Zemřel Jan Kaplický

http://zpravy.idnes.cz/zemrel-architekt-jan-kaplicky-v-den-kdy-se-mu-narodila-dcera-poy-/domaci.asp?c=A090114_230954_domaci_jte

veronka ........tyjo au_???co to je

KHALAVERA: spatny pruzkum, chybi tam urcite kvantova fyzika! ;)

ALBATROS: tyjo au! ;]

TANAIS: jenom ten pravý sloupec .)

KHALAVERA: tvoje knihovna? :D

Ráda bych vás tímto pozvala do nového klubu
[ Akt ve výtvarném umění (malířství, sochařství) ]

Za spam se omlouvám.

JAKUB NEPRAŠ
REACTOR

16.1. – 6.3.2009
________________

vernisáž 15. ledna
v 18 hod

VERNON PROJEKT
Heřmanova 12
170 00 Praha 7
ČESKÁ REPUBLIKA

KHALAVERA: Ikea'a Lack table upgraded : http://www.kellyjazvac.com/LackUpgrade/LackUpgrade.html

PASHAACEK: spíš jen kytarovou : ))

JAZZZ: :D :D

PASHAACEK: to znamená, že hudba musí mít říz ;)

ALBATROS: to je tvoje prace??? a to ma znamenat ze nemas rad hudbu?? :D

KHALAVERA: pekne!!

ALBATROS: piš prosím i autora, ne každý ví, že je to tvoje

KHALAVERA: tak ty knihy mě nadchly!

Kaz Oshiro













Kaz Oshiro is a master of deception. His works posit ordinary objects with a humble simplicity. Washing machines, kitchen cabinets, stereo speakers, and trashcans are presented with mundane matter-of-fact-ness ― bland commercial components, bearing the marks of their habitual use. Oshiro’s forms, however, are not usual household appliances: they are actually three dimensional hyperrealist paintings. Each of Oshiro’s works is assembled from stretched canvas, expertly faux finished and adorned with real fixtures such as handles and decals. Through openings in the back of each work, Oshiro reveals the secret of their making.

In combining sculpture and painting, Oshiro considers his work as dissociated from both disciplines. Instead he describes his practice as “postmodern photography”, creating provocative instances of perception which simultaneously confuse and expose artifice and reality. Equally influenced by Minimalism and Pop art, Oshiro uses these references to reinterpret the traditional genre of still-life. Like 17th century paintings of flowers and fruit, Oshiro’s contemporary emblems of status symbol and commodity invoke a transitory mysticism in their contrived illusion. In replicating the quotidian, Oshiro conjures a magic in the in the experience of everyday banality.

Shane Bradford

KHALAVERA: pane jo, ten černobílý stůj je fakt super! :)