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moderní :: postmoderní :: současné umění
KHALAVERA
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13:56:53 20.7.2008
James Hopkins
Afterparty
In My Dream There Were Three Different Doors
http://www.cosmicgalerie.com/en/pages/artistes.php?name=jameshopkins&page=portfolio
KHALAVERA
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13:33:18 20.7.2008
Wilfrid Almendra
http://www.cosmicgalerie.com/en/pages/artistes.php?name=18492&page=portfolio
KHALAVERA
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13:02:45 20.7.2008
Christoph Ruckhäberle
http://www.galeriekleindienst.de/kuenstler
,christoph_ruckhaeberle,123.html
ENTER
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9:52:09 18.7.2008
TEAPOD
:
http://www.youtube.com/watch?v=Htsy_ldbOag
QUAACA
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8:43:53 18.7.2008
TEAPOD
:
?
NOIK
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22:33:36 17.7.2008
TEAPOD
:
http://www.youtube.com/watch?v=3s5aGbvyOCE
TEAPOD
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20:33:10 17.7.2008
3 odpovědi
Jo. to záhlavíé jsem udělal já. A řikam to protože jsem se rozhodl že nebudu sledovat kluby zlých lidi.
a dalo by se to jednoduše zjistit, protože to pochazi z mého flickru.
ATOMIC
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9:10:00 15.7.2008
NOIK
: petr sís
NOIK
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17:42:10 14.7.2008
1 odpověď
Duke Riley
http://dukeriley.info/
KHALAVERA
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13:02:36 14.7.2008
Johnathan Runcio
http://www.ratio3.org/artist.php?p=jruncio
KHALAVERA
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13:01:06 14.7.2008
Ben Peterson
detail
detail
http://www.ratio3.org/artist.php?p=bpeterson
KHALAVERA
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22:13:11 13.7.2008
Ara Peterson
detail
... všechno Paint on laser cut wood
http://www.johnconnellypresents.com/exhibition/view/962
http://www.ratio3.org/artist.php?p=apeterson
KHALAVERA
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18:15:29 13.7.2008
Joe Bradly
Joe Bradley’s work reconfigures the daunting spectrum of minimalist painting with an endearing sense of humility and pathos. Arranging his canvases in the shapes of absurd and clunky figures, Bradley subverts the subtle grids of Ad Reinhardt and the pantone hued planes of Ellsworth Kelly, infusing traditional formalism with cartoon humour. Through this merger of abstraction and figuration, Bradley embraces equally the non-objective ideals of 70s art and a contemporary humanist approach to high culture.
Executed on cheap pre-fab canvases, and painted with intentional mediocrity, Bradley’s paintings are immediately sympathetic in their impoverished aesthetic. Towering with a commanding primitivism – alluding to both totems and obsolete computer graphics – Bradley’s works transact on the transcendent spiritualism of monochrome painting, instead offering an unnerving contemplation of unabashed dumbness.
In championing the abject, Bradley engages with the problems of painting itself. Each arrangement reveals the processes of theatricality and illusion, creating a sense of narrative and personal gesture through generic attributes of colour, line, shape, and composition. Behind their tongue in cheek parody, Bradley’s paintings resolve the detachment of hard edged abstraction with an affectionate intimacy; each work commands mediation through its understated integrity.
KHALAVERA
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17:50:30 13.7.2008
Michele Carlson
detail
http://www.michelecarlson.com
TEAPOD
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18:30:56 11.7.2008
KHALAVERA
: Dětský libivý omalovanko rainbow art!
DESEO_MORTAL
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16:30:52 11.7.2008
KHALAVERA
: to je fakt nadhera
BANANABOY
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14:52:29 11.7.2008
KHALAVERA
: jo !
KHALAVERA
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14:38:03 11.7.2008
3 odpovědi
Jen Stark
detail
detail
detail
detail
http://www.jenstark.com
KHALAVERA
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14:01:07 11.7.2008
Pierpaolo Campanini
http://www.corvi-mora.com/pierpaolocampanini_window.php
XYZ
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13:46:51 11.7.2008
DESEO_MORTAL
: To jistě ne, ale já osobně raději vyplýtvám nějakou tu energii na umění a do práce jedu na kole.
KHALAVERA
: No jo, no jo, zpátky k umění :)
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