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    GUMAGUARmoderní :: postmoderní :: současné umění
    TANAIS
    TANAIS --- ---
    Ráda bych vás tímto pozvala do nového klubu
    [ Akt ve výtvarném umění (malířství, sochařství) ]

    Za spam se omlouvám.
    GUMAGUAR
    GUMAGUAR --- ---

    JAKUB NEPRAŠ
    REACTOR


    16.1. – 6.3.2009
    ________________

    vernisáž 15. ledna
    v 18 hod


    VERNON PROJEKT
    Heřmanova 12
    170 00 Praha 7
    ČESKÁ REPUBLIKA

    PASH
    PASH --- ---
    DKULHANEK
    DKULHANEK --- ---
    PASHAACEK: spíš jen kytarovou : ))
    PASHAACEK
    PASHAACEK --- ---
    JAZZZ: :D :D
    JAZZZ
    JAZZZ --- ---
    PASHAACEK: to znamená, že hudba musí mít říz ;)
    PASHAACEK
    PASHAACEK --- ---
    ALBATROS: to je tvoje prace??? a to ma znamenat ze nemas rad hudbu?? :D

    KHALAVERA: pekne!!
    KHALAVERA
    KHALAVERA --- ---
    ALBATROS: piš prosím i autora, ne každý ví, že je to tvoje
    ALBATROS
    ALBATROS --- ---
    TANAIS
    TANAIS --- ---
    KHALAVERA: tak ty knihy mě nadchly!
    KHALAVERA
    KHALAVERA --- ---
    Kaz Oshiro













    Kaz Oshiro is a master of deception. His works posit ordinary objects with a humble simplicity. Washing machines, kitchen cabinets, stereo speakers, and trashcans are presented with mundane matter-of-fact-ness ― bland commercial components, bearing the marks of their habitual use. Oshiro’s forms, however, are not usual household appliances: they are actually three dimensional hyperrealist paintings. Each of Oshiro’s works is assembled from stretched canvas, expertly faux finished and adorned with real fixtures such as handles and decals. Through openings in the back of each work, Oshiro reveals the secret of their making.

    In combining sculpture and painting, Oshiro considers his work as dissociated from both disciplines. Instead he describes his practice as “postmodern photography”, creating provocative instances of perception which simultaneously confuse and expose artifice and reality. Equally influenced by Minimalism and Pop art, Oshiro uses these references to reinterpret the traditional genre of still-life. Like 17th century paintings of flowers and fruit, Oshiro’s contemporary emblems of status symbol and commodity invoke a transitory mysticism in their contrived illusion. In replicating the quotidian, Oshiro conjures a magic in the in the experience of everyday banality.
    KHALAVERA
    KHALAVERA --- ---
    Shane Bradford





    TANAIS
    TANAIS --- ---
    KHALAVERA: pane jo, ten černobílý stůj je fakt super! :)
    JOSLIACKY
    JOSLIACKY --- ---
    MORPED: ...asi ano
    MORPED
    MORPED --- ---
    JOSLIACKY: ja bych rekla ze da!!!!
    JOSLIACKY
    JOSLIACKY --- ---
    MORPED: ...a keby sa dala ta stolicka aj pouzivat k tomu stolku...
    MORPED
    MORPED --- ---
    KHALAVERA: ty jo tak ten cernobily stul je fakt ulet!!!
    KHALAVERA
    KHALAVERA --- ---
    Daniel Young & Christian Giroux








    http://cgdy.com
    LALAITHWEN
    LALAITHWEN --- ---
    dobry!:)
    KHALAVERA
    KHALAVERA --- ---
    omg, některé ty věci fakt tesat...
    Kliknutím sem můžete změnit nastavení reklam