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    GUMAGUARmoderní :: postmoderní :: současné umění
    GUMAGUAR
    GUMAGUAR --- ---
    VERNISÁŽ DNES V 17:00





    KHALAVERA
    KHALAVERA --- ---
    Lars Morell



    X-Filed, 2005




    Public Commission, 2007




    Public Commission, 2008


    a jedna vtipná výstava, kterou kurátoroval: http://www.larsmorell.net/works/high_come_down.htm


    http://www.larsmorell.net
    KHALAVERA
    KHALAVERA --- ---
    Interview with Cory Arcangel (2004, 8MB, 3:35 min.)



    http://www.dvblog.org/movies/11_05/coryarcangel.mov
    MIKRON
    MIKRON --- ---
    KHALAVERA: super!!
    KHALAVERA
    KHALAVERA --- ---
    Chantal Joffe

    'I wanted to replicate the way Degas painted ballerinas. The modern equivalent is backstage at a fashion show.'












    http://www.cheimread.com/artists/chantal-joffe
    http://www.saatchi-gallery.co.uk/artists/chantal_joffe.htm
    PASHWAKA
    PASHWAKA --- ---
     
    AMANDE IN

    nar. 1981 ve Francii, aktualne zijici v Praze


    SEARCHING FOR THE RIGHT TEMPERATURE, 2006
    The best memories are the ones we forgot, solo exhibition at Karlin Studios, Prague


    randomly mixed "white" neon lights

    "...there was something going wrong in this space, growing from the lightening set up.

    As this industrial space was transformed into an exhibition space, the lightening display had been left over just the way it was, the broken neon lights had been replaced, the other one still belonging to the past.
    Creating a random pattern of, so called, white lightening.

    Your perception of white disappears merging some various colors resulting from the contradiction of these different definitions of the white.
    The exhibition happened while i was still searching for the right temperature."



    MYSTÈRE, 2005
    Être dans , a group exhibition curated by Nathalie Junod-Ponsard, at the Institut Finlandais, Paris, France



    164 kilos of crystal sugar



    MIRAGE, 2004
    Oasis, group exhibition at the Glassbox, Paris, France


    32 769 tablets of chewing gum (flavour : strong menthol), saliva. The chewing gums are licked then directly stuck on the walls and the ceiling of a narrow corridor dividing the two rooms of the gallery. The menthol scent is so strong that tears are coming to your eyes.



     
    http://insides.free.fr


    nyni tez vystavuje na Love at first Site ve Future
    http://www.jlbjlt.net/index.php?id=show&event=2908
    KHALAVERA
    KHALAVERA --- ---
    PASHWAKA: nj, jasně, já na něj narazil na jlb, akorát jsem na to zapoměl :)
    PASHWAKA
    PASHWAKA --- ---
    KHALAVERA: neba ale v pondeli ma vernisaz ve vernonu
    http://jlbjlt.net/index.php?id=show&event=3062
    KHALAVERA
    KHALAVERA --- ---
    PASHWAKA
    PASHWAKA --- ---
    club internet's latest exhibition launched yesterday: the oracle show curated by harm van den dorpel. featuring work by aids-3d, kari altmann, charles broskoski, carl burgess, jeff carey, chris collins, aleksandra domanovic, harm van den dorpel, constant dullaart, joel holmberg, infobeard, oliver laric, guthrie lonergan, ilia ovechkin, rafael rozendaal, travess smalley, tntet, damon zucconi.
    src: http://iheartphotograph.blogspot.com/2008/06/club-internet.html


    clubinternet.org
     
    PASHWAKA
    PASHWAKA --- ---
     
    GRAHAM HUDSON



    The amount of tape it takes to keep this box on the wall
    2006
    120x80x40 cm
    Cardboard box and tape



    Renaissance
    2007
    13x12x8 inches
    Tin foil and carton



    Heraldic
    2005


    Love lift us up where we belong
    2005


    Once upon a time there was light in my life, But now theres only love in the dark
    2005
    350 x 200 x 170 cm
    Room Fan, Flex, Plastic Sword



    Challanger Tank
    2004


    When its windy this sculpture falls over
    2006
    120x10x30 cm
    Plywood, tape, paint, ink


    http://www.seventeengallery.com/index.php?p=2&id=7
    PASHWAKA
    PASHWAKA --- ---
     
    DAVID ERSSER
    I NEED SEXUAL HEALING (NEON)





    2007
    75x75x2.55 inches (190x190x7 cm)
    Balsa wood


    http://www.seventeengallery.com/index.php?p=2&id=4&iid=5
    PASHWAKA
    PASHWAKA --- ---
     
    PETER J.EVANS
    FEEDBACKER


    Seventeen Gallery, London
    5/9 - 13/10 2007

    Within Peter J. Evans' practise, drawings and objects formed by diagrammatic processes and artificial systems are used to chart and delineate abstract concepts such as human relationships, memory and beauty. These drawings are often formed by repetition of simple actions that build up over time into complex structures or form ambiguous pseudo-scientific, graphical tables. A series of drawings, constructed over a number of years, forms the backbone of this show, alongside a new large scale, wall drawing, using a Japanese ink-line process.

    Evans is also installing a large floor-based sculptural intervention, which occupies the majority of the gallery space. In its white room, Waveformer, 2007 takes its visual cues from a gallery or museum floor, highly polished parquet. At the viewer's feet a series of waves are breaking and sliding to rest at the end of the room as the wood rises in folds and shifts. In producing this work Evans has fused a natural, shifting, aural phenomenon with a static and silent, authoritarian material. This relationship between form and material is echoed in Supernova Moment, 2006, pictured above, in which, conversely, a parquet explosion is frozen in angular stasis by the solemnity of its substance.

    This is Evans first solo exhbition for the gallery and having toured from Spacex, Exeter, it will continue on to Workplace, Newcastle in 2008.



    Supernova Moment
    2005
    100 x 100 x 100 cm
    Parquet flooring





    Waveformer
    2007
    549 x 300 x 60 cm
    Beech parquet



    Gradual Transformation
    2007



    Matter into matter into matter
    2007
    62.5 x 45 cm
    Graphite on graph paper



    Gradual Transformation (Tip of the iceberg)
    2006
    45 x 62.5 cm
    Graphite and coloured pencil on graph paper



    Forbidden city
    2006
    47.8 x 50 cm
    Graphite and coloured pencil and Beijing dust on graph paper



    http://www.seventeengallery.com/index.php?p=3&id=20&iid=0
    PASHWAKA
    PASHWAKA --- ---
     
    JOHN DELK
    JOHN & PAM CALL AMERICANS



    For this piece Pamela Jo Buchwald and I formed a non-profit organization, John & Pam, whose mission was to call Americans and "check in" to see how they were doing. During designated office hours we would report to work and call strangers across the country to ask if everything was going OK.
    Responses to our service varied widely.


    http://www.johndelk.com/work/gallery/235
    OTAKAR_KUBIN
    OTAKAR_KUBIN --- ---
    PASHWAKA: pekna epilepsie..otakar i kubin davaj thumbs up
    PASHWAKA
    PASHWAKA --- ---
     
    JOHN DELK
    NEW CARS


    2002

    New Cars consists of hundreds episodes of The Price is Right reduced to the climax of each show when a new car is offered as a prize. Strung together, the clips become an endless series of ecstatic moments.


    QT: http://johndelk.com/static/dyn-files/0/270.mov

    http://www.johndelk.com
    PASHWAKA
    PASHWAKA --- ---
     
    SUSAN COLLIS
    DON'T GET YOUR HOPES UP


    Seventeen Gallery, London
    1/3 - 14/4 2007

    Areas of the gallery walls appear to have been left unfinished after the de-installation of the previous show. Unusually the behind-the-scenes paraphernalia of display such as screw-heads, nail holes, rawl plugs and pencil marks are still in evidence, together with seemingly unintentional marks associated with the movement of art work. A bucket catches drips from the ceiling and a general air of neglect pervades.

    Within Susan Collis practice, everyday objects and surfaces are presented splattered and stained with the marks of wear and tear, and the viewer might, upon further investigation, realise that the timeworn flecks of paint that cover an old broom, are in fact delicate and precisely inlaid pearls, jasper, turquoise, garnets and black diamonds. Initially, the demarcations seem to be the secondary results of a primary activity, seemingly worthless and easily ignored. Collis is interested in the shift of perception that takes place upon discovery that they are, in fact, intentional and primary activities themselves.

    For this her first solo exhibition at SEVENTEEN Collis has produced a series of interventions that refer to the accidental and neglected, within the context of gallery space. The exhibition will be easy to overlook, as a cursory glance might lead the viewer to believe the gallery was empty. However, further investigation of the space will reward the viewer, leading them towards Collis notions of hidden labour, within a complex network of contradictions and revelations. Dont get your hopes up questions the structures and methods of its own production, together with the viewers most basic assumptions about artistic production and display.


    Installation view


    Made good (DETAIL)
    Length 27 cm
    Coral, black onyx, 18 carat white gold (hallmarked), diamond, silver. Edition of 10


    Untitled, (Rawl plugs)
    2007
    Dimensions variable
    Jasper, black onyx, red carnelian, garnet, brown goldstone


    Waltzer (DETAIL)
    2007
    127.5 x 37 x 11 cm
    Wooden broom, opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite.


    Call the show off DETAIL
    2007
    Length 6 meters
    Sapphires, smokey topaz, black diamonds, 18-carat yellow gold (hallmarked), citrine


    Long gone (DETAIL)
    2007
    Length 135 cm
    Carved turquoise, smokey topaz, Edition of 3


    Rock bottom riser
    2007
    6 meters installed
    Mother of pearl gemstones


    Call the show off DETAIL
    2007
    Length 6 meters
    Sapphires, smokey topaz, black diamonds, 18-carat yellow gold (hallmarked), citrine


    Without you the world goes on
    2007
    Bucket, water, water pumping system, MDF, plaster, plug socket


    Waltzer DETAIL
    2007
    127.5 x 37 x 11 cm
    Wooden broom, opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite.


    http://www.seventeengallery.com/index.php?p=3&id=14&iid=11
    KHALAVERA
    KHALAVERA --- ---
    moc hezký, akorát arshama už jsme tady měli
    Kliknutím sem můžete změnit nastavení reklam