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    GUMAGUARmoderní :: postmoderní :: současné umění




    "My favorite art is the art I don't understand." Pae White
    "Umění chce tvořit konečnost, která vrací nekonečno." Deleuze a Guattari
    "The ‘value’ of particular artists after Duchamp can be weighed according to how much they questioned the nature of art; which is another way of saying “what they added to the conception of art” or what wasn’t there before they started. Artists question the nature of art by presenting new propositions as to art’s nature. And to do this one cannot concern oneself with the handed down ‘language’ of traditional art, since this activity is based on the assumption that there is only one way of framing art propositions. But the very stuff of art is indeed greatly related to ‘creating’ new propositions. That there is no ‘truth’ as to what art is seems quite unrealized." Peter Coffin z rozhovoru

    než začneš diskusi o tom, o co je to umění, čti: 1, 2, 3, 4, 5 - krátký a čtivý úvod do kritiky umění
    rozbalit záhlaví
    MISSTY
    MISSTY --- ---
    KHALAVERA: ne, ten co neslinta nad picovinama)
    KHALAVERA
    KHALAVERA --- ---
    MISSTY: to jsi dělala ty?
    DKULHANEK
    DKULHANEK --- ---
    MISSTY: ??
    MISSTY
    MISSTY --- ---
    M_ABRAMOVIC
    M_ABRAMOVIC --- ---
    DKULHANEK: proti gustu ziaden disputat predsa.. ;-)
    DKULHANEK
    DKULHANEK --- ---
    nejlepší mi přijde, jak tu všichni slintáte blahem na píčovinama : ))))
    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---
    Basil Sellers Art Prize



    vítěz...

    Daniel Crooks
    Study for ‘Static no. 11 (man running)’ 2008
    production still
    single-channel HD digital video with sound

    Daniel Crooks uses digital video and photography to explore the relationship between time and movement. His work is informed by the motion analysis work of Etienne-Jules Marey and Eadweard Muybridge, whose nineteenth-century studies of human physiology and fitness training were instrumental in forming modern concepts of exercise. The technological manipulations produced by Crooks trigger in the viewer a perceptual shift; they are at once aesthetically and intellectually intriguing.


    other shortlisted artists

    http://www.sellersartprize.com.au/prize-and-exhibition/shortlisted-artists/
    KHALAVERA
    KHALAVERA --- ---
    KHALAVERA
    KHALAVERA --- ---
    SVTONIKovy výpisky o významu kontextu díla

    [ SVTONIK @ ÆSTHETICA ]
    PASHWAKA
    PASHWAKA --- ---
    PASHWAKA: pardon., , odkaz src ma jit na tuto esej: http://www.diacenter.org/exhibs_b/weiner/essay.html
    PASHWAKA
    PASHWAKA --- ---
     
    LAWRENCE WEINER


    "ART IS NOT A METAPHOR UPON THE RELATIONSHIP OF HUMAN BEINGS TO OBJECTS & OBJECTS TO OBJECTS IN RELATION TO HUMAN BEINGS BUT A REPRESENTATION OF AN EMPIRICAL EXISTING FACT," he argues. "IT DOES NOT TELL THE POTENTIAL & CAPABILITIES OF AN OBJECT (MATERIAL) BUT PRESENTS A REALITY CONCERNING THAT RELATIONSHIP." src

    in the documentary by Hillman Curtis
    KHALAVERA
    KHALAVERA --- ---
    MATHEW: no ono je to takové banální tvrzení vlastně .)
    PASHWAKA
    PASHWAKA --- ---
    MANDLE:

    DAFNA MAIMON: "I work here"

    performance, 2007

    http://www.dafnamaimon.com/iworkhere.html
     
    PASHWAKA
    PASHWAKA --- ---
    MATHEW: no v tom textu by jich bylo vic, ale bez kontextu je to takhle samo o sobe trosku nejasny
    MANDLE
    MANDLE --- ---
    Nina Beier a Marie Lund


    The difference between Humans and Walls


    Event, various durations, Tate Britain, November 2007

    A group of uniformed employees of a museum are asked to stand,
    blocking different passages in the exhibition. When a visitor asks
    to pass, they disperse and regroup somewhere else.

     

     



    http://www.ninajanbeier-mariejanlund.com

    MATHEW
    MATHEW --- ---
    a co "umění chce být tím čím ještě nikdy nebylo"?.) to by se vám do té sbírečky citátků hodilo, ne kluci?
    M2S
    M2S --- ---
    PASHWAKA: velmivelmivelmi interesantni, ten hrob je neco zkratkovite dokonaleho
    PASHWAKA
    PASHWAKA --- ---
    MAHISH: neni zac., ,. knizku doporucuju.,
    MAHISH
    MAHISH --- ---
    PASHWAKA: ty jo dík!
    TEAPOD
    TEAPOD --- ---
    Tak rychle, dokud ostatní nebyli ve veletrznim palaci, to tady nahažu.




    http://www.seandawson.net/index.htm

    Obrazy stylu 80 let, ktere by se mohli požívat v nějakých klubech třeba. Na netu není ani jedna dobra reprodukce.
    Kliknutím sem můžete změnit nastavení reklam