11
    KHALAVERA
    KHALAVERA --- ---
    moc hezký, akorát arshama už jsme tady měli
    MATHEW
    MATHEW --- ---
    Martin Oppel

    Born in 1976 in Buenos Aires, Argentina
    Lives and works in Miami, FL, USA

















    http://www.galerieperrotin.com/artiste-Martin_Oppel-19.html
    MATHEW
    MATHEW --- ---
    Xavier Veilhan

    Xavier Veilhan (1963, Lyon) is a French artist who lives and works in Paris. His art consists of photography, sculpture and installations.



















    http://www.galerieperrotin.com/artiste-Xavier_Veilhan2-8.html
    MATHEW
    MATHEW --- ---
    Daniel Arsham

    Born in 1980 in Cleveland Ohio, USA
    Lives and works in New York and Miami, USA























    http://www.galerieperrotin.com/artiste-Daniel_Arsham-17.html
    MATHEW
    MATHEW --- ---
    SEEKER: ona tahleta kulturní elita se většinou vyznačuje vysokou mírou nadhledu, takže nějakých šoků bych se tu nebál
    SEEKER
    SEEKER --- ---
    MATHEW: chudáčku a nezanechalo to na tobě následky? No třeba s tou fotkou, to je mi nezodpovědnost: přijde sem nepřipravená elita a zažije kulturní šok naruby....
    MATHEW
    MATHEW --- ---
    DANCHEZ: jojo, četl jsem životopisnou knížku pavla horvátha a ten píše, že má občas pocit, jakoby malíř upustil paletu na plátno..přesně ti rozumim.

    DANCHEZ
    DANCHEZ --- ---
    PASHWAKA: a nemusis me urazet kdyz tomu nerozumim:]
    DANCHEZ
    DANCHEZ --- ---
    PASHWAKA: nevim no, tupost je to pro tech par vyvolenych,
    ja mam treba z vetsiny "umeni" pocit ze ten clovek splacal nakou picovinu a pak k tomu vypoti naky referakt ktery tomu dava jakoby smysl.
    PASHWAKA
    PASHWAKA --- ---
    DANCHEZ: no flame., ale "neomezenych" je mnohem vic., jsou to pouze jedinci, kteri se tomu aktivne venuji i po teoreticky strance., umeni je disciplina jako kazda jina a aby si ji rozumel, musis pro to holt neco udelat., predpokladat, ze umeni ma bejt jasny masam, je naprtosta tupost... coz v konecnym hledisku vytvari dojem elitarnosti, kterej je prirozenej
    MATHEW
    MATHEW --- ---
    DANCHEZ: aha, tak to asi často měníš ikonku :D
    DANCHEZ
    DANCHEZ --- ---
    MATHEW: to sem vzdycky ja.)
    MATHEW
    MATHEW --- ---
    to se vždycky cca jednou za měsíc objeví nějakej takovej človíček..čím to je?.)
    DANCHEZ
    DANCHEZ --- ---
    to smrdi flejmem.) hele za chvili se maznu
    DANCHEZ
    DANCHEZ --- ---
    PASHWAKA: no to je asi pravda, jenze v tedle branzi je "neomezenych" par vyvolenych a to jsou ke vsemu autori umeni nebo kuratori.)
    PASHWAKA
    PASHWAKA --- ---
    DANCHEZ: no spis pokudze podle tebe vymezuje kvalitu jen to, co nepotrebuje vic informaci, nez ty, ktery sou prenositelny ve vizualni slozce dany veci... tak nemluvis o obecnejch pravidlech toho, co urcuje kvalitu, ale pouze o tom, co za ni si schopnej / ochotnej povazovat... takze nemluvis o omezenosti "tech ostatnich veci" ale pouze o omezenosti vlastni ;]
    Kliknutím sem můžete změnit nastavení reklam