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    GUMAGUARmoderní :: postmoderní :: současné umění




    "My favorite art is the art I don't understand." Pae White
    "Umění chce tvořit konečnost, která vrací nekonečno." Deleuze a Guattari
    "The ‘value’ of particular artists after Duchamp can be weighed according to how much they questioned the nature of art; which is another way of saying “what they added to the conception of art” or what wasn’t there before they started. Artists question the nature of art by presenting new propositions as to art’s nature. And to do this one cannot concern oneself with the handed down ‘language’ of traditional art, since this activity is based on the assumption that there is only one way of framing art propositions. But the very stuff of art is indeed greatly related to ‘creating’ new propositions. That there is no ‘truth’ as to what art is seems quite unrealized." Peter Coffin z rozhovoru

    než začneš diskusi o tom, o co je to umění, čti: 1, 2, 3, 4, 5 - krátký a čtivý úvod do kritiky umění
    rozbalit záhlaví
    PASHWAKA
    PASHWAKA --- ---
    MANDLE:

    DAFNA MAIMON: "I work here"

    performance, 2007

    http://www.dafnamaimon.com/iworkhere.html
     
    MANDLE
    MANDLE --- ---
    Nina Beier a Marie Lund


    The difference between Humans and Walls


    Event, various durations, Tate Britain, November 2007

    A group of uniformed employees of a museum are asked to stand,
    blocking different passages in the exhibition. When a visitor asks
    to pass, they disperse and regroup somewhere else.

     

     



    http://www.ninajanbeier-mariejanlund.com

    MATHEW
    MATHEW --- ---
    a co "umění chce být tím čím ještě nikdy nebylo"?.) to by se vám do té sbírečky citátků hodilo, ne kluci?
    M2S
    M2S --- ---
    PASHWAKA: velmivelmivelmi interesantni, ten hrob je neco zkratkovite dokonaleho
    PASHWAKA
    PASHWAKA --- ---
    MAHISH: neni zac., ,. knizku doporucuju.,
    MAHISH
    MAHISH --- ---
    PASHWAKA: ty jo dík!
    TEAPOD
    TEAPOD --- ---
    Tak rychle, dokud ostatní nebyli ve veletrznim palaci, to tady nahažu.




    http://www.seandawson.net/index.htm

    Obrazy stylu 80 let, ktere by se mohli požívat v nějakých klubech třeba. Na netu není ani jedna dobra reprodukce.
    PASHWAKA
    PASHWAKA --- ---
    je to tak dobre, az sem to pro vas prefotil

    John Baldessari
    Guide Yourself through the Gallery
    by Liam Gillick



    text: http://www.oknea.net/_host/gillick

    book: http://www.artbook.com/3905701014.html
    FABE
    FABE --- ---
    Martin Spengler

    Kathedrale 3

    je to relief vyrezany do nekolikavrstve vlnite lepenky, doporucuju navstivit mezinarodni trienale ve Veletrznim palaci NG, kde je k videni jeste mnohem zajimavejsi relief s nazvem Wave
    PASHWAKA
    PASHWAKA --- ---
    ATOMIC: jojo
    ATOMIC
    ATOMIC --- ---
    PASHWAKA: jé tu znám byla u nás na stáži a měla vetc výstavu : http://www.etcgalerie.cz/?path=2006/006_kresby_s_hlavou
    PASHWAKA
    PASHWAKA --- ---
     
    Zoro Feigl


    Loop, 2007

    http://www.youtube.com/watch?v=T3UKRSSg_NY
    http://www.youtube.com/watch?v=RhFJyc-kky4

     
    Vlucht, 2007

    Some school kids try to figure out how it works.

    http://www.youtube.com/watch?v=DP6rl4p2u5c

    A projection of a bird on a white screen. The bird flys around on the screen.
    When the bird flies into the camera lens it literally pops out of the screen.


     
    The Breakers, 2008


    http://www.youtube.com/watch?v=BJ1J3ncJYe8

    http://www.zorofeigl.nl
    MAHISH
    MAHISH --- ---
    Marc André Robinson


    Myth Monolith, 2002-2003


    MAHISH
    MAHISH --- ---
    Manfred Pernice


    Secretary, 1999



    Commerzbank 1,2004



    Commerzbank 2,2004



    Commerzbank 3,2004

    PASHWAKA
    PASHWAKA --- ---
    KHALAVERA: jj., ten je miloucky
    MANDLE
    MANDLE --- ---
    Tom Friedman


    "1,000 Hours of Staring"
    1992-97
    stare on paper
    32 1/2 x 32 1/2 in


    ENTER
    ENTER --- ---
    KHALAVERA: také jsem se nad nim zasekl :)
    KHALAVERA
    KHALAVERA --- ---
    PASHWAKA: no teda, ten bronzový míč mě chytil za srdíčko...
    PASHWAKA
    PASHWAKA --- ---
    MAHISH: ten prispevek od M2S mi zas pripomel tohle:

    Ariel Orozco


    "Perro Balón", 2003
    A starving stray street dog, which was ignored and abused by people was intervened in the form of a soccer ball, after which it became the centre of attention, creating an immediate bond and interest by the people around it.
    This work elaborates on the lack of attention to the individual and how can absurd actions may lead to celebrity and attention.



    "Rompecabezas", 2004
    The skeleton of a chicken was constructed by individual bones obtained in different restaurants where costumers gave them up to be eaten by the artist.
    The skeleton was formed by 27 diferent chicken bones, connected by 27 charity gestures.



    "Doble Desgaste", 2005
    An eraser was used as a model for a drawing and at the same time to erase it, generating an effect in the eraser’s shape, such eraser was then used as a model for the next drawing, the process was repeated until the disappearance of the image and the model.


    "Yo paso por la ciudad y la ciudad pasa por mi", 2005
    In this action, Ariel Orozco went through the streets of Mexico City wearing a designer suit looking for strangers in order to convince them to engage in a cloth exchange process. The entire action lasted three days. As result of the action he was able to cross through different layers of a complex socioeconomic structure.


    "Ejercicio de Sueño", 2006
    By this gesture the artist alters the use and meaning of an ordinary object and an ordinary action. The bed sleeps on the sleeper.


    "Duelo Personal", 2006
    A heavy bronze reproduction of a soccer ball is painted to look as an actual lightweight ball.
    Ariel Orozco transited during long walks on the streets of Melbourne, acting as he was carrying a light soccer ball.
    This work deals with the emotional weight concealed by people surrounding us on every day life.



    "Espacio sin Espacio", 2007
    By this action Ariel Orozco tries to establish a connection between the finite and the infinite.


    "Melodía Robada", 2007


    "Contrapeso", 2003
    Ariel trained for two months with the sole objective to become his own flag for one second. The effort we make to achieve an objective almost never corresponds to the final result, most of times the effort is not proportional or coherent with the objective. This work makes reference to the prominent absence of a paradigm.

    http://artnews.org/arielorozco
    MAHISH
    MAHISH --- ---
    M2S:

    New law proposed in response to exhibition
    It would criminalise those who harm animals when making art


    http://www.theartnewspaper.com/article.asp?id=8065
    KHALAVERA
    KHALAVERA --- ---
    AHASVER: no tady bych imho hledal to odhalování hovna v kýči (jakožto světa bez hovna, podle Kundery)
    Kliknutím sem můžete změnit nastavení reklam